Pagan film critic/professor Peg Aloi looks at 2022’s offerings and concludes,”This year was a veritable sparkly cornucopia of weird, witchy, wonderful films and TV steeped in occult and pagan imagery and storylines.”
This was number one:
You Won’t Be Alone (2022
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, dir. Goran Stolevski) This gorgeous film (a Sundance 2022 premiere) set in Eastern Europe in the 19th century is a stunning debut by Australian/Macedonian filmmaker Goran Stolevski. It follows a young woman raised by a witch (drawn from a folklore legend) and the ways she learns about nature and humanity by inhabiting the bodies of different people. It’s a gorgeous exploration of empathy and the possibilities and limits of human existence. With a fine international cast (including Lamb’s Noomi Rapace and Beautiful Creatures’ Alice Englert), lyrical cinematography and a beguiling soundtrack, this was my favorite film of the year. (Full review in The Arts Fuse) (streaming/rental on Prime, AppleTV, Vudu, etc.)
Cracow Monsters is a Netflix series about “a young woman haunted by her past [who] joins a mysterious professor and his group of gifted students who investigate paranormal activity — and fight demons.”
Comes nowhttps://grammar-ttlms.blogspot.com/2007/07/comes-now.htmlAndrzej Szyjewski, professor of religious studies at Jagiellonian University, which has been doing business in Cracow/Kraków since 1364, as they calculate it, back when demonology was an academic discipline.
The viewers are subjected to a whole series of disgusting and terrifying characters of various origins. It quickly becomes obvious that even Trentowski’s inventive vocabulary and imagination is not sufficient enough to describe the mix of entities gathered under the banner of supposedly Slavic mythology. The screenplay incorporates ideas from other, more contemporary Native Slavic faith believers (Rodnovery) and New Age workshops. For instance, in episode four, Chworz summons a creature called Spas. He is
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, in essence, a personification of certain holidays, described by Ukrainian Rodnovery volkhv (wisewoman) Halina Lozko, which the series depicts as something similar to Ded Moroz, who in turn can be likened to Santa Claus. Over the course of the series, Spas, carrying a staff decorated with hanging dolls, busies himself with freezing and then hanging people who failed to give him a present. The ‘Slavic Grinch’ meets his end when Alex electrocutes him with a high voltage wire. It therefore seems that the screenwriter didn’t bother to carry out at least a minimum amount of research when it came to the most key aspect of the show. She didn’t know that the name ‘Spas’, coming from the word spasitel, which means ‘saviour’ and denotes Christ, is unsuitable for a pre-Christian demon. . . .
Even when the screenwriter bases the story around concepts introduced by [19th-century writer Bronislaw] Trentowski, she seems not to understand them and misrepresent them, either knowingly or unknowingly. The best example of this is using the neologism bo?yca, which Trentowski means as ‘knowledge of gods and religion’, to signify a kind of protective spirit, a radiant entity guarding the main protagonist. She also calls it an Aitvara, which indeed denoted a guardian spirit, but one that watched over homesteads, not individuals. Aitvaras were reptilian in shape, brought wealth and prosperity, and were absolutely not exclusive to high priests and priestesses.
One of the series’ strongest points could be its setting: Kraków, a city famous for its rich legendary and historical symbolism. Unfortunately, Kraków also becomes a fantastical amalgamation of real and fictitious places (such as Wanda Mound). Judging from the places visited by the protagonists during their chase after the zapadliska, they can magically jump from one side of the Vistula to the other every few seconds. The viewers will also get the impression that all classes at the Jagiellonian University are conducted solely in Collegium Novum, the administrative centre of the University. Because of this, the eponymous Kraków becomes a simulacrum just as much as the ‘Slavic beliefs’. The most convincing idea related to Kraków in the series is the issue of the curse: the city is unable to develop properly, trapped in a hollow, drowned in smog and ravaged by extreme weather. In the series, Kraków becomes something akin to London, either shrouded in fog or beaten by rain. In this regard, the screenplay rises to the challenge.
I probably could not last through all two seasons, but now that I have Starlink and can stream easily to my isolated forest hideout, I am tempted to give it a look all the same, bearing Prof. Szyjewski’s cautions in mind.
