Does watching TV shows with “Lodge” in the title make yourself wish that you, yourself, headed a magickal order? Or do you need headquarters for your existing esoteric order?
One warning. Real-estate listings always lie. The Pour House coffeehouse has moved out, so you will need to find a new tenant for that ground-floor commercial space. You can easily find another antiques dealer to rent it — more income for building upkeep, purchase of new regalia, and printing elaborate esoteric books.
As for the Masons, sources tell me that they are about done for. They sold the building, and I think the few elderly members left have consolidated with another lodge in a nearby town.
I wrote about my encounter with 2019’s take-off[[It doesn’t seem right for say “went viral” right now, don’t you think?))paranormal web series hit Hellier in this post, “Don’t Follow the Lights across the Moor, said the Monk.”
Now my favorite podcasters, J. F. Martel and Phil Ford of Weird Studies, have produced the episode on Hellier and related things — with them, there will always be related things. Usually they send me to the library website with a bunch of interlibrary-loan requests.
On the night before this episode of Weird Studies was released, a bunch of folks on the Internet performed a collective magickal working. Prompted by the paranormal investigator Greg Newkirk, they watched the final episode of the documentary series Hellier at the same time — 10:48 PM EST — in order to see what would happen. Listeners who are familiar with this series, of which Newkirk is both a protagonist and a producer, will recall that the last episode features an elaborate attempt at gate opening involving no less than Pan, the Ancient Greek god of nature. If we weren’t so cautious (and humble) in our imaginings, we at Weird Studies might consider the possibility that this episode is a retrocausal effect of that operation. In it, we discuss the show that took the weirdosphere by storm last year, touching on topics such as subterranean humanoids, the existence of “Ascended Masters,” Aleister Crowley’s secret cipher, the Great God Pan, and the potential dangers of opening gates to other worlds … or of leaving them closed.
No, I haven’t listened to it yet. Weird Studies episodes are saved for long drives, and M. and I are going to the city tomorrow.
Fighting with the Wuffa Viking and Saxon Re-enactment Society, he did not expect that his hobby of more than three years would help him find his own belief through Norse mythology.
“What it is about the Norse gods is they teach you to respect nature and the world and that’s how the world should be run, not like in the modern day,” said Mr Mehmed, who is also known as Magnus Shield-Breaker.
It is a different sort of re-enactment, but in America, Wicca is more or less the “house religion” of the Renaissance Faire circuit, or so says Rachel Lee Rubin in her history of Renn Faires,Well Met: Renaissance Faires and the American Counterculture.
Thanks to the Witches’ Voice Facebook page and other sources, I have been hearing about an ancient Australian story, of “an ancestral creator-being transformed into the fiery volcano, Budj Bim. Almost 40,000 years later, new scientific evidence suggests this long-shared legend of the Dreaming could be much more than a myth.”
New mineral-dating measurements conducted by Australian scientists highlight the possibility that the traditional telling of Budj Bim’s origins may be an actual account of two historic volcanic eruptions that took place in the region about 37,000 years ago – which, if true, might make this the oldest story ever told on Earth.
A small community in northern Poland is embroiled in a dispute over 13 wooden sculptures of spirits based on local folklore, pitting Catholics warning of “demonic idolatry” conservatives against officials seeking to promote tourism. Some of the statues are set to be removed as a result.
Scott Simpson, a lecturer in religious studies at the Jagiellonian University in Kraków and expert on Polish paganism, told Notes from Poland that “the 13 figures have been selected because they are very local. They belong to stories collected in that area, ethnographically, as an expression of local pride”.
“Amongst the voices complaining about the removal, there are people interested in local folklore,” with no strong religious motivations, added Simpson. Yet “other people amongst them would be Contemporary Pagans, who are religiously offended by the things being taken down.”
Contemporary Pagans in Poland are small in number but “relatively visible, for example, in the folk music scene,” according to Simpson. In Poland, there may be “in the order of 2,500 very active participants in Slavic Native Faith (Rodzimowierstwo)” and a “much broader range of people” who sometimes participate.
“They do not like to see their local folklore removed, which is to them sacred,” said Simpson. And they worry about “seeing that some religions can be put up on a pedestal, but the folk religion is sent away to be put in a museum,” as the local parish priest suggested
So will folkloric tourism win over theology? Does tourism favor Pagans (it certainly does in some places)? If I learn more, I will post it.
