Helen Cornish on Witchcraft Drumming and Chanting

The article “Musicking and Soundscapes amongst Magical-Religious Witches Community and Ritual Practices” by Helen Cornish is available as a free download from Religions journal.

Abstract

Drumming and chanting are core practices in modern magical-religious Witchcraft in the absence of unifying texts or standardized rituals. Song and musicality contribute towards self-creation and community making. However, Nature Religions and alternate spiritualities are seldom included in surveys of religious musicking or soundscapes. This article considers musicality in earlier publications on modern Witchcraft, as well as the author’s fieldwork with magical-religious Witches in the UK, to show the valuable contribution they make to discsusions on religious belonging and the sensorium through song, music, percussion, and soundscapes.

Keywords:

musickingsoundscapesmagical-religious Witchcraftcontemporary Paganismritualsensoriumhistoricity

Ronald Hutton’s Gresham Lectures Available Online

The five lectures that Ronald Hutton gave this past spring in the Gresham College series Finding Britain’s Lost Gods are available for viewing online. Each lasts about an hour.

  1. Gods of Prehistoric Britain

  2. Paganism in Roman Britain

  3. Anglo-Saxon Pagan Gods

  4. Viking Pagan Gods in Britain

  5. Finding Lost Gods in Wales

  6. How Pagan was Medieval Britain?

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Yet It’s Not October: Paganism in the News (Part 1)

I have been seeing a flush of Pagan-related articles in Anglosphere news media lately, so many that it feels like October, which is usually the only time we are noticed.[1]Possibly with a smaller peak around Yule.

One reason may be upcoming coronation of King Charles III.[2]I might as well say it: when I was young, my older sisters and I independently worked out that I was probably named for him, at least partly, by our anglophile mother. Officially, I was named for a … Continue reading There was a flutter of exitement over the Green Man on the coronation invitation. Was the king a closet Pagan?

When the Times announced that the Princess of Wales might wear flowers in her hair, historian Francis Young[3]Also a contributor to The Pomegranate playfully tweeted, “The folk horror theme of this Coronation intensifies.”

Young, in fact, has written an article on the king’s coronation, “Monarchy re-enchanted: The new Coronation liturgy underlines Charles III’s sacral kingship,” which emphasizes both the coronation’s deep Christian roots and an attempt to add an element of mysticism.

[The King] has consistently demonstrated sensitivity to an expansive awareness of the sacred that exceeds the strictures of a single religious tradition, in spite of his unambiguous commitment to the Church of England. . . .  Charles III seems intent on re-enchanting the monarchy through a Coronation service rooted in both the past and the present

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, but suffused with mysticism. . . .  Charles III’s Coronation will be the first in many centuries to take place directly on top of the Cosmati pavement made for Coronations in the reign of Henry III, a talisman designed to draw down celestial influences on the new king. The new “Cross of Wales”, the processional cross, contains a relic of the True Cross given to the King by the Pope; the holy oil for the King’s anointing has been consecrated in Jerusalem. Furthermore, the King has insisted that his anointing, the holiest moment of the ceremony, be entirely hidden by a specially designed screen adorned with words of the mediaeval mystic Julian of Norwich, and he has elected to wear the full sacred vestments of his forebears.

Saturday’s coronation will be a deeply Christian ceremony with ancient roots. They are bringing out a manuscript of the gospels, the St. Augustine Gospels, believed to have been brought to England in 596 by Augustine, a missonary to the Anglo-Saxons, before there ever was a political entity called “England.”[4]This is Augustine “of Canterbury,” not to be confused with the earlier Augustine “of Hippo,” the weaselly lawyer. (The Celtic British were largely already Christian by then, with a connection to Christian Ireland.)

But the sort of Pagan penumbra persists. Why does the BBC pick this time to discuss the The Wicker Man, the Pagan-themed horror that became a cult favorite of actual Pagans in the 1980s? (“Just ignore the ending,” they would say, which is of course not posssible.) Is there some sort of Fraserian sacred king/death/rebirth smoke in the air, ancient gospel manuscripts or not?

Notes

Notes
1 Possibly with a smaller peak around Yule.
2 I might as well say it: when I was young, my older sisters and I independently worked out that I was probably named for him, at least partly, by our anglophile mother. Officially, I was named for a maternal great-grandfather, who was a job printer, newspaper publisher, and postmaster in Baxter Springs, Kansas.
3 Also a contributor to The Pomegranate
4 This is Augustine “of Canterbury,” not to be confused with the earlier Augustine “of Hippo,” the weaselly lawyer.

