Religious Scholars Incognito

The AAR’s 2019 annual meeting graphic.

When you are a scholar of religion, sometimes you forget how seriously people take religion.

Riding across New Mexico this week on Amtrak’s Southwest Chief, M. and I went to the dining car for supper. All the tables seat four, and to save space and facilitate service, if there are fewer than four of people, the steward will seat others at your table (or you at theirs) to fill them up. To some people, this is social event; others just greet you politely and then ignore you.

We had just one companion, however, an older man who introduced himself as “Fred.” I don’t know how it came up, but he said that he wrote books on various topics, including theology. (Uh-oh.) Also, he said, he had produced a new version of the Bible in 21st-century English. (What a concept! No one has thought of that before!) It became clear that his theology is very conservative.

He asked what I did. I said I had worked as a newspaper journalist and magazine editor, which is perfectly true. I did not say that I was on my way to the annual joint meeting of the American Academy of Religion and the Society for Biblical Literature, because if nothing else, many people will think you are Bible Answer Man or something.

Like the time I was riding a shuttle bus between my Chicago hotel and the McCormick Place convention center and the bus driver shut the door, looked over his shoulder, and said, “I bet you gentlemen know when Jesus is coming back.”

I let the Protestants on board handle that one.

My encounter with Fred, though, was mild compared to what another friend encountered on her trip to San Diego this year:

[I spent the flight] listening to some techbro explain to the Dean [of a certain seminary] how he and his friend started their own church based on self-actualization through electronic dance music.

He ended the plane ride by making the Dean make a Facebook video for his gurufeed (his words) about what he was grateful for and the great synchronicity they had.

I thought about trying to send the Dean a rescue party, but the Southwest flight attendants wouldn’t allow it.

If you are shy or just feeling anti-social, sometimes it is better not to say that you are a religion scholar.

A New Book for the Pagan Studies Series on Pagan Aspects of Pizzica in Southern Italy

A year ago I photographed Jefferson Calico (r.), author of Being Viking: Heathenism in Contemporary America with Giovanna Parmigiani, a visitor to the Equinox Publishing booth at the American Academy of Religion-Society of Biblical Literature joint book show at their annual meetings in Denver, Colorado.

I am happy to say that Giovanna has now signed a contract with us in the Contemporary and Historical Paganism series for her new book, which has a working title of The Spider Dance: Tradition, Time, and Healing in Southern Italy. A little piece of it is in the current issue of The Pomegranate: The International Journal of Pagan Studies as “Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism.”1)If you do not want to buy access to the article, have you talked to your friendly inter-library loan librarian?

Q:  Two books is a “series”?

A: It is more complicated than that. The series was originally published by AltaMira Press, a division of Roman & Littlefield, an American publisher. The first book in the series was Barbara Davy’s (a Canadian scholar) Introduction to Pagan Studies (2007), followed by my book Her Hidden Children: The Rise of Wicca and Paganism in America (2006).2)Wait, you say, those numbers are out of sequence. All I can say is that Barb’s was actually printed first. There were others in the series, some acquired by my first co-editor, Wendy Griffin.

Wendy stepped down, and was replaced by the late Nikki Bado. Meanwhile, editorial changes at Rowman left Nikki and me looking for another home. We quickly found one at Equinox, which was already publishing The Pomegranate. Nikki and I brought in more books, including Pop Pagans: Paganism and Popular Music and Modern Pagan and Native Faith Movements in Central and Eastern Europe, whose co-editor, Scott Simpson, stepped up to replace Nikki after her death and continues as series co-editor now.

Meanwhile, there was a merger, a de-merger, and a sale, and those books in the “Series in Contemporary and Historical Paganism” ended up with Routledge, who discontinued the series. Meanwhile, we carried on with Equinox, starting over from scratch, more or less.

Q: What does pizzica sound like?

A: Try this (it’s kind of a formal performance):

Drummers might like this one:

This one is fun too. Remember that this part of the Italian peninsula was settled by Greeks way back.