The old spa town of Manitou Springs, located in the foothills west of Colorado Springs. Photo by Mark Reis, ( a former newspaper co-worker of mine) from the Colorado Sun. Click to embiggen.
The Colorado Sun, an online news site, dropped this into my inbox yesterday, giving M. and me both giggles and epic nostalgia. Back in the Eighties, we were “The Witches of Manitou” — at least two of them.
Maybe you’ve heard it from an Uber driver on the way to an area bar or while scrolling through a travel site. It’s a tale that often wanders through word of mouth. Wherever it comes from, legend has it there are witches in Manitou Springs. More, perhaps, than usual.
But is there an overabundance of witches in this town at the foot of America’s mountain, where at least one apothecary sells miniature broomsticks — or is it just a persistent urban legend?
That much is true. It definitely is a persistent urban legend — I encountered it in my more youthful days, circa 1976. Everybody had heard of ceremonies in “the big cave.”1)Actually, it was an abandoned limestone quarry, and it definitely was a site of high-school keg parties and that sort of thing. It was demolished when an upscale housing development was built in that area.
There’s the horror mockumentary, “The Warning,” a film by Summer Moore, a Liberty High School graduate turned filmmaker. Filmed in Colorado Springs, “The Blair Witch Project”-inspired script follows three friends as they investigate a local cult in the forest that borders the town.
While promoting her film in 2015, Moore toldThe Gazette she spoke with 50 of her classmates who alluded to “true accounts” of dark happenings in Manitou. Moore went on to write, produce, and star in her film. . . .
When Bryant T. Ragan, a history professor at Colorado College, was teaching a class at Colorado College in 2018 titled “Sorcery, Magic, and Devilry: The History of Witchcraft,” he wanted to bring in a practicing Wiccan from Manitou Springs to talk to his students. He ultimately couldn’t track down someone willing to do it
Obviously a must-see. How did I miss it? (The cave in the movie trailer is not the cave that I mentioned above.)
I can say that for a time there was the Iron Mountain Coven, named for the little peak above our house, labeled at the left edge of the photo above.
We used both the second-floor of the Spa Building (labeled) and the basement of an art gallery for ritual/festival/handfasting sites. At the time, a Pagan-friendly couple operated a hot tub and flotation tank-rental business in the Spa Building, which included a large room facing out over the avenue. When ritual ended, the tubs were waiting.2)There was a separate legend about the “old Indian curse” on the Spa Building, which does have a soda spring in its lobby.
M. worked at Celebration, the West Side (Colorado Springs) metaphysical store mentioned in the article, for a couple of years. Its original owner, Coreen Toll, later served on the Manitou Springs city council and narrowly lost a race for mayor in 2015.
So where did the “witches of Manitou” legend originate? Since it was firmly in place by the mid-1970s, it would be easy to blame it on “the Sixties.” To be honest, I cannot say. I do know that our coven was not the first.
To quote a story about the iconic Manitou artist Charles Rockey, who was our own Van Gogh, “Manitou Springs has always harbored a sizeable community of artisans, musicians, potters, healers, New Age masseurs, alternative gardeners, dharma motorcyclists, metaphysical high-techers and liberal-artsy bohemians of every stripe and hue.”
Actually, it was an abandoned limestone quarry, and it definitely was a site of high-school keg parties and that sort of thing. It was demolished when an upscale housing development was built in that area.
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There was a separate legend about the “old Indian curse” on the Spa Building, which does have a soda spring in its lobby.
It’s all true. One of these days, one of my favorite archivists might have a tale to share.
And for my librarian friends: if you work at a college or university and have to teach first-year students how to use the library, can you explain that they will be working with spirits?
You can buy this artwork in various forms at Strange Familiars’ Patreon site.
Readers, I have reworked the blogroll (right-hand column) to create a new “Podcast” category.
If you are looking at a single post, the blogroll might not display for you. In that case, click the main blog title or the banner photo at the top to switch to the main page.
I had few podcasts mixed in the blogs, but I am listening to more now, and I decided that they deserved their own category.
For instance, I mentioned Strange Familiars recently in my post, “Don’t Follow the Lights across the Moor, said the Monk.” Apparently that episode — with host Timothy Renner interviewing Br. Richard Hendrick about fairies, ghosts, and poltergeists — was their highest-rated ever.
Weird Studies is another solid favorite. Co-host Phil Ford is a musicologist at Indiana University. Who knew you could do such strange and edgy stuff under the roof of the School of Music? About every other time that I listen to Phil and his co-host, J. F. Martel, I have to visit the library.
