Tag Archives: witchcraft

She Went among the Witches

Waterbrook, Random House’s evangelical-publishing operation, has announced Wicca’s Charm: Understanding the Spiritual Hunger Behind the Rise of Modern Witchcraft and Pagan Spirituality, a new journalistic survey of Wicca in America.

From the Web site:

Hundreds of thousands of people practice Wicca and other forms of modern Pagan spirituality in America today, and journalist Catherine Edwards Sanders wanted to understand why such belief systems are rapidly attracting followers. When a routine magazine assignment led her to realize that her stereotype of Wiccans as eccentric spiritual outsiders was embarrassingly misinformed, her curiosity compelled her to understand the Wiccan mystique. With the support of a journalism fellowship, Sanders spent a year interviewing neo-Pagans and witches and found that the lure of this emerging spirituality was not the occult, but rather a search for meaning in an increasingly fragmented and materialistic culture.

Publishing history repeats itself. The “routine magazine assignment” sounds just like the genesis of Stewart Farrar’s What Witches Do (1969), while “journalism fellowship” echoes the writing of Margot Adler’s Drawing Down the Moon (1979).

Adler, I am told, is also at work on her own re-working of DDTM, although I don’t know if it will be a third edition or an entirely new book.

What I wonder about is how Sanders ended up with a publisher of chiefly Christian books, and what that placement bodes for this one.

The Rehabilitation of Rosaleen Norton

Back in the 1950s, the artist and occultist Rosaleen Norton was the witchcraft scene in Australia, at least according to some of the older books I have read. Her relationship with Sir Eugene Goosens, conductor of the Sydney Symphony Orchestra, was a scandal, as were her paintings, some of which were confiscated as indecent.

Now that scandal has achieved folkloric status, and Norton’s memory is a local tourist attraction, as you may read here (scroll to the bottom).

Things have changed a little.

Goosens, incidentally, worked hard for a new classical-music venue in Sydney; now the Sydney Opera House with its white “sails” is the tourism-poster icon of Australia. I think that it will be a while before there is a Rosaleen Norton retrospective exhibit in the lobby, but think of the connection.

Joseph Wilson: A Craft Pioneer’s Life

Joseph Wilson published one of the first American Pagan newsletters, The Waxing Moon, in the 1960s and through his correspondence with Robert Cochrane, established the “1734” tradition or current or call-it-what-you-will in American Craft. (Another version of 1734 history is here.

His spiritual autobiography is now appearing serially in The Cauldron, but you may read the whole thing online here at his Toteg Tribe site. I recommend it. American Paganism suffers from too much how-to in relation to the what-happened.

Teen Witches

Some people are saying that the “teen witch” craze, symbolized by the 1996 movie The Craft, has peaked. I don’t think so. My latest Llewellyn Publications reviewer’s catalog recently arrived, and I saw that Silver Ravenwolf’s Teen Witch had been redesigned. Whereas the former cover art had something in common with the poster/box art for The Craft, the new cover seems more in common with last year’s movie Thirteen.

It’s all about Pouty. Adolescent. Sexuality.

In his review essay “Sifting the Ashes,” an expose of the tobacco industry (collected in the book How To Be Alone, Jonathan Frantzen desconstructs the industry-funded anti-smoking ads aimed at teens and comments how “several antitobacco newspaper ads offer . . . the image of a preadolescent girl holding a cigarette. The models are not real smokers, yet despite their phoniness, they’re utterly sexualized by their cigarettes. The horror of underage smoking veils a horror of teen and preteen sexuality.”

Witchcraft, the new cigarette?

On a more positive note, a Colorado Witch describes sitting in on an interview of several teen Wiccans by a National Public Radio reporter.

“I spent the afternoon in the upstairs of the Oh My Goddess coffee house in Denver, listening to Barbara Bradford Hagerty of NPR interview 6 teenage Wiccans and one Christian teen learning about Wicca. She was amazed at how articulate, intelligent, and self-aware they were. She’s planning on doing a segment or show about teens and Wicca. They wouldn’t stop talking! She used more than one minidisc to record, which she says never happens in an interview. The 6 Wiccan teens were all raised Wiccan, more or less.

“She spoke briefly to most of the parents and to me; she may talk to me again in a couple of days if she can on her way to the airport. She is a colleague of Margot Adler’s, and therefore actually knew something about the topic. She asked each of the Wiccan teens if they thought it was a phase that they would grow out of, and the general consensus was ‘No. This is who I am.’ It was an amazing experience.

“Based on the kids that were there today, I have to say I think that the future of Paganism is in pretty capable hands.”

UPDATE 4/29/07: I had not looked at this post for a while, but it appears to me that the cover displayed, which is on Llewellyn’s web site, is not the one that I described as “pouty” a couple of years ago. Does anyone know for sure?

Witchcraft Medicine

Witchcraft Medicine: Healing Arts, Shamanic Practices, and Forbidden Plants is a collaboration between three German anthropologists: Claudia Müller-Ebeling, Christian Rätsch, and Wolf-Dieter Storl. I ordered it because I’ll read anything that Rätsch has written, and, unfortunately, not enough of his work has been translated from German to English. (The translator here is Annabel Lee, whose work also appears in the journal Tyr — see the October 18 entry.

The book is more a study of cultural transformation using texts and art work. The three “explore the demonization of nature’s healing powers and sensuousness, the legacy of Hecate, the sorceress as shaman, and the plants associated with witches,” to quote the back-cover blurb.

This book is more historical than hands-on; from a practitioner’s position, I would rank it behind Dale Pendell’s work. But it’s still fascinating and inspiring.

One warning: don’t trust anthropologists making etymological arguments. “Cathar” (the heretics) does not derive from the German word for “tomcat.” (Storl gets it right: it’s from the Greek word for “pure.”) Nor does Boogie-Woogie, I will bet, derive from the same Indo-European root as the Russian Bog, “god.”