The Yule log celebration is Pagan-ish for sure. So is this Imbolg column. You could have told me that I was reading one of John Beckett’s Druidic homilies, and I would have believed you.
Homily: a short commentary on a sacred topic — something less formal than a sermon.
Especially when the writer moves from observing nature “out there” to personal transformation.
Again, the trees are giving us an ample lesson and functional metaphor for our own new growth and blossoming. Perhaps you are working to lose weight, or to strengthen underused muscles, or to heal some aspect of your body or psyche. These things take time.
Then I chanced across another set of older pix on Facebook at the Beulah Historical Society’s page. Here is one from 1954 and one from 1977. Those “huntsmen” from 1977 look like they are ready to get back to their moonshine stills, but I think a couple of them worked at the steel mill down in Pueblo, a city that is a sort of mash-up of Pittsburgh and Albuqueque, although much smaller than either of those. One’s surname is either Slovenian or Czech; I had a co-worker who might have been his relative.
The 1954 Yule Log (Beulah Historical Society)The “huntsmen” of 1977 — they direct the Yule log hunt (Beulah Historical Society).
“The boys found the play much easier to learn and perform than others they were given . . . and the Wild Horse seemed to know, without rehearsal, exactly what he was supposed to do.”[1]E. C. Cawte,Ritual AnimalDisguise (Cambridge: D. S. Brewer, 1978), 224.
The kids in Beulah know it too.
This year, of course, everything fun has been cancelled, but up in Beulah, they are planning for 2021. Covid-19 should not last as long as Oliver Cromwell.
Julian interviewed me in June, and I wanted to be outside so that I could have a supporting cast of broad-tailed hummingbirds. They don’t show up too well though, and there was glare in a face. . . oh well.
I wonder when this white fir was cut. The 1950s? Anyway, it seemed like a good place for offerings.
This time last year M. and I were picking mushrooms at higher elevations — and almost were trapped in a fairy portal. At least, that is what it seemed like. I might have provoked That Crowd by feeling a little too arrogant about my woodsmanship, but at least I saw the trap in time.
Admittedly, we were right up against the red zone, “extreme drought” in southern Colorado.
That event was August 6th. This year we returned to the same spot on July 29th, just to see if any mushrooms were coming up — there had been a few good rains up high — but there was nothing, edible or otherwise. It’s been a bad bad drought year, even in the high country (above 10,000 feet / 3,050 m).
But I had another purpose. Drought or not, I wanted to leave something for The Locals. The Other Crowd. Them. I did not know what protocol would work in “the mushroom grounds,” so I just brought some whiskey and a tobacco bundle, made from Nicotiana rustica that I had grown last year and dried, tied up in a scrap of old bandana.
Whiskey in a stump.
I poured some bourbon into a natural “cup” formed by the stump, and I tied the tobacco bundle to a protruding spike of wood inside the hollow stump.
We went back up there on August 6th, a year after the “portal” event. Still not a mushroom in sight. But I strolled past that stump and the tobacco bundle was gone. Flat gone. This is not an area that gets many human visitors.
The lore is that if an offering disappears, it has been accepted. Now if we could have more rain. But that is a different ritual and a different story.
There have never been any little girls in my house, so consequently no Barbie dolls, but they cost only about $2–$4 in the thrift stores. So I decided last year to make a neoshamanic Barbie, because I like the idea of “theme” Barbies (like “New Mexico Barbie“) and because the very thought of her reminded me of a certain author and teacher who is “widely acknowledged as a major link between the ancient world of shamanism and modern societies thirst for profound personal healing and a deeper understanding of the pathway to enlightenment.”
I made one and on a warmish day in January placed her way up behind the house in some boulders that I call Ringtail Rocks. She has her magickal assignment, she is hidden by rocks, and I will never disturb her.
Neoshaman Barbie 2 with her necklace of power and her spirit animal.
But there was one more Barbie left, so today, now that the last snow has melted and the trail is dry, she went to a different cluster of boulders with a similar assignment, along with her spirit animal.
These are part of a series of “installations” that I have started. You can tell that I was not a studio-art major, because I cannot produce 3,000 words of art-prose about what I made.
But since producing prose (and editing other people’s prose) is what I do all day, these and the other installations are just thigs that Iet bubble up, and I don’t have to produce a lot of discourse about them. I am not even completely clear on their magickal purpose
A geocacher would spot this as a “suspicious pile of rocks,” but there are no geocaches in the area either.
Now I have this box of skulls and beads and wire and you know, all the usual stuff, and when the weather warms up, I have more un-formed, inchoate subconsciously directed ideas.
“Weird things in the woods” pretty well covers it.
