Two days ago: morning fog creeping west from the Missouri River, south of Fort Pierre, South Dakota.
On the Road
Blogging will be sketchy for the next week, as I am on the road, my destination being first, a small town and an old friend in eastern North Dakota — and then possibly the Turtle Mountain area of that state.
Tonight I fetched up in Valentine, Nebraska (more than halfway there!), which in some respects is a typical Plains town that smells like cows and diesel fuel, but which is surrounded by some fascinating country, including the Sand Hills.
A Windy Wedding Day
I conducted the fourth wedding of my priestly career (joke) today. This one, unlike the first two, might last.
The bride and groom did all the work, really. All I had to do was gather the spectators and read a couple of Wendell Berry poems in competition with the west wind.
The couple had chosen a breezy ridge top with an ohmygawd view of the upper Huerfano Valley and the Sangre de Cristo range.
Like champagne, Black Forest cake packs a bigger wallop at 10,000 feet than it does at sea level.
M. and I had to drive up through our favorite mushroom-hunting territory to get there. We took a brief stroll in the woods on the way down–saw nothing good.
The Fairies of Torchwood
I never joined the Doctor Who cult, although I had friends who remembered every episode and could debate whether Peter Davison made a better Doctor than William Hartnell.
At a post-INATS dinner, however, a publisher friend said that I had to see Torchwood, a Doctor Who spin-off. He compared it to the X-Files. Netflix had it, so I ordered Season One (2006).
We-l-l-l. The X-Files it’s not. Underneath the aliens and “time rifts” and occasional goriness, it’s not as dark — there is not the sense of hopelessness against greater forces and the personal doubts that pervade the world of agents Scully and Mulder.
In fact, every time that I see the four main Torchwood operatives running down the street — they seem to run a lot, for running and frenetic music cover up plot slippages and cheesy special effects — I want to sing along, “Hey, hey, we’re the Monkees.”
But I heartily approved of the episode called “Small Worlds.”
Every time I see someone who gets all mushy about fairies, I want to remind them, “The fairies are not your friends, anymore than the coyotes are your friends.” You can interact with them, but under other circumstances they would eat you. They are a different life form, and they are not All About Us.
Review: Written in Wine
Dionysos, writes Sannion of the Library of Neos Alexandria, “is a maddeningly complex god to figure out.” And so he gets an anthology: poetry, fiction, hymns, essays, ritual from a group of Hellenic revivalist Pagans: Written in Wine: A Devotional Anthology for Dionysos
I like that approach for several reasons.
For one, contemporary Pagans must remember that our model of clergy is different from those of the monotheists. We start with service to deity, which is not the same as “pastoring” (herding sheep).
For another, we are drawn (or chosen) by different deities at different times. Sometimes, as Wiccan writer Judy Harrow says of herself, we are “serial henotheists.”
Harrow herself produced an excellent book in 2003, Devoted To You: Honoring Deity in Wiccan Practice — the title is a slight misnomer, since two of four contributors, Alexei Kondratiev and Maureen Reddington-Wilde, are reconstructionist Pagans.
I once said that we needed poets, not theologians, and much of the poetry in Written in Wine is good stuff. Theokleia’s “Come Dionysus” needs to be chanted by drunken, torch-lit devotees, while the collection also includes new translations of some ancient hymns to Dionysos as well.
The book includes stories and essays as well: I was impressed by Sarah Kate Istra Winter’s “What It Means to be a Maenad” and, somewhat parallel to it, Tim Ward’s “Dionysos on Skyros” with its questions of how a man moving toward middle age might still manifest the god.
Yesterday I mentioned Ginette Paris, known for three excellent works of polytheistic psychology: Wisdom of the Psyche: Depth Psychology after Neuroscience, Pagan Meditations: The Worlds of Aphrodite, Artemis, and Hestia, and Pagan Grace: Dionysus, Hermes, and Goddess Memory in Daily Life.
Those books can help you see how divine energies penetrate the psyche and also manifest unexpectedly in everyday life, but Written in Wine is for the times when you want to call them forth—now!
Polytheism and Punctuation
Have you seen the new ads for Gillette’s Venus-brand razors?
Do you think some copywriter once read some classic of pop-psychological polytheism, such as Goddesses in Everywoman: Powerful Archetypes in Women’s Lives?
Or perhaps more amazingly, what if someone read Pagan Meditations: The Worlds of Aphrodite, Artemis, and Hestia?
Gods below! Polytheistic myth as psychology — in the marketplace!
Note the correct use of the apostrophe-in-direct-address in the Gillette page’s title bar. A lot of sloppy writers forget that punctuation can have a semantic purpose. There is quite a bit of difference between “Let’s eat, Susan” and “Let’s eat Susan.”
Lucifer Rising
I took a little trip back into the 1970s today to watch occult/underground filmmaker Kenneth Anger’s Lucifer Rising.
It is not about Satanism but more about invoking energies of nature, a highly symbolic short film with not a word of dialog on the soundtrack.
Or you could say that it is about the aesthetics of ceremonial magick.
You can watch a low-quality version online, but I rented it as part of a Kenneth Anger collection from Netflix.
Even the story of its music is a masterpiece of Psychedelic Age gossip, involving a composer imprisoned for murder as part of the Manson Family, after Anger’s first choice, Jimmy Page of Led Zeppelin, failed to deliver.
Another article on Anger’s use of color symbolism is here.
Gods Below
“Gods below!” was a favorite oath of the characters in Rome, my favorite HBO series ever.
I have been giving them a lot of thought lately, starting with Cloacina (scroll down to Poster 6).
The line to the septic tank at the guest cabin was clogged beyond my ability to clear it with a hand-cranked snake, so I had to call Cory the plumber.
And since the tank itself had not been pumped for a decade, I called the septic service to pump it. When the pump truck showed up, we discovered the baffle on the outlet pipe had fallen off. I got new parts from the hardware store (a four-inch 90-degree PVC elbow and a neoprene coupling to attach it to four-inch clay pipe, if you’re wondering) to replace it.
It’s a small tank, so I was able to attach the baffle by just hanging over the opening and reaching down. Didn’t drop the screwdriver–hurray. The tank was empty, but still pungent.
I figure that M. could have fit through the opening and climbed down on a ladder, but for some reason she was not interested in helping.
So all honor to Cloacina, a goddess below.
Gallimaufry on Stilts
• Jason Pitzl-Waters on a healing ritual for Oberon Zell, who is facing colon cancer.
• Lupa discusses Bambified animal totems in her column at Rending the Veil.
• Is dating a cowan always this hard?
• Caroline Tully connects an old statue of Aphrodite with Salvador Dali’s version. Platform sandals go way back.
Passing of Feraferia’s Fred Adams
I learned today of the passing on August 9 of Frederick McLaren Adams, co-founder of the Southern California Pagan group Feraferia in the 1960s.
(Right: Fred and Svetlana Adams at a Feraferia ritual during the late 1960s.)
Although later cross-fertilized by Gleb Botkin’s Church of Aphrodite, Feraferia (“wilderness festival”) was a unique creation, with its roots in ancient Greek religion, in Adams’ own visionary experiences of the gods, in the writings of Robert Graves, and also in the California “Nature Boys” tradition, of which I plan to write more later.
(Right, Fred Adams in about 2005.)
I have a framed front page of the Autumn 1968 issue of the Feraferia journal hanging over my computer desk. Its subtitle reads “The Charisma of Wilderness, Seasonal Celebration, Visionary Ecology.” Forty years ago — before most Pagans were even using the term “nature religion.”
(Photos courtesy of Harold Moss.)