Since I acquired this book for Equinox Publishing’s Pagan studies book series, I am happy to see it praised by an astute writer on Pagan history like Doyle White, who called it “one of two important works on American Heathenry that have appeared over the past decade.”
A little bit about Calico’s scholarly journey is interesting:
Many of us have experienced paradigm shifting moments during our educational journeys— those moments of discovery that unfold for us along new and unexpected paths. These moments arise from all sorts of stimuli—disciplined reading, insights from our teachers, and from seemingly random “aha” moments, to name a few. In my own journey, one of those moments came for me in reading Carole Cusack’s Invented Religions (Routledge, 2010) . . The cumulative effect of that book rescued me from a previously dismissive attitude about new religious movements and opened a new world of scholarly interest. I had entered my PhD program initially intending to pursue research on Islam. However, a conversation with my supervisor—strangely enough about the 1994 Olympics hosted by Norway—caused me to re-evaluate and drew my attention to the growing presence and influence of Paganism in the contemporary world. As I discuss in the introduction to Being Viking, an offhand question in a graduate seminar stirred my initial curiosity about Heathenry and led to it becoming a major interest. A chance conversation with a friend, Dr Thad Horrell, while walking to an American Academy of Religion (AAR) venue in San Diego led to a new line of inquiry and research that helped me to better understand the tributaries of American Heathenry.You don’t get these experiences on Zoom. Rather than one over-riding passion, my interests and work have been nudged along by these sorts of important and transformative experiences.
Read it all here, including the part about being an “outsider” researcher at Heathen events.
Cover of issue 66, published June-July 1975, edited by Paul Screeton.
The Ley Hunter was a British zine devoted to “earth mysteries” (which could include such things as Fairy encounters as well as ley lines, etc.) published from 1965–1998. As Isaac Koi describes it,
Its website described it as “the longest running journal to cover the ‘earth mysteries’ complex of study areas (it invented the term over 20 years ago!)”, including “‘ley lines;, (earth tie geophysical) energies (studied from both a primary sensing – experiential – point of view and that of physical monitoring), folklore, traditional lifeways, archaeology, all aspects of geomancy or sacred geography, shamanism and other aspects of archaic consciousness, unexplained natural phenomena, and so on”.
Carol Christ (Unitarian Universalist Women and Religion).
Carol P. Christ, PhD, a foremost figure in women’s spirituality and Goddess religion, passed away five days ago (14 July 2021). She was born in 1945.Most people said her surname as “Krist.” Not to be confused with Carol T. Christ, former president of Smith College and chancellor of the University of California-Berkeley.
Christ’s first book, about women writers on spiritual quest, is a book of spiritual feminist literary criticism that focused on feminist authors Kate Chopin, Margaret Atwood, Doris Lessing, Adriene Rich, and Ntozake Shange. She discovers four key aspects to women’s spiritual quest: the experience of nothingness; awakening (to the powers that are greater than oneself, often found in nature); insight (into the meaning of one’s life); and a new naming (in one’s own terms). She emphasizes the importance of telling women’s stories in order to move beyond the stories told about women by the male-centered patriarchy. Her concluding chapter speaks of a “Culture of Wholeness,” that encompasses women’s quest for wholeness, and she adds that, for this wholeness to be realized, the personal spiritual quest needs to be combined with the quest for social justice.
She published an influential list of books (see link above) and was also known for leading group pilgrimages to Goddess sites in the Mediterranean region. There are also links to other tributes to her.
To be clear, The War on Witchcraft treats historical writing about the late medieval and early modern witchtrials, seen as an outbreak of “unreason.”
From the publisher :
Historians of the early modern witch-hunt often begin histories of their field with the theories propounded by Margaret Murray and Montague Summers in the 1920s. They overlook the lasting impact of nineteenth-century scholarship, in particular the contributions by two American historians, Andrew Dickson White (1832–1918) and George Lincoln Burr (1857–1938). Study of their work and scholarly personae contributes to our understanding of the deeply embedded popular understanding of the witch-hunt as representing an irrational past in opposition to an enlightened present. Yet the men’s relationship with each other, and with witchcraft sceptics – the heroes of their studies – also demonstrates how their writings were part of a larger war against ‘unreason’. This Element thus lays bare the ways scholarly masculinity helped shape witchcraft historiography, a field of study often seen as dominated by feminist scholarship. Such meditation on past practice may foster reflection on contemporary models of history writing.