One last thing: if you order from the links, I do get a small commission, which helps with the Web-hosting bill. Thanks.

Notes   [ + ]

1. If you do not want to buy access to the article, have you talked to your friendly inter-library loan librarian?
2. Wait, you say, those numbers are out of sequence. All I can say is that Barb’s was actually printed first.

Pomegranate 21.1 Published—Table of Contents

The Pomegranate: The International Journal of Pagan Studies

Issue 21.1 (2019) table of contents

Articles
Fallen Soldiers and the Gods: Religious Considerations in the Retrieval and Burial of the War Dead in Classical Greece
Sarah L. Veale

Attitudes Towards Potential Harmful Magical Practices in Contemporary Paganism – A Survey
Bethan Juliet Oake

Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism
Giovanna Parmigiani

The Ethics of Pagan Ritual
Douglas Ezzy

“The Most Powerful Portal in Zion” – Kursi: The Spiritual Site that Became an Intersection of Ley-lines and Multicultural Discourses
Marianna Ruah-Midbar Shapiro , Adi Sasson

Book Reviews-open access
Stephen Edred Flowers, The Northern Dawn: A History of the Reawakening of the Germanic Spirit. Vol. 1, From the Twilight of the Gods to the Sun at Midnight
Jefferson F. Calico

Liselotte Frisk, Sanja Nilsson, and Peter Åkerbäck, Children in Minority Religions: Growing Up in Controversial Religious Groups
Carole M. Cusack

Ronald Hutton, The Witch: A History of Fear, from Ancient Times to the Present
Chas S. Clifton

A New Study of Solitary Pagans

Solitary Pagans: Contemporary Witches, Wiccans, and Others Who Practice Alone is a new study from Helen A. Berger, a sociologist of religion who has been studying contemporary Paganism for decades. Her body of work is large enough now that future scholars will be returning to it again and again for its depth.

It is published by the University of South Carolina Press, which says,

Solitary Pagans is the first book to explore the growing phenomenon of contemporary Pagans who practice alone. Although the majority of Pagans in the United States have abandoned the tradition of practicing in groups, little is known about these individuals or their way of practice. Helen A. Berger fills that gap by building on a massive survey of contemporary practitioners. By examining the data, Berger describes solitary practitioners demographically and explores their spiritual practices, level of social engagement, and political activities. Contrasting the solitary Pagans with those who practice in groups and more generally with other non-Pagan Americans, she also compares contemporary U.S. Pagans with those in the United Kingdom, Australia, and Canada.

Berger brings to light the new face of contemporary paganism by analyzing those who learn about the religion from books or the Internet and conduct rituals alone in their gardens, the woods, or their homes. Some observers believe this social isolation and political withdrawal has resulted in an increase in narcissism and a decline in morality, while others argue to the contrary that it has produced a new form of social integration and political activity. Berger posits the implications of her findings to reveal a better understanding of other metaphysical religions and those who shun traditional religious organizations.

Prof. Berger has authored or co-authored a number of books on contemporary Paganism, including A Community of Witches: Contemporary Neo-Paganism and Witchcraft in the United States (1999),  Voices from the Pagan Census: A National Survey of Witches and Neo-Pagans in the United States (2003), Teenage Witches: Magical Youth and the Search for Self (2007), Witchcraft and Magic: Contemporary North America (2005).

In addition, she has mentored a number of younger social scientists studying contemporary Paganism (and other things) as well as having served on the steering committee for Contemporary Pagan Studies within the American Academy of Religion.

I will be looking to find this book at the AAR-SBL book show in November and will probably come home with a copy.

Pagan with a Capital P

In editing the current issue of The Pomegranate, one of my “favorite” issues came up again: whether or not Pagan is capitalized.

American scholars and Pagan authors tend to say yes. There has been a small campaign to convince the editors of the Associated Press Stylebook, widely used in the news media, and the Chicago Manual of Style, widely used by university presses and serious nonfiction publisher.

It’s a matter of accurate labeling and of respect. If Muslim, Hindu, etc. get capital letters, so should Pagan.

