A Failure of Theology?

I am not a theologian, nor do I play one on TV.* But as I watch the kerfuffle over Triumph of the Moon (still, after ten years!), I wonder what happened to Pagan theology.

In the 1920s, Margaret Murray claimed that “the Old Religion,” a self-conscious underground Pagan cult(s), persisted in Western Europe until at least the 17th century. (Her thesis, however, has not stood up well to further examination, and even many Wiccans abandoned it by the 1980s. But it retains its appeal in some quarters.)

Others wish to trace a different story, to the Middle Eastern city of Harran, to a tiny handful of late-Byzantine intellectuals, or whatever. The myth/story/legend of the unbroken transmission is a powerful one.

Writing in the 1950s, Gerald Gardner, the chief founder of modern Wicca, claimed that underground Pagan religion had endured right into the 20th century—and Murray backed him up.

Once Gardner opened the door, through press interviews and by writing Witchcraft Today in the mid-1950s, suddenly other people appeared saying, mirabile dictu, that they too were heirs to a underground traditions: Robert Cochrane, Alex Sanders, and so on.

It is as through without a person-to-person connection back two thousand years, Wicca or other forms of Paganism could not be “legitimate” religions.

Where are the gods in all this? Have they no agency? Does no one take them seriously?

Monotheistic theologians spend a lot of time on “How God manifests in history and to whom.”  Modern Pagans tend to say, “Oh, it’s all cyclical. Everything comes around again. Tra la la.” (I can’t cite a source here, sorry, but I have seen it argued that the Ragnarök story was influenced by the Christians’ Final Judgment teachings.)

But suppose that it was not the Pagan religionists but the god who went “underground,” into the collective unconscious, staying in touch only through art, literature, dreams, whatever, only to emerge (in the English-speaking world, at least) through late-Victorian and early 20th-century literature?

Three articles in the Pomegranate have discussed this issue, and I should note that Jennifer Hallett was a graduate student of Ronald Hutton’s, so she was building upon his earlier work.

• Freeman, Nick. “The Shrineless God: Paganism, Literature and Art in Forties Britain.” The Pomegranate 6, no. 2  (2004): 157-174.

• Freeman, Nick. “A Country for the Savant: Paganism, Popular Fiction, and the Invention of Greece, 1914-1966.” The Pomegranate 10, no. 1 (2008): 21-41.

• Hallett, Jennifer. “Wandering Dreams and Social Marches: Varieties of Paganism in Late Victorian and Edwardian England.” The Pomegranate 8, no. 2 (2006) 161-183.

Just three. Research might reveal other sources in other places.

We do not have many formal theologians, a vocation not necessarily synonymous with priest or priestess. Starhawk is often labeled one, but her primary concern is social justice, it seems. Constance Wise sets up a framework that might be helpful but does not tackle this particular issue, as I recall.

As I said, I am not a theologian. But it seems to be that an intellectually grounded Pagan theology of the gods in history might take some of the pressure of those people who think that they must have an unbroken person-to-person religious transmission in order somehow to be real.

If that is not enough, here is another list of possible topics for Pagan theologians to think about.

*That is a pop-culture reference.

On Misreading ‘Triumph of the Moon’

An earlier post of mine about writings on Wicca that lacked authority generated some responses around the Pagan blogosphere.

Some bloggers, however, simply do not understand scholarly writing. For instance, this:

For over a decade, Professor Ronald Hutton’s study on the history of Wicca, Triumph of the Moon, has been considered by most Pagan scholars to have closed the book on the issue of the survival of elements of Paganism from Pagan antiquity.

Let’s think about that. Edward Gibbons’ The History of the Decline and Fall of the Roman Empire is probably the one book on the topic that every educated person has at least heard of.

It was published in installments between 1776 and 1789. It is a classic. By the blog writer’s standards, therefore, it should have “closed the book” on writing about ancient Rome.

Yet new books on ancient Rome are published every year. How can that be?

No topic is ever “closed.” Historical works—which is how Prof. Hutton would describe Triumph—are not holy scriptures. New thinkers and new generations bring new scholarship and new interpretations.

But what Hutton has done is establish a standard. Anyone who challenges his conclusions (and given that ten years have passed, he has challenged some of them himself, I expect) must do at least as much in-depth research as he has done. They can’t just snipe from the sidelines.

