Tag Archives: movies

2012 Apocalypse Porn

Even some Mayans are finally getting fed up with the whole 2012 end-of-civilization-as-we-know-it apocalypse porn.

(You know it’s porn because there is no real goofiness, humor, or affection.)

A little while ago I received a copy of 2012: Science or Superstition, a video from Disinformation.

It’s got it all: Hopis, Islamic astrology, reverse cowgirl, Stonehenge, and lots of self-appointed experts saying “X appeared to have Y.”

Lots of vague references to “cultures around the world” sharing the same cosmology, which is, shall we say, unsupported.

Why the Mayas? Why not the ancient Roman calendar? The year 2012 will be 2765 AUC. That sounds significant too. Or wait until 2772?

Anthony Aveni, who is a genuine scholar of archaeoastronomy, is in there, along with a bunch of apocalyptic pornographers—and who can tell them apart without a scorecard?

You won’t hear much from any Mayas, however.

“The December 21st, 2012 date is gaining ground in the popular media,” says one of the talking heads. Yes, and we will see more of that, no doubt.

And Halloween is coming, so you could pick up 2012: Science or Superstition for your scary movie. Or you could watch The Exorcist.

UPDATE: The day that I wrote this post, the new issue of Archaeology magazine arrived, with an article by Professor Aveni examing the 2012 craze.

You will find the full text at the link but here are two brief quotations:

It is amusing that the Y12 prophets are certain the world will end for all of us based on a date that may or may not have had historical significance to the Maya a few thousand years ago, who were themselves looking to a date a few thousand years before that. The ancient Maya might tell us: “Hey, get your own zero point!”

•••

We live in a techno-immersed, materially oriented society that seems somewhat bewildered by where rational, empirical science might be taking us. This may be why the mystical, escapist explanations of a galactic endpoint, replete with precise mathematical, historical, and cosmic underpinnings (masquerading as science), have such wide appeal. In an age of anxiety we reach for the wisdom of ancestors–even other peoples’ ancestors–that might have been lost in the drifting sands of time. Perhaps the only way we can take back control of our disordered world is to rediscover their lost knowledge and make use of it. And so we romanticize the ancient Maya.

Some of the people pushing the 2012 stuff said much the same things about the “Harmonic Convergence” of 1987.

That summer, a campfire skit at a Pagan festival in New Mexico celebrated the “Harmonica Virgins.”

Bring on the 2012 parodies.

Gallimaufry with Stakes

• Buffy versus Edward (of Twilight). Nice creative remix; too bad about the different color palates. (Via Odious and Peculiar.)

• Napoleon was [not] short, and five other “facts” about historical figures that their enemies made up. (That process is still going on.)

Novelist Douglas Coupland mused on the 25th anniversary of Macintosh computers:

PCs can sort of mimic the effortless transmodality of the Mac, but they’re way crashier, and their clunky interfaces make you feel like you’re in East Berlin circa 1974 while everyone in the West has already entered a funner, smarter future, the other side of that pesky wall.

A Movie for Reconstructionists

That would be Rain in the Mountains.

Described by reviewers as a “quirky indie comedy,” it is about trying to go back to the old, ancestral ways.

And that guy hanging from the tree and telling people their destinies? Hmmm. The screenwriter, you will note, was an Anglo, not an Indian.

Netflix has it.

Gallimaufry with Confusion

• The latest weird search query to bring a visitor to this blog: “Is New Mexico a polytheistic, monotheistic, or animistic religion?” Hello? New Mexico is a state. No wonder that for years New Mexico Magazine has had a standing column on geographical confusion called “One of Our 50 is Missing.”

• Annyikha locates a series of podcast lectures on ancient Mediterranean Paganism.

• Christian apologist John Morehead interviews film scholar Carrol L. Fry, author of Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film. An excerpt:

TheoFantastique [Morehead] : Cinema has also changed in its depiction of the witch. Are fairytale depictions as in Harry Potter, as well as those which depict the empowerment of the feminine perhaps the most common modes of expression in contemporary film?

Carrol Fry: Yes, the empowerment of the feminine is the most popular adaptation, whether the film is supportive of critical. I’m sure this has to do with attracting an audience for the film. But Pagans might well feel that Hollywood slights their spiritual paths by concentrating nearly exclusively on feminist Wicca, and then just on the most sensational elements. By the way, there’s a strong subtext of feminist Wicca in
that no one much notices, most obviously in Sophie’s (named for Sophia from the Gnostic tradition) blunders into a Wiccan ceremony in which her grandfather is “drawing down the moon” as a coven ceremony. There are a few other witch films that are not part of the culture wars, romantic films such as I Married a Witch
 and Bell, Book and Candle that are neither the silly version of witches (that have nothing to do with Neo-Paganism[sic]) such as the Harry Potter novels and films nor adaptations of Wicca.

Fame and Pagans

An essay by Cat Chapin-Bishop on seeking fame as a Pagan has gotten some attention. Her Quaker side is conflicted by the idea of being a “Big-Name Pagan,” thanks to the Quaker ideal of not seeking worldly glory.

I do not see anything wrong with seeking fame if we define it as “excellence.” After all, if you strive for years to do X and have some skill at it, you will eventually be recognized by the community of “People Who Do X.”

Put Pagan authors, etc., in that group: we are not known that much outside of Pagandom.

There is of course an unhealthy form of fame-seeking. We all know the people who think that they deserve the front of the line based on their celebrity.

Here is one difference, perhaps: Teaching.

