1971: Witches in Bellbottoms, Talking Heads

Here is a 1971 documentary from the BBC that is supposed to be about witches. But at the time it was made, no one was making much effort to sort out the new Pagan Witches, anthropological and folkloric witches, and Satanic witches of the Church of Satan variety. So what you get is all of them! Plus talking heads — academics, clergy, exorcists . . .

Like so many of the paperback “I go among the witches” books of the time, the filmmakers interview a few of the most public Pagans, such as Doreen Valiente (who should get equal billing with Gerald Gardner in creating Wicca), Alex and Maxine Sanders, and others. But they quickly run out of interview subjects — there were not too many in Britain back then — so they start skipping around: a famous murder case with a possible (folk) witchcraft connection, desecration of graveyards, the evil grip of Satanism, and so forth, to fill up their 49 minutes.

I write about this period in Chapter 4 of Her Hidden Children: “The Playboy and the Witch: Wicca and Popular Culture.” Looking at a number of paperback books on the American scene, I created a rough spreadsheet of places visited and people interviewed. It was interesting how much overlap there was. There seemed to be a “witchcraft trail” that the writers followed — you could imagine it starting at the Warlock Shop/Magical Child store in New York City and ending at Church of Satan founder Anton LaVey’s house in San Francisco.

What is missing at this moment from the outsiders’ view is an overall sense of the new Paganism, at least until Hans Holzer’s 1972 book, The New Pagans. Even the participants themselves were just coming to the view that Wiccans, for instance, might share a Pagan outlook with Druids — the new Druids, that is. We often forget how deliberately isolated those covens were (“We can’t circle with Coven XYZ because it would mean sharing our secrets!” Really, I heard stuff like that in the 1970s.)

Serious academic study of the new Paganism(s) would not really get rolling until the 1980s. For instance, during the 1970s Robert Ellwood, Jr. at the University of Southern California was writing Alternative Altars: Unconventional and Eastern Spirituality in America (1979), which would offer some theoretical models applicable to the new Paganism, but he did not incorporate it into his discussion in that book.

Welcome, visitors from The Wild Hunt. Look around a bit.

(Thanks to Renna in Denver for the link.)

Someone Should Burn for This

IMGP2077Seen at the booth of a large, evangelically oriented Christian publisher at the American Academy of Religion–Society of Biblical Literature joint annual meeting.

If anyone had made a bobblehead of John Calvin in 16th-century Geneva, JC would have had the maker burned, most likely. Martin Luther might have laughed, depending how much beer he had drunk.

And bobbleheads do not exist in Middle Earth.

A Pastafarian Prophet

A surrealist and a proto-Pastafarian, SE Portland, Oregon.

A surrealist and a proto-Pastafarian, SE Portland, Oregon.

This recent post on Religion Clause describes the victorious struggle of a Texas Pastafarian for the right to wear the sacred pasta strainer in his driver’s license photograph.

It caught my attention because I had just finished editing an article by Joe “Vampires” Leycock, “wandering anthropologist of the occult,”  for the Bulletin for the Study of Religion: “Laughing Matters: “Parody Religions” and the Command to Compare.”

In it he mentions the similar struggle of an Austrian man, Nico Alm, for the same end. Laycock argues that Alm, like Pastafarianism’s founders, “wanted to demonstrate that religion is a category fundamentally preoccupied with the absurd and to question why Western democracies afford special privileges to religion.”

But then a memory of years ago trickled up.

Since this photo predates the founding of the Church of the Flying Spaghetti Monster, I think that that afternoon my friend and I were merely “preoccupied with the absurd.” Little did I know that I was an unheralded prophet of Pastafarianism.

The bare-chested fellow in the Greek fisherman’s cap is, in fact, Greek — my housemate Yioryos Chouliaras. He seemed to live on Turkish coffee (that’s what he called it) and strong cigarettes and wrote surrealist poetry by the yard. The last I heard, he was the cultural attache at the Greek embassy in Ottawa. Sounds like tough duty, but I am sure that Yioryos could handle it.

UPG: An ‘Ugly and Misguided’ Term

In a Wikipedia article on Heathenry in Canada, you will read, “The acceptance of such UPG can be a source of controversy among practitioners.”

UPG here means Unverified Personal Gnosis or Unusual Personal Gnosis or Unsubstantiated Personal Gnosis, defined (also in Wikipedia) as “the phenomenological concept that an individual’s spiritual insights (or gnosis) may be valid for them without being generalizable to the experience of others. It is primarily a neologism used in polytheistic reconstructionism, to differentiate it from ancient sources of spiritual practices.”

And as the entry notes, it is a derogatory term.

Heathen/Germanic Tradition writers seem to spend the most time evaluating the idea of UPG, as possibly “worth considering” if certain preconditions are met or as highly suspect unless rigorously examined in the light of “the lore”: “The key is that [UPG] has little to no basis in the lore as we have it. Most assumptions about the Gods, myths, and rites are based on careful research of the lore often involving years of study.”

