¶ “Perhaps the future Carthaginians were like the Pilgrim Fathers leaving from Plymouth – they were so fervent in their devotion to the gods that they weren’t welcome at home any more.” But do not let that sentence give you any warm feelings until you have read the rest.
Grey sets out to explicate a perspective on the familiar symbols and stories of witchcraft in the West which has little truck with the formalities of scholarship, the sensibilities of the Wiccan paths or the white-light Newage perspective. His is a witchcraft both messy and impudent, one that stinks of mud, blood and spunk — in a good way. One where the oft-ignored or sidelined aspects — the legends of human sacrifice, poisons, curses and The Devil Himself — are both represented and, on some level, embraced.
¶ This is what a dolmen should look like — “This enormous structure is the Soto dolmen in Trigueros, Spain, which has been returned to its prehistoric glory after a nine-year restoration. The mound is 60 metres across and 3.5 metres high, making it the largest of more than 200 dolmens, or megalithic tombs, that dot the Huelva province.”
• . . . followed by Galina Krasskova on the same topic: “How can you ever find your way, or center yourself fully in the road of devotion if you’re endlessly willing to change your path on the whim of a random person’s say so? How an there ever be integrity in what you do if you’re constantly worried about how others are going to respond?”
We are looking primarily for practical articles describing new and original rites and rituals that cross barriers and challenge social norms. Although the bulk of the book will be made up of practical working material, we will consider articles relating to historically significant rites, philosophical discussions on the nature or significance of transgression, and first person accounts of actual rites and rituals. Original artwork will also be accepted for consideration.