This is not an issue that will be settled in a year, or even two or three. But I have hope.

Meanwhile, “pagan” can be used in direct quotation, particularly when it has the sense of “irreligious,” as in C. S. Lewis‘s reference to the Roman poet Ovid as “that jolly old pagan.” (But he was also a cap-P Pagan, in my view.)

On the other hand, writers in the UK tend to lowercase “pagan.” Others try to split the difference, using “pagan” for the ancients and “Pagan” for practitioners of post-1900 Pagan traditions, i.e. “Neo-Pagans.”1)And that term, popular in the 1970s–80s, is more and more supplanted by “contemporary Pagan” or “modern Pagan.”

To my editorial eye, this approach is worse than no capital P at all. Imagine someone writing this: “Ancient pagans and today’s Pagans differ in their attitudes toward animal sacrifice.”

The reader might think that someone had either forgotten to capitalize one “pagan” or mistakenly capitalized the other. Confusing.

I was happy to see recently that Koenrad Elst, a Belgian scholar of Hinduism, was using the capital-P in a broad sense.2)Although he has a PhD in the study of Hindu nationalism, he is in fact is a civil servant, not an academic, which gives him certain advantages. Here, interviewed in the Hindu Post, he implies that “Pagan” is like “Hindu”—a label imposed by outsiders that nevertheless has been adopted today:3)This is a pro-BJP (ruling party) website.

The historical definition of the term “Hindu”, brought by the Muslim invaders[1], does not define a specific worldview and practice, as the definitions of Christianity and Islam do. “Hindu” is a geographically defined slice of Paganism, viz. all Pagan (=non-Christian, non-Muslim) traditions coming from Bharat (India). This means every possible belief or practice that does not conform to either Christianity or Islam. It includes the Brahmins, the upper and lower castes, the ex-Untouchables, the Tribals, the Buddhists (“clean-shaven Brahmins”), the Jains, and many sects that didn’t even exist yet but satisfy the definition: Lingayats, Sikhs, Arya Samaj, Ramakrishna Mission, ISKCon. I am aware that many now refuse to be called “Hindu”, but since they satisfy the definition, they are Hindu, period. Elephants are not first asked whether they agree to being called elephants either.

My preference, too, is to use capital-P Pagan for all non-monotheists, ancient or modern. It is a simple and orthographically uncomplicated solution. And if anyone questions it, just refer them to the umbrella term “Hindu,” now accepted by (almost all) Hindus.

Notes   [ + ]

1. And that term, popular in the 1970s–80s, is more and more supplanted by “contemporary Pagan” or “modern Pagan.”
2. Although he has a PhD in the study of Hindu nationalism, he is in fact is a civil servant, not an academic, which gives him certain advantages.
3. This is a pro-BJP (ruling party) website.

Driven to Drink by Editing

Yes, that is coffee and wine together. And a candle.

This is my world this week, as I wrap up a tardy issue of The Pomegranate: The International Journal of Pagan Studiesas soon as a certain person OK’s my copyediting job on her article and I can send it to the layout editor with the rest. Articles in this issue come from Russia, Lithuania, the Czech Republic,1)Are we supposed to say “Czechia” now?Britain, and the United States.

Then will come layout for the Bulletin for the Study of Religion and, oh yes, another Pomegranate to get us back on schedule.

Always at hand (to the left of the wine glass), the Chicago Manual of Style. Learn it, people—or at least bookmark the important shortcuts. (Actually, CMS is for editors; academic writers can get by with A Manual for Writers of Research Papers, Theses, and Dissertations  for considerably less money.)

On the right, Kaarina Aitamurto and Scott Simpson’s edited collection, Modern Pagan and Native Faith Movements in Central and Eastern Europe — the article that I was editing referenced it quite a bit. And of course a back issue of The Pomegranate for those “How did I do X last time?” questions.

Male evening grosbeak (Cornell University).

But there are advantages to working at home, like being pestered by dogs, particularly Wendy the foster dog, an excitable German wirehaired pointer.2)She has been living here since March, but now that her owner is out of the hospital and feeling better, he hopes to pick her up next month.

