Talking about Robert Eggers’ “The Northman”

In the spring of 2018, M. and I were preparing for a week in Salem, Mass., so we watched several movies about Salem, witch trials, etc. One of them was The Witch, directed by Robert Eggers.

At the time, I had more to say about Three Sovereigns for Sarah, but I will admit that visually and experientially, The Witch stayed with me longer.

Now Eggers is back with a new “Viking blockbuster,” The Northman, and people are talking about it.

At Amor et Mortem, Anna Uroševic starts her review,

You know that a newly released film has made quite an impact on you when, hours after you’ve left the theater, you obsessively muse upon its indelible imagery and the effect of the moviegoing experience is all you seem capable of discussing with family and friends. In fact, you’re filled with missionary-level zeal in urging people you care about to go see the film as a matter of vital importance. . . .

The plot of The Northman is very straightforward, as no-nonsense as a spear hurtling towards your face (and we see plenty of those in this film): loosely based on the tale of Amleth as recorded in the 12th-century Gesta Danorum by Saxo Grammaticus, it’s a revenge narrative of a young Scandinavian prince looking to kill his uncle, the man responsible for the treacherous act of fratricide/regicide by killing the prince’s father, the rightful king.

Pagan historian Tom Rowsell was dubious at first after movies, TV series, and games created what he calls “a wave of Viking invasions of popular media, many of which, including History Channel’s Vikings series and the Assassins creed Valhalla video game, copy the ‘biker Viking aesthetic.'”

But his blog post “The Northman: Pagan Themes Explained” sings The Northman’s praises after studying its Pagan elements, even while still faulting its color scheme:

I consider this to be the best Viking film ever made and I expect it will be remembered as such for some time. But while I had hoped this would mark the long awaited end of the biker Viking-age aesthetic which has so permeated popular culture over the last decade, its tawdry mark can still be detected. Not so much in the costumes, but more in regards to the colour palette and score – the former consists of the rather familiar Hollywood medieval drabness with which historical dramas consistently deny the era’s vibrance. The score, while competently composed by Robin Carolan and Sebastian Gainsborough, and effective in keeping the adrenaline pumping while the blood flows across the screen, will date the film since it owes much to the recently invented percussion driven fusion of neo-folk, world-music and martial-industrial that has become the stereotypical “le Viking music” of our time. Widely perceived as authentic because it uses medieval instruments, the combination of far flung elements such as didgeridoos, Siberian drums and Mongolian throat singing would have been as unfamiliar to Vikings as it was to anyone before the likes of Hagalaz Runedance and Wardruna invented it some 20 years ago.

These are, however, minor quibbles with an expertly crafted film which is well cast, with actors pulling off some phenomenal performances (Nicole Kidman deserves particular praise for her role as the detestable Queen Gudrún). Eggers is certainly among the greatest filmmakers of his generation and regardless of how well The Northman performs at the box office . . .  it will be remembered as a cult classic of cinema history.

At the British newspaper The Guardian

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, TV-film critic Steve Rose’s whiskers are quivering over the possibility that The Wrong People might like the The Northman too much — but then here is someone who thinks that Jane Austen’s novels credibly could be used as  vehicles of far-right propaganda. The costuming of the leading characteer, Skarsgård, reminds Rose uncomfortably of Jake Angeli, the “QAnon shaman,” who had his fifteen minutes of fame on Jan. 6, 2021. Like we should ban wolf pelts forever. But he admits that The Northman is a “piece of rousing, skilfully made entertainment,” even while spending 90 percent of his review on Those People and what they might be thinking.

As another blogger wrote, it  “takes Heathen cosmology and religion seriously [which] is just a breath of fresh air.”

Pentagram Pizza with Milky Devotion and Unlikely Polytheism

Is this a case of misplaced devotional offerings? The Tamil Nadu Milk Dealers Association says yes.

• The Live Science news site is not the place where you expect tor read about Norse (or any other) polytheism, but this article strikes a reasonable note.

Icelandic elves again, this time on the BBC. I never get tired of reading this stuff though.

Season of the Witch(crap), Part 1

When I look out my window,
Many sights to see.
And when I look in my window,
So many different people to be
That it’s strange, so strange

Strangeness. Back before there was an Internet, dear readers, I clipped and photocopied newspapers and magazine articles on Wicca, other Paganisms, etc., and sorted them into folders labeled “Witchcrap 1970s,” “Witchcrap 1980s,” and so on. Eventually, printed-out Web pages joined the rest. Why the name? Because so much of it was crap, but at least it kept the idea out there.

Dear readers, I have to say that this past “season of the witch” has been extraordinary! I have so many bookmarked links that this will be a two-part blog post (or three-part). So . . . in no particular order, it’s “Best of Witchcrap 2018”!

