Back in the 1950s, the artist and occultist Rosaleen Norton was the witchcraft scene in Australia, at least according to some of the older books I have read. Her relationship with Sir Eugene Goosens, conductor of the Sydney Symphony Orchestra, was a scandal, as were her paintings, some of which were confiscated as indecent.
Things have changed a little.
Goosens, incidentally, worked hard for a new classical-music venue in Sydney; now the Sydney Opera House with its white “sails” is the tourism-poster icon of Australia. I think that it will be a while before there is a Rosaleen Norton retrospective exhibit in the lobby, but think of the connection.