She clatters into my study: “Come quick! come quick!” then rushes through the open door onto the veranda.”Look! Birds! Birds! We must act!”

“No, Wendy,” I say, “those are evening grosbeaks. We are not hunting them.”

“Ha!” she says, and the next morning on dog walk,she dashes into the brush and comes out with a very very dead grosbeak, which she carries proudly into the house.

Retrieving birds is what she does — can’t punish her for that! And she knows it.

Notes   [ + ]

1. Are we supposed to say “Czechia” now?
2. She has been living here since March, but now that her owner is out of the hospital and feeling better, he hopes to pick her up next month.

A Festschrift for Ronald Hutton

Magic and Witchery: Celebrating the Twentieth Anniversary of ‘The Triumph of the Moon’ will be published in September by Palgrave Macmillan.

I love rolling the word Festschrift around, and if you are not used to it, this is what it means: “In academia, a Festschrift  (plural Festschriften) is a book honoring a respected person, especially an academic and presented during their lifetime. It generally takes the form of an edited volume, containing contributions from the honoree’s colleagues, former pupils, and friends” (Wikipedia).

From the publisher:

This book marks twenty years since the publication of Professor Ronald Hutton’s The Triumph of the Moon, a major contribution to the historical study of Wicca. Building on and celebrating Hutton’s pioneering work, the chapters in this volume explore a range of modern magical, occult, and Pagan groups active in Western nations. Each contributor is a specialist in the study of modern Paganism and occultism, although differ in their embrace of historical, anthropological, and psychological perspectives. Chapters examine not only the history of Wicca, the largest and best-known form of modern Paganism, but also modern Pagan environmentalist and anti-nuclear activism, the Pagan interpretation of fairy folklore, and the contemporary ‘Traditional Witchcraft’ phenomenon.

Here are the contents:

1. Twenty Years On: An Introduction — Ethan Doyle White and Shai Feraro, editors

2. The Goddess and the Great Rite: Hindu Tantra and the Complex Origins of Modern Wicca — Hugh B. Urban

3. Playing the Pipes of PAN: Pagans Against Nukes and the Linking of Wiccan-Derived Paganism with Ecofeminism in Britain, 1980–1990 — Shai Feraro

4. Other Sides of the Moon: Assembling Histories of Witchcraft —Helen Cornish

5. The Nearest Kin of the Moon: Irish Pagan Witchcraft, Magic(k), and the Celtic Twilight — Jenny Butler

6. The Taming of the Fae: Literary and Folkloric Fairies in Modern Paganisms — Sabina Magliocco

7. “Wild Nature” and the Lure of the Past: The Legacy of Romanticism among Young Pagan Environmentalists — Sarah M. Pike

8. The Blind Moondial Makers: Creativity and Renewal in Wicca — Léon A. van Gulik

9. “The Eyes of Goats and of Women”: Femininity and the Post-Thelemic Witchcraft of Jack Parsons and Kenneth Grant — Manon Hedenborg White

10. Navigating the Crooked Path: Andrew D. Chumbley and the Sabbatic Craft — Ethan Doyle White

11. Witches Still Fly: Or Do They? Traditional Witches, Wiccans, and Flying  — Chas S. Clifton

12. Afterword — Ronald Hutton

A Survey on Pagan Metaphysics and Ethics

This comes from Gwendolyn Reese, whose work has appeared several times in The Pomegranate: The International Journal of Pagan Studies.

She writes,

The purposes of this study are to explore the relationship between how the metaphysical and theological beliefs held by Pagans/Witches/Heathens relate to each other and to beliefs about ethics, as well as certain personal issues like your own sense of self-efficacy and the centrality of your spiritual path to your personal identity. There are questions in this survey that are designed specifically for the Pagan/Witch/Heathen community and others that were previously used in other studies with the general population and allow for comparisons. 