• Those of us in the know know that the heartland of America is the heartland of Paganism, so a title like “Occult Rituals in the Backwoods of Wisconsin” should not raise any eyebrows. After all, who else is in the backwoods of Wisconsin? Circle Sanctuary, that’s who. This one is not really about Paganism, however, so much as it is about murder and “Goatman.” You know, teenagers summoning Satan and all that. Not Selena Fox.

• In Britain, the ever-so-earnest Guardian newspaper asks, “Why Are Witches So Popular?” Since it’s the Guardian, the answer must be that “this new wave is linked to the bubbling cauldron of contemporary politics.” Move along, nothing religious to see hear. No invisible friends — Karl Marx said they don’t exist.

• Elsewhere on the political spectrum, inviting witches into politics is seen as a bad thing — and to be honest, it does not produce predictable results. In the Washington Examiner, “Emails: Kyrsten Sinema summoned witches to her anti-war rally.” She won a close election though, “hocus-pocus” or not.

• Meanwhile, in Pagan-friendly but officially Lutheran Iceland, “Icelanders abandon National State Church, as old pagan Ásatrú continues to grow.” The Pagan Association of Iceland claims 1.2 percent of the population, all of whom could fit into Colorado Springs with room left over. But still, I do feel that 1 percent is a kind of tipping point, the point where “they” have to take you seriously. Also, 6.9 percent of Icelanders are registered as “nones.”

Continue to Part 2!

Continue to Part 3!

 

How Do You Say “Ziggurat” in Icelandic?

Icelandic Pagan religion —  Norse gods and the “Hidden Folk,” right?

Um, there is more. “Iceland’s pagan Zuist religion hopes to build temple.”

Zuist leader Águst Arnar Ágústsson told the paper that the group had always planned to have a place of worship for its followers, but given the movement’s rapid expansion in Iceland, this had grown all the more urgent.

He says the movement needs space for name-giving, weddings and general worship, as well as “beer and prayer” meetings.

Iceland Monitor says that a surge of attraction in Zuism may be because members do not have to pay parish fees. Registered Zuists – also known as Zuistar – are being asked, instead of paying old-school parish fees, to contribute to a Ziggurat Fund to help build and maintain the planned temple.

Pentagram Pizza: The Second Generation

1. I like to point out Pagan writers who are doing more than “how-to” writing, so click over and read Kallisti’s piece on “Some Reflections on Being Second Gen Pagan/Polytheist.”

Most of the issues boil down to how different it is to grow up within something versus convert to it. Unlike many adult converts, I had to deal with religious bullying in the rural Midwest as a child.

2. Norse settlers cut down most of Iceland’s sparse woodlands. Restoring them appears to be harder than it is in other ecosystems. Note to the New York Times, “Viking” is a job description, not an ethnicity.

3. Last weekend M.’s and my old home of Manitou Springs held its annual coffin races. They started right after we moved away, but we met in Manitou, bought our first slightly-more-than-tiny house there, and have lots of memories.

The [Manitou Springs Heritage Center]  will be the starting point of “ghost tours” featuring “spirit guides” who will show people around town for 45 minutes, stopping at sites where actors will play out tales of the colorful past.

“Manitou was full of witchcraft,” [Jenna[ Gallas says. “Not that it is anymore, but I think people still like to believe ooky-spooky happens here, and if we’re gonna celebrate Halloween, we’re gonna do it in Manitou, where the freaks come out every day.”

What is this “was,” Ms. Gallas? Yes, we did our part in the 1980s. Rituals upstairs in the Spa Building? You bet. Rituals outdoors downtown around the mineral springs? Those too. I have to think that someone else has carried on!

4. The obligatory pre-Hallowe’en news feature, this one from the NBC affiliate in Washington, DC.

Images of witches being veiled in darkness, casting spells over cauldrons endure, but a new generation of Wiccans and witches have established growing communities in D.C. and across the country.

Yada, yada. But this good:

“[Hallowe’en is] a celebration of the witch. You can have sexy witches, you can have scary witches, but it’s still a celebration of the witch. Even if the witch isn’t shown in a positive light,” said Stephens, a 37-year-old Wiccan who also practices witchcraft.

The BBC Interviews Iceland Heathens

You can download this episode (27 minutes) of the BBC’s Heart and Soul program on the Heathens of Iceland:

Priestess at Icelandic blot (BBC).

Floating in a hot spring, snow falling from the night sky, John Laurenson meets Teresa Drofn. A 25-year-old Heathen, Teresa describes her return to the religion of her Viking forebears as a renewal of a unique spiritual relationship with nature.

A millennium after it was banned in exchange for Christianity, John explores why Icelanders are returning to the faith. At a ‘blot’, or sacred ceremony John hears a priestess read aloud from the Eddas, an ancient Icelandic text serving as scripture for the new heathens of Europe. In the old days at a ‘blot’, there’d be animal, even human sacrifices. Today they share in traditional Viking food, horse and whale, sheep’s head, puffin pâté and rotten shark.

