For more than a decade, Denver artist and printmaker Emi Brady toyed with the idea of her own tarot card deck. She “wasn’t ready” until more recently.
“Technically, I wasn’t ready and I think emotionally I wasn’t ready,” Brady said. “I was definitely still learning a lot of things about myself and I think the Tarot is about having a depth of knowledge and compassion for yourself and for others. And I just wasn’t there” . . . . .
Her own deck, The Brady Tarot, is a set of hand-colored, linocut cards that she released in 2018. The imagery features nature, particularly fauna and flora native to North America. One of the most important things she wants is for people to realize that animals also “have rich inner lives and we’re not alone on this planet.”
Near as anyone can tell, the Celtic Cross comes out of the assorted Golden Dawn materials and was propagated (if not totally invented) by A.E. Waite in the early 20thcentury. Waite was super into the Holy Grail/Celtic religion thing and was, like many of his colleagues, invested in demonstrating how there was a great deal of commonality in the various schools of occult thought, intersecting with ancient religions, etc., etc. Nobody at the time was really above making weak claims as to the antiquity of assorted pieces of occult wisdom, and the Celtic Cross just sort of gently leached into the magical water supply as the tarot’s popularity grew.
If you want to hear people doing cold readings with three-card spreads, listen to the consultation segments of the Lucky Mojo Hoodoo Rootwork Hour podcasts. You might pick up a few tips on divination — and the card readers almost always all three-card spreads.
Unrelated rant. I was watching the miniseries version of Jonathan Strange & Mr. Norrell recently and, once again, the candles! Were there enough beehives in England to make wax for all those candles? Remember, back then the lighting choices were candles handmade from beeswax, high-end oil lamps burning oil rendered from whale blubber, or simple wick-type lamps burning some kind of animal fat or olive oil. That was all! Petroleum-based lighting did not start in a big way until the 1860s.
But if you watch(ed) it, give credit to the costumers and set designers. Those were some of the most authentic-looking c.1800 men’s britches I have ever seen. Note how the men’s styles break on generational lines. You are seeing the 17th-18th century fashion of wigs suddenly ending (except in court) in the space of a few years, and also a total change in women’s styles with the Neoclassical revival.
The interior spaces were done well in terms of furniture, colors, and the general level of crime. But too many candles.
Childermass’s Tarot cards were a treat though. Such a level of greasiness!
I think it’s become fashionable to criticize and even to hate America, particularly in liberal and academic circles. Many of us are walking around in a lot of shame over who we are as a nation, and feel uncomfortable taking pride in a country that was built on the exploitation of African slaves and the genocide of indigenous people. And while I don’t think we should ever forget those horrific facts in our history, we’ve also thrown the baby out with the bathwater and rejected the knowledge that American culture has also been productive of incredible writers, thinkers, visionaries, and spiritual savants. I think collective shame keeps the left from embracing an educated patriotism that could help us turn the political tide; this project celebrates outspoken abolitionists such as Thoreau and Lydia Maria Child, successful black men like Frederick Douglass and Martin Delany, and philosophical innovators like Emerson. These Americans inspire pride and reverence in our history.
The project is more than half-completed, and as things are done today, it is at least partly crowd-funded. I’ll make a donation . . . but they had better have Nathaniel Hawthorne in there some place!
Corinne Pamela Colman Smith, who went by the nickname “Pixie,” defied so many social norms, it’s hard to keep count. The more you read about her, the more impressed you get.
Those who left written comments about their impressions of her confess how hard it was to place her within the gender, class, and racial categories of her time. W. B. Yeats, for instance, wrote that she looked “exactly like a Japanese. Nannie says this Japanese appearance comes from constantly drinking iced water.”
The book has four contributors: Elizabeth Foley O’Connor, currently at work on her own full biography of the artist; Stuart Kaplan’s (the Tarot publisher) section “is just the most incredible and comprehensive collection of Smith’s works to date, and maybe ever”; Melinda Boyd Parsons covers Smith’s experiences with the theatre and ceremonial magick worlds; and Mary K. Greer discusses her work in the context of Tarot history.
Pickering Wharf today. At left is the reconstructed Salem privateer schooner Fame. The original Fame operated during the War of 1812 against British shipping, while the newer version offers summer day cruises in Salem Sound.
The history of Salem, Mass., is more about the sea than the witches — at least through the 18th and early 19th centuries, the peak of the Age of Sail.
Kids climb an old anchor at the National Park Service’s Salem Maritime National Historic Site.
In the beginning, all the coastal communities were fishing ports, but while some like Gloucester stayed that way, Salem went mercantile, first in the coastal and West Indies trade and then — for the big money — the Spice Trade. Pepper from Sumatra, cinnamon from India, tea from China, plus other Asian goods, were all in demand. Per capita, Salem was the richest town in Revolutionary War-era America, based on importing and re-shipping West Indian and East Asian goods.
A miniature portrait of Capt. Nathaniel Hawthorne, 1776–1808.
There was risk, of course. For example, Capt. Nathaniel Hawthorne (the author’s father), a sea captain on the verge of big success, died of yellow fever in South America at age 32.
Model of original Friendship. Note cannon on deck.