Some of these podcasts are easily downloaded from their home sites, plus you can get them on Google Play, Apple Podcast, and usually various other podcast sites. I use Apple gear, but I don’t like Apple Podcast very much and prefer to download individual episodes to iTunes.
On the opening day, Saturday, January 25th, I admit that among the various talks on dealing with bad changes — extinctions, elections, end times— the one talk that really stuck with me was Murtagh anDoile’s “With a Whimper, not a Bang: The ‘Death’ of Pagan and Magical Traditions.” It put me in mind of a talk that I had with my friend Evan John Jones (English witch, member of Robert Cochrane’s coven in the mid-1960s), who said that on his death, all his Craft-related papers were supposed to be burnt.
From my vantage point, a very long way away, I do not know what happened. As a writer, John left behind at least some records that deserve to be archived. Maybe not everything, but some things.
This is not the Pagan studies conference (photo: Claremont Graduate University).
At any rate, the Albrecht Auditorium is an up-to-date lecture hall at Claremont Graduate University, with lots of elbow room, AC and USB chargers at every seat, and other good stuff. So when I finally had to stand up and fill an hour on the history of Pagan studies and some things that I would like to see more covered in the future, it was a pleasure to be in that room.
It was a good conference where you could hear thoughtful Pagans discuss our response to some of the Big Issues — and like all conferences, the best parts were in the restaurants and bars afterwards! But about about 6:30 on Sunday evening I had to pry myself from the big table at Packing House Wines (in the same complex as Augie’s Coffee, where my Claremont visit began) and accept a ride from a conference-goer who was headed east through San Bernardino anyway.
The train rolled in on time. I had booked a roomette (sleeper) because I knew I would be tired. I dropped my bags, went to the dining car for supper (included), and when I came back the attendant had my bed made up, into which I fell.
Around 2 a.m. an announcement from the conductor woke me (and everyone else). A man in my car was having an acute asthma attack. “Does anyone have an EpiPen?)”
I thought for a moment — I did not have my first-aid kit with me, so I could not even offer pseudopehedrine. And does a Wilderness First Aid card let you give drugs? I think so, if they are over-the-counter things like that. But I had none. Twenty minutes later we were stopped in Kingman, Arizona, and as another passenger told me at breakfast, the ambulance was waiting and took him away.
And thus on across New Mexico and southern Colorado, where I retrieved the Jeep at the railway station and drove home at night through an increasing snowstorm, past the signs that warn that roads are not plowed after 5 p.m.
It was a 20-minute walk from the hotel to Claremont Graduate University, where the Conference on Current Pagan Studies rents space during CGU’s winter break. CGU is one of the seven “Claremont Colleges” — five undergrad, two graduate schools — that together form a “collegiate university.” Six of them share a campus with a combined library and other facilities. Pomona College, the oldest, dates from 1887; the others were founded in the 1920s, which must have been when Claremont shifted from “citrus town” to residential suburb of Los Angeles.
Walking to CGU, I did not see anything that resembled a “student ghetto,” which made me wonder if there is such a thing as off-campus housing, or if those students must all commute.
No, definitely not the “student ghetto.”
Was I on the right street? I looked at some license plates. Yes, this must be the right building.
When Fritz Muntean started The Pomegranate in 1997, its subtitle was “A New Journal of Neopagan Thought.” That approach fits this conference too, and in fact, a new online journal is in the works that will take up that strand of Pagan publishing, I was told. More on that when I learn more.
The conference draws a mixture of older and younger Pagan academics, at least one outside PhD student researching Paganism in academia, some writers, some original West Coast Pagan figures from the 1960s–70s, and other members of the (chiefly) West Coast Pagan community.
The difference between this and the American Academy of Religion Pagan studies sessions that I am used to is that there is less of a sense of working on issues in the larger world(s) of religious studies and more a sense of telling our own stories, working on our own issues (like what happens to archives when groups shut down?), examining our origin stories, and talking about what is changing.
The first day’s venue: CGU’s Harper Hall, a fine example of 1930s Romano-Californian architecture.
Conference attendees begin to gather in the CGU Board of Trustees room, a comfortable space with open doors onto a courtyard — but pretty soon there were chairs jammed everywhere.
Does watching TV shows with “Lodge” in the title make yourself wish that you, yourself, headed a magickal order? Or do you need headquarters for your existing esoteric order?