Visiting the site of a newly planned Heathen temple John meets high priest Hilmar Örn Hilmarsson. Hilmar has presided over hundreds of weddings and seen his own congregation increase six-fold within a single decade. This new Heathen house of worship, the first in a thousand years, will be aligned with the sun’s path and burrowed deep into a hill near the city’s airport.

Not mentioned: a conversation with a Lutheran bishop who claims not to be concerned with the rise of traditional Norse Paganism because (a) the movement is “very small” and (b) they are sort of proto-Christian anyway, as shown, for example, by their abandonment of animal sacrifice.

Normal for Glastonbury, Normal for Boulder

I love snarky local blogs. Unfortunately, the one for my little mountain county seems mostly devoted these days to attacking one county commissioner candidate, so I will spare you that.

But thanks to a Facebook friend, I was introduced to Normal for Glastonbury, which contains such nuggets as these about the most esoteric town in England, contributed by its readers:

Lisa: ‘Get off my fucking leyline!’ a hedge monkey once shouted at the custodian of the White Spring.

Sophie: “Yesterday, whilst on the top floor of the bus returning to Glastonbury from Bristol I overheard two young men, talking excitedly about visiting Glastonbury for the first time. One French guy explained that he had a calling to go to Glastonbury because people there believe in dragons, as he did himself and in fact he always travels with his dragon. When the other man asked where his dragon was the French man explained that his dragon was riding on the roof of the bus.”

Vijay ” I have a boyfriend in the seventh dimension”

Sam: “I was stood outside St Dunstan’s house on the pavement. Woman walks up and, looking concerned asks “Can you tell me where something normal is?”. I paused and asked whatever did she mean ‘normal’? She said “Something like .. well – an Italian restaurant”. I pointed across the street to point out we had (at that time) two – there and there. She looked relieved, thanked me and walk away. It left me wondering .. why is an Italian restaurant in Glastonbury ‘normal’ and what had led to her concern?”

That comment about getting off the ley line((Is ley line one word or two?)) reminded me of another blog, one devoted to conversations overheard in the too-hip university city of Boulder, Colorado, once famous for its population of Buddhist converts.((Sedona, Arizona might be a better parallel for Glastonbury, however.)) (They’re still there, but Chögyam Trungpa Rinpoche is long gone.) Mirroring a more hipster/New Agey-vibe, it’s called Stay Out of My Namaste Space.

Some samples:

“I do yoga at the Y. They do a poor people’s scholarship which is great ‘cause I look poor on paper.”

“I was thinking about it today and I haven’t been in Europe in 2 whole years.”

“The Universe has blessed me with the opportunity to be unconnected from my smartphone.”

“I swear to God, I was the only person on this earth who thought Iceland was cool before everyone else did. I’ve literally been obsessing over Iceland for twenty years.”

“We ended up naming him Jeffrey. I wanted to name him Stannis but my psychic didn’t think that was a good idea.”

Who’s delivering the snark in your town?

Icelanders Building Formal Pagan Temple

An Icelandic Pagan group will begin construction next month on a temple in the capital of Reykjavík, after beginning the planning process eight years ago.

Plans to begin construction of a pagan temple in Öskjuhlíð hill, Reykjavík, have been set in motion. This will be the first pagan temple to be built in the Nordic countries in nearly a thousand years, said the alsherjargoði Hilmar Örn Hilmarsson, head priest of the Icelandic Ásatrúarfélag, in an interview with RÚV [text and video in Icelandic].

The Ásatrúarfélag applied for a plot of land to construct a temple in 2006 and was allotted a piece of land in Öskuhlíð in 2008. The 350 square metres (3767 sq ft) temple will have a vaulted ceiling and seat around 250 people. Its construction will be completed next year.

Interestingly — or oddly — it will sit on top of several tanks built to hold geothermal water, so heating won’t be a problem.

Deconstructing the Icelandic Elves

I have mentioned the elves of Iceland before, including a documentary film, but I wish also to draw attention to this article in The Atlantic, which views the interest in elves as largely a post-1970s revival.

Icelandic music phenom Bjork once cautioned the New Yorker: “You have to watch out for the Nordic cliche,” she said. “A friend of mine says that when record-company executives come to Iceland, they ask the bands if they believe in elves, and whoever says yes gets signed up.”

Read the rest here.

Where Are the Hidden Folk?

 

huge boulder

The “cave” is big enough to walk into if if you bend over.

My little patch of the southern Colorado foothills may not be great agricultural land, but it does (or because it does) have boulders. Big ones.

Ever since I posted about the Icelandic huldufólk (hidden folk) documentary, I have been scrutinizing them. Is this one . . . um . . . inhabited?

It is something that I accept in theory. And I have had some interesting dreams about the hidden folk/fairies/”UFO people” (all the same thing, probably) who live inside the house walls or in invisible houses.

So maybe I need a hidden-folk consultant, like the woman at the start of the documentary, who can walk around each boulder and give a nei or as appropriate.