Green Man Image Starts ‘Pagan King’ Chatter

Enormous preparations, both pragmatic and ceremonial, are under way for the crowning of King Charles III and Queen Camilla next month in London. When the official invitation was prepared, people’s attention was drawn to the foliate head, the “Green Man” at the bottom.

Was it a sign to those who know of the king’s Pagan sympathies? Was it just a sort of “spirit of Britain” thing? After all, those could be Scottish thistles to him, and what about those old-fashioned red/white roses? And the oak leaves?

The Guardian, not a reliable source of religion news, burbled, “Is Charles planning a pumpimg pagan [sic] party?

Here is a historian’s view (no, not Ronald Hutton this time), but Francis Young, author of the newly released Twilight of the Godlings: The Shadowy Beginnings of Britain’s Supernatural Beings from Cambridge University Press.

Young has an article in The Spectator (UK) on the Green Man and the king:

The Green Man is an intriguing figure. He is not, as many claim, an ancient fertility god, but something much stranger: a twentieth-century creation, a deity invented in modern Britain. In 1939 the folklorist Lady Raglan published an influential article which drew together several disparate strands to construct an imagined character whom all written sources

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, strangely, had previously failed to mention. According to Lady Raglan, the foliate heads often found in medieval churches portrayed a figure who was commemorated by pubs named ‘The Green Man’ and the dancer bedecked with foliage (known as ‘Jack-in-the-Green’) who was part of May Day festivities. Hiding in plain sight in churches, the Green Man embodied ongoing pagan [sic] sympathies.

Many historians and folklorists have debunked Lady Raglan’s claims. There were no pagans in high medieval Britain, stonemasons often indulged in bizarre visual jokes or favoured a particular motif for no apparent reason, and a ‘green man’ in early modern England just meant a man who dressed in green. But the debunking didn’t work; people had already come to believe that a god called the Green Man existed. A brisk trade in clay and resin replicas of foliate heads in Britain’s churches helped. No one was worshipping the Green Man at this point, but the notion that a deity cheekily lurked in churches tickled mid-century Britons’ desire for a little light-hearted subversion at a time when the Church was losing its grip on national life.

But I have one of those resin heads hung by my front door (a sign to those who know), and it means something more to me.

ADDED: Sebastian Milbank, editor of the British “contrarian conservative” magazine The Critic, offers a Christian genealogy of the Green Man: “The Green Man is a Christian Symbol.”

My First Publisher ASMR Video!

I ordered a book from this small British publisher, Handheld Books. The book is Strange Relics, “an anthology of classic short stories in which the supernatural and archaeology are combined,” which will become a gift to an archaeologist friend who also reads SF and fantasy.

Comes then an email acknowledgement of my order and a link to their very own ASMR video.

They may not call it that

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Really, the soothing voice, the rustle of tissue paper. I feel entranced already. And filled with anticipation.

Witchcraft, Paganism, and Detective Fiction

Jen Bloofield’s Witchcraft and Paganism in Midcentury Women’s Detective Fiction is avallable as a free PDF download from Cambridge University Press through 7 July 2022, if I understand correctly. Paperback copies are US $20.

From the publisher:

Witchcraft and paganism exert an insistent pressure from the margins of midcentury British detective fiction. Gladys Mitchell’s Come Away, Death is dedicated to ‘Evelyn Gabriel, whom Artemis bless and Demeter nourish; upon whom Phoebus Apollo shine’.Ngaio Marsh’s Off With His Head revolves around a folk dance when ritual words are muttered and a murder is committed. Margery Allingham’s Look to the Lady depicts the spontaneous rebirth of witchcraft in the depths of the English countryside. The theme appears across the work of multiple writers, going beyond chance occurrence to constitute an ongoing concern in the fiction of the period. This Element investigates the appearance of witchcraft and paganism in the novels of four of the most popular female detective authors of the British mid twentieth century. I approach the theme of witchcraft and paganism not simply as a matter of content, but also as an influence which shapes the narrative and its possibilities. The ‘witchy’ detective novel brings together the conventions of Golden Age fiction with the images and enchantments of witchcraft and paganism to produce a hitherto unstudied mode of detective fiction in the midcentury.