My favorite philosopher, Gary Snyder, once wrote that while artists and writers in a sense occupy the top of the cultural food chain, they are in turn eaten — scavenged — by their students.

So maybe teaching X after you are famous for it is one protection against fame’s unhealthy self-delusion. Give it all away.

Paganism does not require us to creep around in grey clothing saying, “Oh, I am no one special.”

On the other hand, all fame is fleeting — unless you are offered a deal like Achilles: short life and fame or a long life.

He chose the former and now, something like 3,200 years later, Brad Pitt plays him in a movie.

But for most humans, fame is just the foam on the cappuccino. You may enjoy it, but you should not mistake it for the real drink.

Will "Rome" Rise Again?

Pridian at Codex Celtica wraps up news on various movies and movie re-makes based on ancient history.

The killers of Thomas Becket as “The Wild Bunch”? Gag me. But this part is interesting:

A feature version may be in the works to wrap up the unresolved plot strands of the award-winning HBO/BBC TV series Rome, which dramatised the dirty-politics underside of Rome’s transitional period from republic to virtual monarchy amidst civil war. The TV series ended abruptly story-wise when the 3rd series was cancelled in mid-term. The original kernel of it was a reference in Caesar’s Gallic Wars memoir to two ‘ordinary’ soldiers who recover the Legion’s captured brass eagle. The original plan was for 5 seasons, the last focussing on how the Roman authorities dealt with the troublesome rise of a certain ‘messiah’ in Palestine, but cancellation led to this subplot being abandoned and other plotlines combined into highlights. The primary source seems to have been Suetonius’s gossipy Lives Of The Caesars.

Count me in for that.

Awaiting a Movie about Hypatia

Hypatia of Alexandria, born c. 355 (?) and murdered by a Christian mob in 415, was a Neoplatonic philosopher and mathematician—math and philosophy were more intertwined then than they are today.

Her life and death are part of the plot of Agora, a forthcoming movie directed by Alejandro Amenábar. You can see a trailer here (thanks to Jason Pitzl-Waters for the tip).

Her killers were fired up by one Cyril, a bishop of Alexandria and now a saint of the Eastern Orthodox and Roman Catholic churches. Hypatia, after all, was not a Christian, was upper-class, was an intellectual, and worst of all, was a female intellectual.

(Patriarch issues fatwa, followers riot and kill — the usual pattern.)

In the movie, a slave falls in love with Hypatia. Not very likely: one of the old stories told about her is that when one of her students was attracted to her, she threw a used menstrual rag in his face. It was a philosophical lesson–that he should love eternal beauty, not the beauty of the flesh.

Hypatia of Alexandria is supposed to be a good reconstructed biography. For a shorter discussion of sources about her life, go here.

I want to see Agora but I am also a little afraid to see it. It might push too many buttons. Sometimes I think the fourth century CE is still with us in the cultural-religious conflicts we see around us.

Review: Youth without Youth

My movie-fu was strong the other night. I watched the opening sequence of Francis Ford Coppola’s Youth without Youth (2007), all dissolving clocks and such, and said to M., “It’s the ‘terror of history.’ Where is Mircea Eliade when we need him?”

And it turned out to be made from one of Eliade’s novellas.

I have read most of his religious-studies books but (I think) only The Forbidden Forest and The Old Man and the Bureaucrats from among his fictional works.

Bryan Rennie, who has written several books on Eliade, summarizes Eliade’s views on time and history:

Eliade contends that the perception of time as an homogenous, linear, and unrepeatable medium is a peculiarity of modern and non-religious humanity. Archaic or religious humanity (homo religiosus), in comparison, perceives time as heterogenous; that is, as divided between profane time (linear), and sacred time (cyclical and reactualizable). By means of myths and rituals which give access to this sacred time religious humanity protects itself against the ‘terror of history’, a condition of helplessness before the absolute data of historical time, a form of existential anxiety.

When I was in graduate school in the 1980s, two of my professors had been Eliade’s students at Chicago, and although they had developed their own ideas, his influence lingered. One brought him to our campus for what must have been one of his last talks and book-signings; the whole event had a rather funereal atmosphere even though the the guest of honor was still breathing.

So what about the movie?

I said that Pan’s Labyrinth was gnostic, but this one is more so, in a different sense.

The key to appreciating Youth without Youth then is the idea of circularity and return. It is a love story, but not a linear story. Nor is it (except briefly) about reincarnation in an obvious way. Its dream-logic tries to confront the time-trap of mundane life.

Perhaps if Indiana Jones were a cinematic historian of religion rather than an archaeologist, he would be in this movie. It has Nazis too. But there would be no hair’s-breadth escapes.

Lucifer Rising

I took a little trip back into the 1970s today to watch occult/underground filmmaker Kenneth Anger’s Lucifer Rising.

It is not about Satanism but more about invoking energies of nature, a highly symbolic short film with not a word of dialog on the soundtrack.

Or you could say that it is about the aesthetics of ceremonial magick.

You can watch a low-quality version online, but I rented it as part of a Kenneth Anger collection from Netflix.

Even the story of its music is a masterpiece of Psychedelic Age gossip, involving a composer imprisoned for murder as part of the Manson Family, after Anger’s first choice, Jimmy Page of Led Zeppelin, failed to deliver.

Another article on Anger’s use of color symbolism is here.

The Apple War

The 1970s were a poor decade for fashion but a good decade for movies. One that I have not seen since then was a Swedish film with a sort of enviro/nature-religion theme, The Apple War.

Netflix does not have it. Video Library does not have it. Does anyone know where it can be rented?