Rhetoricians talk about “invented ethos,” by which a speaker or writer displays their qualifications to engage a topic: I have studied such-and-such at this or that level. I have done such-and-such. I have experienced such-and-such. (“Invention” does not imply falsification in this context.)

It is that level of ethos I see lacking in his critics—so far.

Another problem, probably too big to tackle here, occurs when people approach a book like Triumph looking for “right answers” or for information on which to base their personal religious practice.

Oh, you can do that. “The reader constructs his own text,” as all the postmodernists say, sure. You can also use a Stradivarius violin for a canoe paddle.

But I think one is better off reading a Triumph as a history of ideas, a history of the ways that English people, in particular, thought about and constructed the idea of “witchcraft.”

Last Seen in 1378

A blog post explaining the upcoming lunar eclipse/solstice event, with a diagram of who gets to see it.

The 14th Thing to Love about Pagans

Writing at Pantheon, “the Pagan blog at Patheos.com,” Star Foster lists “13 Things I LOVE about Pagans,” for example, “Smaller is Better” and “Many Gods, Few Masters.”

I agree with all of them. But I could add one more: “Borrowing” with both hands. Mad eclecticism.

It is  illustrated by her embedded video of the “Celtic rock” band Coyote Run (American name, post-18th-century Scottish kilts) performing a musical version of Rudyard Kipling’s “A Tree Song” with no credit to him at all. (Maybe there is a credit in the printed liner notes—I hope so.)

Witches have been using that poem ritually since the 1960s, at least. You will find it in the Internet Book of Shadows.

As a newcomer to the Craft, I  actually thought it was indeed old  lore—a Pagan survivall! oral tradition!—instead of having been written by the India-born Kipling in the early 1900s, after he finally moved “home” to England. It was published in Puck of Pook’s Hill in 1906.

Because of this 14th characteristic, I just laugh when some earnest Pagan starts lecturing about “cultural appropriation.”

Why We Do Pagan Studies – 2

(Part 1 here)

Just to continue the previous discussion, let’s look at a Pagan scholar’s (in both senses of the term) book, Niki Bado’s Coming to the Edge of the Circle (Oxford University Press, 2005).Coming to the Edge of the Circle: A Wiccan Initiation Ritual

Its subtitle is  “A Wiccan Initiation Ritual.”  But is that all that it is about? Nope. What she is doing is challenging the model by which anthropologists and scholars of religion have been understanding initiation and rites of passage for the past century, Arnold van Gennep’s “tripartite model.”

Fifteen years ago, when I wrote the introduction to Witchcraft Today Book Two: Modern Rites of Passage, I too used van Gennep’s model: separation, liminality, and finally reintegration into the group. It was the gold standard, so to speak.

Going out, experiencing something, coming back and re-integrating—it explains everything from the teenage years to Freemasonry.

But what Nikki Bado did five years ago was to offer a new model of initiation, one based on what she called somatic praxis, “a repetitive discipline that engages both the body and the mind in learning” (viii). Her analogy is learning to drive a car, which also requires a “body-in-practice.”

One thing you could say right away was that van Gennep’s model focused more on the person-in-the-group, whereas Bado’s is more about how the person herself changes through “the ritual performance of initiation,” which she describes more as repeating circles than as movement out and back in again.

“As a scholar,” she writes, ” I intended from the outset to use Wiccan initiation ritual as material to think with” (145). In other words, her goal is not to discuss Wicca and only Wicca, but initiation in general.

There is a lot more too it, of course, and Bado spends many pages basically explaining Wicca. But she always returns to the body-in-practice model.

There is some parallel here with Tanya Luhrman’s “interpretive drift,” although that model  focuses more on cognition. (And Luhrman, having gathered what she needed for her dissertation and Persuasions of the Witch’s Craft, sailed off into the sunset, leaving an island of angry natives behind her.)

Bado as a Pagan scholar has several purposes:

1. To propose a new model of initiation that can be applied across religious traditions and cultures.

2. Since she herself follows a new religion—Wicca—and is also writing about it, she has to demonstrate that instead of a “special pleading” she is actually able to offer scholarly (not practitioner) insights that are “otherwise not available to scholarly examination” (145). Thus she must turn her “insider” status into an asset, lest she be accused of taking the easy way, writing about what she is already involved in, perhaps with less than full objectivity.