(Thanks for the link to my co-editor in Equinox Publishing’s Pagan book series, Scott Simpson, who also teaches at Jagiellonian University and is the reason why I know anything at all about it. Trust me, he is “more than just a teacher.”)
The final article in the “Paganism, art, and fashion” issue of The Pomegranate: The International Journal of Pagan Studies argues that books and television series based on historical witchcraft make it too safe and fail to portray “the genuine strangeness of witches and magic users in all periods and cultures.”
The authors, she argues, focus too much on female empowerment and not enough on how “early modern witches are much stranger and much more disconcerting than anything likely to be found at Hogwarts or in Narnia or Rivendell.”
Thus the “getting it wrong” of her title not an attack on contemporary Pagan-themed literature — she admits its creative energy— but the suggestion that if you think you are doing something “transgressive” now, you ought to look at some primary sources. And since she teaches at Oxford, she has some snarky things to say about how her university is portrayed in Discovery of Witches on TV.Purkiss’ exclamation over the fictional Professor Bishop, ‘That’s not how this works!” might equally well have been applied to the long-running British Inspector Morse mystery … Continue reading
M. Z. Bradley, she points out, was more influenced by Starhawk than by anything on ancient Pagan religion. “We tend to want goddesses with moral characteristics derived from Christianity and from the Enlightenment, and matriarchal societies with characteristics derived from Christian socialism and even Marxism. All this excludes the bitter truths embodied in Pagan myths and ideology.”
It’s not that we cannot enjoy Diana Bishop, heriditary witch and professor, but that, as Purkiss is anxious to point out, the real thing was even stranger than the “anondyne” modern re-creations.
Purkiss’ exclamation over the fictional Professor Bishop, ‘That’s not how this works!” might equally well have been applied to the long-running British Inspector Morse mystery series, set in Oxford town, which portrayed Oxford dons as bludgeoned on an almost-weekly basis. Apparently that is how positions are opened up for new hires. Perhaps Bishop arrived immediately after a murder.
3. Last weekend M.’s and my old home of Manitou Springsheld its annual coffin races. They started right after we moved away, but we met in Manitou, bought our first slightly-more-than-tiny house there, and have lots of memories.
The [Manitou Springs Heritage Center] will be the starting point of “ghost tours” featuring “spirit guides” who will show people around town for 45 minutes, stopping at sites where actors will play out tales of the colorful past.
“Manitou was full of witchcraft,” [Jenna[ Gallas says. “Not that it is anymore, but I think people still like to believe ooky-spooky happens here, and if we’re gonna celebrate Halloween, we’re gonna do it in Manitou, where the freaks come out every day.”
What is this “was,” Ms. Gallas? Yes, we did our part in the 1980s. Rituals upstairs in the Spa Building? You bet. Rituals outdoors downtown around the mineral springs? Those too. I have to think that someone else has carried on!
Images of witches being veiled in darkness, casting spells over cauldrons endure, but a new generation of Wiccans and witches have established growing communities in D.C. and across the country.
Yada, yada. But this good:
“[Hallowe’en is] a celebration of the witch. You can have sexy witches, you can have scary witches, but it’s still a celebration of the witch. Even if the witch isn’t shown in a positive light,” said Stephens, a 37-year-old Wiccan who also practices witchcraft.
From the 1950s to the late 1970s, when he turned more toward writing purely Wiccan books in collaboration with his wife Janet, Stewart Farrar put his hand to everything: occult thrillers, magazine journalism, television screenplays — even a pseudononymous bodice-ripper romance, just to see if he could do it. His novel The Sword of Orley remains one of my favorite examples of how reincarnational memories ought to be, if only life were more like books.
I got to know Stewart around 1977, and at some point suggested to him that Dion Fortune’s book of short stores about an English magus, The Secrets of Doctor Taverner, ought to transfer well to “the box,” as he called it.
He went so far as to investigate who held the copyright — which was her esoteric order, The Fraternity of the Inner Light, and its directors apparently had no interest in licensing a television adaptation.
A pity — they would have made a perfect 1970s TV show, when occult topics were in vogue.