Based on limited discussion with practitioner-scholars, I see less concern about UPG among Germanic Tradition Pagans in Europe and little concern among Baltic or Slavic reconstructionists, for example. Perhaps this concern is largely a North American issue? More study is needed.

Pagan scholar Sam Webster, in fact, goes farther, calling UPG an “ugly and misguided” label.

Experience is the center of all spiritual and religious life. Text is at best derivative. By creating and using such a term as UPG, “Unsubstantiated Personal Gnosis,” we privilege text over experience. (This is a rather Christian move, and those who have been following my writing know how I feel about that. . .) Even more damagingly, by framing someone’s experience as a UPG we dissociate ourselves from the primary data of spirituality.

Good point. But not everyone respects phenomenology, even in religious studies.

Sacred Geography in the Cumberland Plateau

Interpreting prehistoric rock art is a challenge, and I suspect that some of Professor Simek’s colleagues may well challenge his interpretation, but he has been looking at petroglyphs from the Mississippian culture and thinks that they describe a three-tier cosmology (Upper, Middle, and Lower Worlds), already attested elsewhere.

A Mississippian priest, with a ceremonial flint mace and severed head. Artist Herb Roe, based on a repoussé copper plate. (Wikipedia).

The Mississippian Culture is a term applied to people living in the area from about 800–1500 CE, contemporary with the European Middle Ages. These people  lived in fortified villages, and some built large ceremonial mounds.

Simek and his team analyzed 44 open- air art sites where the art is exposed to light and 50 cave art sites in the Cumberland Plateau using nondestructive, high-tech tools, such as a high-resolution laser scanner. Through analysis of the depictions, colors, and spatial organization, they found that the sites mimic the Southeastern native people’s cosmological principles.

“The cosmological divisions of the universe were mapped onto the physical landscape using the relief of the Cumberland Plateau as a topographic canvas,” said Simek.

The “upper world” included celestial bodies and weather forces personified in mythic characters that exerted influences on the human situation. Mostly open-air art sites located in high elevations touched by the sun and stars feature these images. Many of the images are drawn in the color red, which was associated with life.

The “middle world” represented the natural world. A mixture of open air and cave art sites hug the middle of the plateau and feature images of people, plants and animals of mostly secular character.

The “lower world” was characterized by darkness and danger, and was associated with death, transformation and renewal. The art sites, predominantly found in caves, feature otherworldly characters, supernatural serpents and dogs that accompanied dead humans on the path of souls. The inclusion of creatures such as birds and fish that could cross the three layers represents the belief that the boundaries were permeable. Many of these images are depicted in the color black, which was associated with death.

Read the rest at Heritage Daily, an online archaeology magazine. Wikipedia’s article on the Southeastern Ceremonial Complex connects with all this, particularly the section on cosmology.

‘Non-Christian’ License Plate Prompts Oklahoma Lawsuit

An Oklahoma court has cleared the way for Methodist clergyman Keith Cressman to sue the state over his objection to  imagery on that state’s license plate.

The new license plates carry a photo of a statue called “Prayer for Rain,” of an Apache man shooting an arrow into the sky.

His 2011 lawsuit in U.S. District Court in Oklahoma City seeks a court order allowing him either to cover up the image on his plates or to get a personalized plate for the same cost as a standard license plate.

“Mr. Cressman’s (lawsuit) states a plausible compelled speech claim,” the appellate judges wrote Tuesday in a 39-page decision, reversing Judge Joe Heaton’s dismissal of the lawsuit. “He has alleged sufficient facts to suggest that the ‘Sacred Rain Arrow’ image on the standard Oklahoma license plate conveys a particularized message that others are likely to understand and to which he objects.”

Oklahoma has used American Indian imagery on license plates before, but something about this one evidently pushed the Rev. Cressman’s buttons.

Sigh. Maybe they should make a plain black and white plate for militant monotheists.

Viewing the Earth from Space: A Major Change in Nature Religion?

A link to a site about an exhibit and conference in German devoted to the “California ideology,” symbolized by a cover from Stewart Brand’s Whole Earth Catalog  from 1968.

The image of the “blue planet,” a new perspective of the earth as seen from the outside, is one of the most popular images in history. This image, more than any other, has shaped the popular notion of the age of the “whole world” and globalization, from a worldwide society linked by the Internet to the current debate on the climate. Using artworks and materials from cultural history, the exhibition will critically explore the application of ecological-systemic concepts to society, politics, and aesthetics.

And how it ended up as a way to sell smart phones.

That the photo of the earth from space changed consciousness on some level is a given of environmental writing. My only concern is that it feeds the “everything started in the 1960s” meme, which downplays the long role of nature-as-source-of-sacred value in American religion, going back to the early 19th century. Catherine Albanese described it well.