(Never mind that Jews write about Judaism, etc. Members of new religious movements are viewed with more suspicion as to their contribution to the larger work of the academy.)

3. By using Wicca as her model instead of some other religious tradition, and by discussing her own participation, she also does indeed make a case that Pagan scholars of religion can do good work in the academy. Her work and others’ work makes the study of Pagan religions and Pagan ways of being religious more legitimate.

Do they also help Pagan practitioners? Perhaps indirectly. But that is not what sold the book to Oxford University Press. Point number 1 and possibly number 2 sold the book, I suspect.

When you write an academic book proposal for a publisher, you try to forecast good sales in the scholarly market—and, as sort of holy grail, adoption of your book as a classroom text that students must buy. Sales to “general readers,” i.e., the practitioner buyers, are secondary or even tertiary, behind library sales. The publisher hopes for them, but they are not what push the book’s publication, most of the time.

‘My Argot is Sausage’

Somebody needs to explain to me the software that writes spam blog comments. (Fortunately, WordPress and Akismet stop 98 percent of them.)

Some of these comments have a wonderfully surreal character:

hi everyone, my argot is sausage and i virtuous need to say that this is an superior blog flier and i truly pioneer it stabilizing, would it be alright if i submitted posts to this blog virtually topics i found fascinating?

I’ll have the word salad with argot sausage and vinaigrette, please.

‘In the Land of Pluto and Mammon’

Gus diZerega writes a Pagan analysis of Las Vegas.

No Trancing in the Snake Temple

And other religiously themed signage from around the world.

More Mainstreaming of Wicca?

Go here and read the third comment (Bella’s).  Either it has become a commonplace observation or we, truly, are everywhere.

I, however, am more in agreement with the second (Clay’s): isn’t this  what you call  a victimless crime?

Why We Do Pagan Studies

During my first semester of graduate school, I was told a cautionary tale. It was about a Christian pastor who went back for a PhD in religious studies. But one day he had had enough. He stood up from the seminar table and exclaimed, “That’s my Jesus you’re talking about!”

The pastor’s reaction is the typical believer/practitioner one. He expected his advanced studies to “strengthen his faith,” perhaps.  He resisted setting aside his Christian truth claims, “bracketing them out,” to use the common expression.

Read this post at the Religion in American History blog about an attack on a professor of Catholic Studies who criticized the Roman Catholic hierarchy. The comments, thus far, are intelligent.

The problem, however, is a constant one—even between Pagan practitioners (I don’t like the term “believers”) and scholars in Pagan Studies, who are indeed mostly but not all Pagan practitioners themselves, in some way, shape, or fashion.

Religious studies is not-theistic, nor is it atheistic. But it is not theology. There is some tension between the two approaches. (I should point out that the AAR includes theologians too, although some think that the academy is plagued by dangerous religious liberalism.

(On a somewhat bookish online discussion group someone recently claimed that scholars in Pagan Studies pursued their intellectual interests only to gain stature within the Pagan community. Not hardly. For every fan that you may gain, there probably is someone else ready to denounce you as an enemy of true Paganism.)

For instance, when I wrote Her Hidden Children: The Rise of Wicca and Paganism in America, one of the question that I wished to attempt to answer was, “What do we (Pagans) mean when we talk about nature religion.”

You will get a different view with a different “we” if you read Bron Taylor’s  Dark Green Religion: Nature Spirituality and the Planetary Future.

So if I were revising Her Hidden Children (I have no plan to do so), I would have to take his ideas into account. The conversation would continue. Not that I am right and he is wrong, or vice versa, but I would have to sort out the differences and similarities, intellectual influences (e.g., he gives Henry Thoreau much more space than I do), and so on, because I think that Dark Green Religion is a significant book, and it would be a glaring omission to ignore it now.

These are just two books, against the flood of practitioner-oriented texts coming out from Llewellyn and other publishers.  And neither I nor Bron (so far as I know) are teaching workshops on “How to be a better nature-religionist,” complete with breathing exercises, movement, and song. Other people could do that much better. Audiences want to hear a speaker with a schtick.

We do what we do because we like to think about these things, trying to find paths through the intellectual underbrush.  (“Eliade used to go up the hill this way. Is that path still useful?”)

Meanwhile, you learn to argue whether there is such a thing as “religion,” even while continuing to use the term.