Much of the same content exists today, if you care to look for it, on Tumbler.com and elsewhere. But I don’t know who makes money off it.
Author David Flint notes,
Today, there are several witchcraft magazines in print, but all seem to take themselves and their craft very seriously, and I very much doubt that most of the Witches of Instagram would be very amused by the cheerfully exploitative nature of these ancient publications. But I might be wrong – perhaps there is a gap in the market waiting to be filled. If so, then we are happy to step up and revive this gloriously tacky, cheesy and outrageous world of sex, sin and Satanism.
“Adult male from grave 76a in Yuzhniy Oleniy Ostrov drawn as if he were alive during a dance session: 140 elk teeth on the chest, waist, pelvis, and thighs rattle rhythmically and loudly.” (University of Helsinki)
“Ornaments composed of elk teeth suspended from or sown on to clothing emit a loud rattling noise when moving,” says auditory archaeologist and Academy of Finland Research Fellow Riitta Rainio from the University of Helsinki. “Wearing such rattlers while dancing makes it easier to immerse yourself in the soundscape, eventually letting the sound and rhythm take control of your movements. It is as if the dancer is led in the dance by someone. . . . ”
Associate Professor of Archaeology Kristiina Mannermaa from the University of Helsinki is excited by the research findings.
“Elk tooth rattlers are fascinating, since they transport modern people to a soundscape that is thousands of years old and to its emotional rhythms that guide the body. You can close your eyes, listen to the sound of the rattlers and drift on the soundwaves to a lakeside campfire in the world of Stone Age hunter-gatherers.”
In case you are wondering if I have Finnish or Karelian ancestry, I do not that I know of. And there is complicated story of groups of people here — Neanderthals, perhaps, then Stone Age hunters, Neolithic farmers/herders, and then Indo-European-speaking Bronze Age people. But go back far enough and one might have some of each. So I use “ancestors” in the broadest sense.
A saddle stapler for pamphlets, essential for zine publishers!
I used to have shelves of Pagan zines and a subscription to Factsheet Five, but the air leaked out of zine publishing in the late 1990s as people got used to the “World Wide Web,” which was free (or seemed to be) and where you could post your stuff without having to type or draw pages, take them to the copy shop, then collate, staple, and mail.
Before that, I’d been involved with a couple of literary zines, two Pagan zines not worth mentioning, and finally Fritz Muntean’s new, intellectually ambitious one: The Pomegranate: A New Journal of Neopagan Thought, which ended up as something else. Fritz flattered me by saying he was partly inspired by my short-lived (1984–86) effort, Iron Mountain: A Journal of Magical Religion, which you can now read online, all four issues of it.
Some examples: Edited by Maria J. Pérez Cuervo, who is interviewed here,Helleboreis published in Bristol (UK), and leans heavily towards folk horror, folk witchcraft, myth, and psychogeography. Issues are £6.75 (US $9.58) plus postage.
She grew up in a fertile environment for a zine editor, and she has an MA in archaeology from Bristol University (What do you do with an MA? Write a lot and start your own journal.)
I grew up in a fairly bookish home and I don’t remember not writing. As a child I used to make my own magazines, with comics I drew and articles I wrote. My dad was into ancient history and mythology, and my mum has always been a bit of an anglophile, and it probably rubbed off on me. My mum told me a lot of fairy tales, and what really fascinated me was the magic. You know, the witch, the magic mirror, the curses. A bit later I became obsessed with Enid Blyton’s Famous Five books, partly because of the settings (the moors, the Cornish coast, the ancient ruins), and with Sherlock Holmes
I bought issue #3, The Malefice Issue, (“What has been buried ought not to return”) and was reminded of some of the older Pagan zines. The resemblance was intentional, for she says she wanted “the aesthetics to evoke that particular era, the late 60s and 70s, grabbing inspiration from Czech film posters, with a touch of psychedelia, and an old-school fanzine finish.”
Is it typical of connected life today that I followed Fiddler’s Green for months on Instagram before I got around to ordering a sample issue? It is the zine of “Art & magic for tea-drinking anarchists, convivial conjurors & closeted optimists,” with a mailing address in Berkeley, California. I bought volume 2, number 3, “Gods of the Afternoon,” which is $15 + postage.
Speaking of postage, alongwith the articles, listed here, was a table of postal rates, which warmed my heart, and — OMG real zine culture! — several pages of zine reviews! Further explorations await.