According to the Daily Mail (dial skepticism appropriately) a collection of occult booksHans Thomas Hakl probably has more than Himmer did—but no castle. owned by Nazi SS chief Heinrich Himmler has been found in the Czech Republic.
The bulk of the collection was called the ‘Witches Library’ and concentrated on witches and their persecution in medieval Germany.
One of Himmler’s quack theories was that the Roman Catholic Church tried to destroy the German race through witch hunts.
In one scene, the Christian Prince Aethelwulf, who earlier in the series said that “it is just not possible to imagine a world in which there is both one god and several,” unleashed genocidal fury on a settlement of unarmed, pagan [sic], Viking“Viking” is a job description, not an ethnicity. “Norse” would be a better choice. farmers who had been promised protection by the king. Yet,No comma needed after an introductory conjunction. So stop it! the show includes vestiges of the violent heathen trope that’s been a staple of how dominant religious groups have portrayed minority religious groups throughout history.
• According to this article, some Kurds, who are various in conflict with Sunni and Shiite Arabs and Iranians, are going back to the Old Religion, that of Zoroaster. (It has hung in some places all these centuries since the Arab Muslims rolled over Persia in the 8th century.)
The small, ancient religion of Zoroastrianism is being revived in northern Iraq. Followers say locals should join because it’s a truly Kurdish belief. Others say the revival is a reaction to extremist Islam.
One of the smallest and oldest religions in the world is experiencing a revival in the semi-autonomous region of Iraqi Kurdistan. The religion has deep Kurdish roots – it was founded by Zoroaster, also known as Zarathustra, who was born in the Kurdish part of Iran and the religion’s sacred book, the Avesta, was written in an ancient language from which the Kurdish language derives. However this century it is estimated that there are only around 190,000 believers in the world – as Islam became the dominant religion in the region during the 7th century, Zoroastrianism more or less disappeared.
So does this count as a “Native Faith” movement, like Rodnoverie, etc., but not polytheistic?
From the abstract to Robert A. Saunder’s paper “Primetime Paganism: Popular-Culture Representations of Europhilic Polytheism in Game of Thrones and Vikings,” reprinted at Medievalists.net, in which he argues two points:
First, that traditional filmic treatments of pagans [sic] qua villains is shifting, with contemporary popular culture allowing for more nuanced framing of Western forms of polytheism. Secondly, that such popular-culture representations of paganism have direct impact on certain contemporary Pagans’ personal spiritual paths by promoting and influencing the “invention of tradition” among a population which manifests non-traditional religious identities.
Religion scholar Philip Jenkins has suggested these two sources—contemporary Satanic Panic and the “weird tales” of pulp horror—are connected. He suggests that it was the weird tales authors of the 1920s, notably Lovecraft and Herbert Gorman, who first introduced the idea of secret, murderous cults into the American consciousness.
From time to time, I’m asked if The Long-Lost Friend has anything to do with hex signs, those beautiful star and flower figures that decorate the barns across much of eastern Pennsylvania and adjacent areas where German settlers made their homes. The answer is, “Not really,” with a follow-up about the possibility of a mystical link that might or might not be present. Hex Signs provides us with answers to these questions, and much more.
As mentioned above, “the scary countryside” is a staple meme of television and movies on both side of the pond, but in the UK there is the additional refinement of “the scary countryside where people practice strange and ancient rites.”
That does not work as well in North America unless you set your TV show in Awatowi, which is not going to happen soon.
Filmed at Avebury, Wiltshire during Summer 1976, with interior scenes filmed at HTV’s Bristol studios, it was an unusually atmospheric production with sinister, discordant wailing voices heightening the tension on the incidental music. The music was composed by Sidney Sager who used the Ambrosian Singers to chant in accordance with the megalithic rituals referred to in the story.Director Peter Graham Scott was surprised on seeing the script that the series was intended for children’s airtime due to the complexities of the plot and disturbing nature of the series. The series is frequently cited by those who remember it as one of the scariest things they saw as children.
Sounds good to me. More episodes await. If Netflix had existed in the late 1970s, this would have been on the coven viewing list, I am sure.