I acknowledge that language is problematic and previous research has revealed that there is no consensus on the label/s to apply to the groups that are often talked about as Pagans/Witches/Heathens, etc., although typically we know who we are.  The term that is most commonly adopted but far from universal is “Pagan.” For the purposes of this survey, “Pagan” is used as an umbrella term to make it easier to read.  

You may take the survey here. It is projected to require about 25 minutes of your time.

Anderson/Feri Tradition Material Cataloged at Valdosta State University

Victor Anderson, apparently wearing a lei (Wikimedia Commons).

Victor Anderson (1917–2001) and Cora Anderson (1915–2008) founded the Feri tradition of Witchcraft (which had multiple spellings). Since their passing, their papers and home library has been divided among several recipients: the Oakland, Calif., public library, the New Alexandrian Library, and some private purchasers.

A large number of their books, 171 to be exact, have been added to the growing Pagan archives at Valdosta State University in Georgia. Special-collections librarian Guy Frost has now cataloged them as the “Victor and Cora Anderson Library, 1921–1998.

The books chosen, Frost explains, were ones that were not already in the university’s “parent collection, New Age Movements, Occultism, and Spiritualism Research Library. A bibliography of the full library as well as the disposition of the items is planned. All titles in this collection have been cataloged separately.” He has also written a lengthy historical note on the Andersons and Feri.

The library also has a large collection of materials relating to Max Freedom Long, whose work was a big influence on the Feri/Faerie/Fairy tradition.

Coming next will be a large collection from Aquarian Tabernacle Church founder Pete Davis.

Call for Papers: Pagan Art & Fashion

CFP for a special issue of The Pomegranate on Pagan Art and Fashion 

 A beautiful young woman drapes her long auburn hair over a human skull, pressing it close to her face like a lover. Another, clad in black and holding a wooden staff, poses like a model in a photo shoot on location in an incongruous forest. Long, elaborately decorated fake fingernails like talons grasp shiny crystals, evoking the “just so”beauty of a staged magazine spread. In the world of the Witches of Instagram, the art of photography meets business witchery and feminist activism. 

  Is it (still) the season of the witch? Luxury fashion house Dior  has a tarot-themed collection; witchcraft featured in recent issues of Vogue magazine; young witch-identifying women perform “fashion magic”; and an alchemist-fashion designer has invented colour-changing hair dye, inspired by a scene in the 1996 movie The Craft.An angry yet luxurious sex-positive feminism is in the air; goddesses, witches and sluts are rising up again, a decade and a half after Rockbitch stopped touring and almost thirty years after Annie Sprinkle’s first workshops celebrating the sacred whore.  Exhibitions showcasing the work of living and dead occult artists have been on the increase for several years now, most recently Black Light: Secret Traditions in Art Since the 1950s at the Centre de Cultura Contemporània de Barcelona, and Barry William Hale + NOKO’s Enochian performance at Dark Mofo in Tasmania..Multidisciplinary artist Bill Crisafi and dancer Alkistis Dimech exemplify the Sabbatic witchcraft aesthetic; Russ Marshalek and VanessaIrena mix fitness and music with witchcraft in the age of the apocalypse; DJ Juliana Huxtable and queer arts collective House of Ladosha are a coven; rappers Azealia Banks and Princess Nokia are out and proud brujas; and singer Lanadel Rey admits hexing Donald Trump. 

  Pomegranate: The International Journal of Pagan Studies invites submissions of articles (5000–8000 words) for a special issue on Pagan Art and Fashion, edited by Caroline Tully(caroline.tully@unimelb.edu.au).How are Paganism, modern Goddess worship, witchcraft and magick utilised in the service of creative self-expression today? Potential topics might fall under the general headings of, but are not limited to, Aesthetics, Dance, Fashion, Film and Television, Internet Culture, Literature, Music, and Visual Art. 

Submissions due June 15, 2019.   For information on the submission process see: https://journals.equinoxpub.com/index.php/POM/about/submissions

Please note that The Pomegranate: The International Journal of Pagan Studies uses the University of Chicago Press notes-and-bibliography citation style: http://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-1.html