And speaking of vinyl, the issue included a 45 rpm flexi-disk of “Mushroom Madness” by Anton Barbeau, so I need to blow the dust off my old Technics turntable and learn what it sounds like.
The famous Museum of Witchcraft and Magic in Boscastle, Cornwall, is re-opened post-COVID lockdown and also has a museum journal (I am calling it a zine too) called The Enquiring Eye, “that aims to showcase a wide range of research into all aspects of magical practise, witchcraft and the occult.” Issues are £5, and five have been published so far, with articles like “Wisdom from the Wilderness: Using the Fae to Re-enchant the Landscape in a Time of Crisis.” Table of contents for issue 5 here.
In large part I think that’s the case except with vinyl records. There is something romantic about records, something satisfying about opening the album jacket, seeing the fantastic artwork and studying the liner notes while listening to the album. That’s something that today’s digital files just can’t replace.”
So much of the content we consume these days is digital that print feels like a small luxury. And I wanted to make a beautiful object for everyone who loves these themes, because there wasn’t anything quite like it. Making it limited-run was partly a practical decision, but also, I think, reminiscent of a time when you didn’t have constant access to information. And you could be a little girl, catch a film halfway through on TV, and not know the name of it, but be haunted by it for life. And somehow this invests the film, or the book that you borrowed from the library but never found in any shops, with an almost mythical quality. Maybe in a few years there’ll be people saying “oh, do you remember that little zine?” Who knows?
This is the title of an anthology for which I’ve been gathering essays over the past couple of decades. These are accounts of their journeys from former Christians—especially Clergy—who have left their churches and come over to Paganism and the Goddess.
This whole idea began in a hot tub over 20 years ago, after a CUUPS conference, where we were all sharing our stories of how we found (or were found by) the Goddess. A couple of us were former Christian Clergy, and I found their journeys fascinating, and thought they should be published. I have a couple dozen submissions now on-file, but other things came up over the following years, and I just had to set the whole project aside ‘til later. This is later.
I believe these stories are important to the world and should be told, so if you used to be Clergy in a Christian Church (any denomination), and now serve the Goddess, I’d like to know your story, and potentially include it in this collection. And even if you weren’t actually Clergy, if you were particularly devout as a Christian and then came over to the Goddess, I invite you to tell about your journey.
Here are some things you could address in your personal account:
Tell about your religious upbringing. What was it like for you? Was your family devout? What church did they (and you) attend? How deeply were you immersed in the church, its activities and teachings? Did you take Confirmation or other serious religious education?
As you came of age, did you experience conflict with your church’s teachings on moral issues and strictures, such as dancing, music, sex, birth control, abortion, sin, etc.?
If you were Christian Clergy, tell about your Calling. What made you decide to become Clergy? Did you attend seminary? How did you feel upon ordination?
How was it for you serving as Clergy? Did you experience challenges to your faith? Disillusionment? A “Crisis of Faith”?
And most important—how and when did you discover The Goddess? What was that like for you? How did your family and friends react when you told them?
What was your experience coming into the Pagan community? When was that? How did you feel? Was it with an individual, a small circle, a large gathering? Did you join a particular Tradition or group? And how has it been since?
How do you feel about Jesus now? Do you still hold him in high regard and reverence? Do you feel that you may have left the church, but not necessarily Jesus? Talk about this.
Tell about your present life in Paganism. How are you currently involved? Have you become a Priest or Priestess? How is that for you? Would you ever consider going back to your former church? Why or why not?
And finally, what message would you like to convey to other Christians (Clergy or otherwise) who are still in the Church?
There is no word limit, but essays will be subject to editing as may be needed. I will, of course, need your permission to publish your account, so please provide your contact info, and I’ll send you a permission form to be filled out.
While I would like to use real names, if you don’t want your name printed, no problem; just give me a pseudonym you’d like us to use. Also, readers would love to see your face, if that’s OK with you. If so, please include a 300 dpi jpeg portrait photo to print with your story.
I have added another link to the list of Pagan podcasts in the right-hand sidebar: Ravens at the Crossroads, by Mistress Prime and Tyler Matthews, who “realized the stories of our community, especially of our elders, were being lost and forgotten. In an effort to preserve many of those stories the podcast was created.”
If you are not seeing the sidebar, click the banner at the top of the page (the photo and title) to go there. Or click here.