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Old Issues of “The Ley Hunter” Available as Digital PDFs

cover image, The Ley Hunter no. 66, 1975
Cover of issue 66, published June-July 1975, edited by Paul Screeton.

The Ley Hunter was a British zine devoted to “earth mysteries” (which could include such things as Fairy encounters as well as ley lines, etc.) published from 1965–1998. As Isaac Koi describes it,

Its website described it as “the longest running journal to cover the ‘earth mysteries’ complex of study areas (it invented the term over 20 years ago!)”, including “‘ley lines;, (earth tie geophysical) energies (studied from both a primary sensing – experiential – point of view and that of physical monitoring), folklore, traditional lifeways, archaeology, all aspects of geomancy or sacred geography, shamanism and other aspects of archaic consciousness, unexplained natural phenomena, and so on”.

Its first two editors, Jimmy Goddard and Paul Screeton, have given permission for their issues to be digitzed and uploaded, covering 1965–1976. Paul Devereux, the last editor, did not give permission, and Isaac Koi explains why at his blog, where you will find the link to download each issue in PDF format.

Loads of vintage paranormal zine goodness here!

UPDATE: Issues from 1976–1986 are available at another site.

Is Contemporary Druidry an ‘Indigenous’ Religion?

I mentioned in yesterday’s post my sadness at missing one of the Indigenous Religious Traditions sessions at the American Academy of Relligion’s online annual meeting this year. (There is another one though). “Indigenous” is a word of power, like “decolonize..”[1]In the 1990s, every grad student in humanities wanted to “foreground the hegemony.” Now it’s “decolonize the [blank] body,” or something like that.

Enter Leeds Trinity University PhD student Angela Puca. (She just passed her doctoral oral exam — “viva” to the Brits — with flying colors, says Ronald Hutton, who was her external examiner,” so I suppose she is only waiting on the formalities now. She has been a graduate teaching assistant in the Dept of Theology and Religious Studies at Leeds Trinity University in the UK.

She has been researching the way the term indigenous is employed in rehabilitating Italian witchcraft in light of contemporary Paganism, among other things. And in her copious free time, she has created a YouTube channel of short lessons and discussions in Paganism: Angela’s Symposium.

“Indigenous,” she admits, is a political classification invoked to protect the rights of certain colonized minority peoples. Colonization has happened throughout history and has affected almost all peoples at some point. But the term is limited when used to talk about religion, she points out. Some people are characterized as “indigenous” and others, who have lived on the same land for centuries, are not, yet they may have experienced cultural and religious colonization, e.g., what Charlemagne did to the Saxons.[2]Carole Cusack, “Pagan Saxon Resistance to Charlemagne’s Mission: ‘Indigenous’ Religion and ‘World’ Religion in the Early Middle Ages,” The Pomegranate: The International Journal … Continue reading

But “indigenous traditions” are not necessarily walled gardens. They can import and transform outside influences and just as importantly, they can export and share their own ways. She follows Suzanne Owen in building an argument that today’s European Druidry can be seen as indigenous, for it relates to t”he land, the people, and that which has gone before.”

Is a YouTube video an “oral tradition”? Discuss.

Notes

Notes
1 In the 1990s, every grad student in humanities wanted to “foreground the hegemony.” Now it’s “decolonize the [blank] body,” or something like that.
2 Carole Cusack, “Pagan Saxon Resistance to Charlemagne’s Mission: ‘Indigenous’ Religion and ‘World’ Religion in the Early Middle Ages,” The Pomegranate: The International Journal of Pagan Studies 13, no. 1 (2011) 33–51.

“Childish and Credulous Fantasy”: How the BBC Viewed Witchcraft in 1962

Cecil Williamson, left, and BBC interviewer Alan Whicker (BBC).

Pop over to the BBC archive to watch presenter llan Whicker pontificate about witchcraft in a short television segment from Hallowee 1962.

Among other non-information, Whicker trots out the bogus “nine million witches executed” figure from the Renaissance and Early Modern witch trials.

He also interviews Cecil Williamson, Gerald Gardner’s original business partner in the Isle of Man witchcraft museum, whose opening, I suspect, had much to do with the formal creation of Wicca.

William, meanwhile, announces his official “witch ratio”: 1 witch to 53,000 population. Now you know.