 

Francis of Assisi: From Radical Monk to Garden Ornament

The real-estate supplement of the Taos News this week carried an article titled “Five Must-Haves for a Beautiful Backyard.” Oddly enough, four of the five items* were available at the store owned by a person interviewed for the story.

“Saint Francis of Assisi, the patron saint of animals, is one of our most popular statues,” said Char Austin, who works at Camino Real Imports. “People like the air of serenity that he brings in, more so when the statue is surrounded by trees, and birds can nest around. El San Francisco definitely contributes to create a peaceful environment.”

The real St. Francis of Assisi was anything but serene. He was more like “Occupy Rome”  AD 1204 — an upper middle class young man angry at the establishment, demanding radical change in the Roman Catholic Church. But history has turned him into a bird bath — and perhaps that metamorphosis was inevitable.

St. Francis as a bird bath with the wolf of Gubbio.

St. Francis as a bird bath, with the wolf of Gubbio.

Growing up as a Forest Service brat, with an agnostic father and a devoutly Christian mother, I noticed that Christianity seemed to end at the edge of town. Relations with the other-than-human world were not discussed in church. The Episcopal Church’s Book of Common Prayer contained a prayer for rain, as I recall, and that was about all.

For the rest, I was offered the secular gospel of conservation: scientific forestry, soil and water conservation, state-regulated hunting. At least that was better than what had gone before: cut-and-run timber cutting, market-hunting that wiped out species, the Dust Bowl . . .

Pope Innocent III has a dream of St. Francis of Assisi supporting the tilting church (attributed to Giotto).  Francis was more concerned with church reform than with nature itself. (Wikipedia.)

His Franciscan order grew to where it too was a bureaucratic organization, and some of the monks who clung too hard to Francis’ peace-and-poverty ideals (the “Spirituals”) ended up condemned as heretics. (The conflict between hard-core Franciscans and the Vatican appears briefly at the beginning of The Name of the Rose. Most viewers probably don’t get it.)

Yes, he wrote the “Canticle of the Sun,” in which all creation, including animals, the Sun and Moon, etc., is invited to praise God and is depicted as manifesting the divine. And he supposedly preached to birds — but he preferred to preach to people, even to the Muslim sultan of Egypt, who was enough of a sporting gent to let him live. In the story of the “wolf of Gubbio,” he saves the wolf from persecution by the local pastoralists, but at the price of giving up its wolf-ness. There is nothing in the canticle about the ecological role of predators.

Fast forward to 1967, when the journal Science published an essay by the historian Lynn White, Jr., “The Historic Roots of our Ecologic Crisis” (PDF), still widely read and anthologized today. In it, White blamed the crisis on the dualistic creator/created thinking fostered by the monotheistic religions, among which he included Communism, given the environmental crises created by Communist Party policies in the Soviet Union, China, and Eastern Europe:

Our daily habits of action, for example, are dominated by an implicit faith in perpetual progress which was unknown either to Greco-Roman antiquity or to the Orient. It is rooted in, and is indefensible apart from, Judeo-Christian theology. The fact that Communists share it merely helps to show what can be demonstrated on many other grounds: that Marxism, like Islam, is a Judeo-Christian heresy.

Christianity (and its parallel faiths) did not just end at the edge of town, it ended at a strip mine. Here is an interesting slide-show summary of the essay.

Casting about for an alternative to the “domination” model within the Christian tradition, White settled (rather half-heartedly, I always thought) on Francis, even though Francis’ view of non-human nature was thoroughly Catholic. To quote the Wikipedia entry,  Francis taught “that the world was created good and beautiful by God but suffers a need for redemption because of the primordial sin of man.” Contrary to the slide show linked above, this is not particularly “closer to Eastern philosophy.”

With the environmental movement growing, religious officialdom had to respond. Some Protestant Christians started talking “eco-justice,” while in 1979, Pope John Paul II named Francis “patron of ecology,” urging Catholics to be like Francis and take care of nature. Francis, said the pope, “offers Christians an example of genuine and deep respect for the integrity of creation” — as long as we understand that it is human-centric and required to praise God the creator, who is outside of creation, for letting it exist.

Of the hundreds of officially canonized saints, Francis was the only candidate for patron of ecology, even though the Vatican had squeezed all the radical ideas out of the Franciscan order within a century of his death.

Maybe as a medievalist Lynn White, Jr., was unaware of how nature, parallel to scripture, has served as  source of spiritual value in America.

We could see Bird Bath Francis as an attempt to bridge these traditions, to consecrate a safe, protected, and  cultivated nature — if not the self-organizing wolf-ridden wilderness. Followers of what Bron Taylor calls “dark green religion,” which may not be at all theistic, might not be so easily persuaded by the monk of Assisi, were they to meet him on the path.

*Wood carvings of saints, giant metal flowers, concrete animals, small water fountain, and ceramic Sun and Moon faces