But by the time that Nathaniel Hawthorne the writer was working at the federal custom house in Salem in the 1840s, the trade was falling off.2)Consequently, he had plenty of time to plot “The Scarlet Letter.” But I wonder if the declining shipping trade in Salem contributed to Hawthorne’s nostalgic outlook. One reason was competition with Boston and New York.
The other was environmental. Salem’s merchants built so many private wharves (Pickering Wharf, Turner Wharf, Derby Wharf, etc.) for their ships and goods that they affected water movement, leading to increased silting-up of the harbor. Consequently, the newer, larger clipper ships of the 1840s–1850s could not easily use it.3)Salem could still accept shipments of leather, coal, and other raw materials needed for its new era as a manufacturing town.
Wharf Street: nautical New England with psychic readings.
But today’s Pickering Wharf neighborhood looks more like Diagon Alley. Yes, there is a fishing-tackle shop and nautical-theme gifts on sale, but there are also multiple occult shops. (Gypsy Ravish’s Nu Aeon is the only that I have visited.)
It turns into another time-slip: After spending the morning ashore, the second mate of the privateer Annabelle returns to the ship.
Summoning the sailors on deck, he sits on a hatch cover.
“Feast your eyes on my new Tarot deck,” he says. “Let’s have a quick reading for the voyage ahead!
“Ah now, look at that!” he exclaims, tapping a card with tar-stained fingernail. “Aye, my hearties, the Six of Coins! We’ll be coming back rich men!”
What the obituary does not say is that in between founding his DOME (Dei Omnes Munda Edunt) astrology and meditation center in Santa Fe in 1973 and moving to Los Angeles in 1984, he and co-founder/partner David Benge lived in Colorado Springs for a time.
Imagine a typical 1970s split-level house, with what would be the living room and dining room filled with bookcases — and all the books organized by zodiacal sign, so that gardening, for instance, would be in the Virgo section. So much more mystical than my habit of putting, say, all the books on Colorado and New Mexico history together! (What Sun sign would encompass them?)
M. and I attended various talks and workshops at the DOME house. Ed was passionate about astrology, and this was the time in my life when I was deepest into it. Later, under pressure of graduate school, etc., I decided that something had to give, and that something was astrology, so I stopped doing people’s charts — these days, I might manage to check my transits once in a while. The last astrology lecture I heard was by Liz Greene (who is one of the best Jungian astrologers) in 2004.
But his Inner Guide Meditation system has a Tarot connection, and that is drawing me back to it. It will be intriguing to re-read the book.
Like Trump or hate him, I can’t think of a better recent example of the Tarot used to illustrate contemporary politics — a use for which it is well-suited.
I had to have this for my Tarot file, so I went to the newsstand and spent my $14 for it.
You have to wonder if the designer knew the phrase “greater trumps” and decided to have some fun with it. For the record, “trumps” in the Tarot sense comes from the word “triumph,” which goes back to Latin. The surname Trump apparently comes from a word meaning “maker of trumpets” (English) or “drum” (German), says Wikipedia.
His shop boasts an endless variety of cards, making it a treasure trove for lovers of the occult in the Italian North. Some decks depict the major and minor arcana (tarot’s “face card” and “number card” equivalents) in Cubist shapes. Others portray them as animals or even flowers, inspired by vintage science books. One deck reimagines traditional iconography with old maps that Menegazzi finds at Milanese flea markets.
¶ First, I am always suspicious when a news article introduces someone as “controversial,” as in this case: “the controversial Azealia Banks.” It’s like a way of saying, “We don’t like her, but we are pretending to be objective.”
According to the article, the performer outed herself as a Brujeria practitioner, in other words, folk witchcraft.
The video shows Banks getting ready to clean out her closet in which she has practiced Brujeria for the past three years. After seeing the closet caked in chicken blood, feathers, and some black stuff we can’t figure out, the Internet of course went wild. But why was everyone so shocked to learn that Banks had been sacrificing chickens? The artist, as problematic as she may be, has admitted to practicing — specifically Brujeria —in the past.
But then the writer, one Samantha Mercado, gets off onto the subtlties of the “witchcraft aesthetic” and female empowerment.
There are plenty of pop culture trends that feed feminism, but the mainstreaming of witchcraft has proved both empowering and problematic. The word and idea of a witch were traditionally associated with demonizing women — images of an ugly outcast cackling over a cauldron or a green Margaret Hamilton come to mind. But recently, the image and connotation associated with witches has become more and more empowering — witches are being portrayed as heroines instead of demons.
With this new, all-empowering image of a witch comes a slew of trends pandering to a “witch aesthetic.” From blogs to high-end clothing lines, it seems like everyone is trying to cash in on the witch trend, and while the increased popularity of witchcraft has helped the practice grow, it makes you wonder if everyone appropriating it understands its origins.
Oh shit, the secret is out. Witches don’t go door to door asking if you have heard the word of Cernunnos. No, we let the “aesthetic” reel in the innocent seekers. We’re happy to see young ladies dressed up in “sexy witch” costumes. Next thing, Pandemonaeon albums, festivals, polyamory, and arguments over “traditional.” (With the guys, it’s tricker. But not much.)