Does watching TV shows with “Lodge” in the title make yourself wish that you, yourself, headed a magickal order? Or do you need headquarters for your existing esoteric order?
One warning. Real-estate listings always lie. The Pour House coffeehouse has moved out, so you will need to find a new tenant for that ground-floor commercial space. You can easily find another antiques dealer to rent it — more income for building upkeep, purchase of new regalia, and printing elaborate esoteric books.
As for the Masons, sources tell me that they are about done for. They sold the building, and I think the few elderly members left have consolidated with another lodge in a nearby town.
The old spa town of Manitou Springs, located in the foothills west of Colorado Springs. Photo by Mark Reis, ( a former newspaper co-worker of mine) from the Colorado Sun. Click to embiggen.
The Colorado Sun, an online news site, dropped this into my inbox yesterday, giving M. and me both giggles and epic nostalgia. Back in the Eighties, we were “The Witches of Manitou” — at least two of them.
Maybe you’ve heard it from an Uber driver on the way to an area bar or while scrolling through a travel site. It’s a tale that often wanders through word of mouth. Wherever it comes from, legend has it there are witches in Manitou Springs. More, perhaps, than usual.
But is there an overabundance of witches in this town at the foot of America’s mountain, where at least one apothecary sells miniature broomsticks — or is it just a persistent urban legend?
That much is true. It definitely is a persistent urban legend — I encountered it in my more youthful days, circa 1976. Everybody had heard of ceremonies in “the big cave.”[1]Actually, it was an abandoned limestone quarry, and it definitely was a site of high-school keg parties and that sort of thing. It was demolished when an upscale housing development was built in that … Continue reading
There’s the horror mockumentary, “The Warning,” a film by Summer Moore, a Liberty High School graduate turned filmmaker. Filmed in Colorado Springs, “The Blair Witch Project”-inspired script follows three friends as they investigate a local cult in the forest that borders the town.
While promoting her film in 2015, Moore toldThe Gazette she spoke with 50 of her classmates who alluded to “true accounts” of dark happenings in Manitou. Moore went on to write, produce, and star in her film. . . .
When Bryant T. Ragan, a history professor at Colorado College, was teaching a class at Colorado College in 2018 titled “Sorcery, Magic, and Devilry: The History of Witchcraft,” he wanted to bring in a practicing Wiccan from Manitou Springs to talk to his students. He ultimately couldn’t track down someone willing to do it
Obviously a must-see. How did I miss it? (The cave in the movie trailer is not the cave that I mentioned above.)
I can say that for a time there was the Iron Mountain Coven, named for the little peak above our house, labeled at the left edge of the photo above.
We used both the second-floor of the Spa Building (labeled) and the basement of an art gallery for ritual/festival/handfasting sites. At the time, a Pagan-friendly couple operated a hot tub and flotation tank-rental business in the Spa Building, which included a large room facing out over the avenue. When ritual ended, the tubs were waiting.[2]There was a separate legend about the “old Indian curse” on the Spa Building, which does have a soda spring in its lobby.
M. worked at Celebration, the West Side (Colorado Springs) metaphysical store mentioned in the article, for a couple of years. Its original owner, Coreen Toll, later served on the Manitou Springs city council and narrowly lost a race for mayor in 2015.
So where did the “witches of Manitou” legend originate? Since it was firmly in place by the mid-1970s, it would be easy to blame it on “the Sixties.” To be honest, I cannot say. I do know that our coven was not the first.
To quote a story about the iconic Manitou artist Charles Rockey, who was our own Van Gogh, “Manitou Springs has always harbored a sizeable community of artisans, musicians, potters, healers, New Age masseurs, alternative gardeners, dharma motorcyclists, metaphysical high-techers and liberal-artsy bohemians of every stripe and hue.”
Actually, it was an abandoned limestone quarry, and it definitely was a site of high-school keg parties and that sort of thing. It was demolished when an upscale housing development was built in that area.
The western Colorado town of Glenwood Springs is split by Interstate 70, the Colorado River, and railroad tracks. The currently limestone mine is the tan blotch at upper left (Colorado Sun).
When I went to graduate school, I wanted to write a paper on how so many interesting natural sites have “Devil” or “Devil’s” in their name. Devils Tower National Monument in Wyoming might be the best-known in the United States.[1]The federal government has been confused by the possessive apostrophe since the early 1900s.
There are several “Devil’s Kitchens,” “Devil’s Playgrounds,” etc. Not too far from where I live, a circular valley adjacent to the canyon of the Arkansas River in central Colorado is known locally as either “Big Hole” or “Devil’s Hole.”
I thought that maybe I could trace the proliferation of “Devil” names back to a literal interpretation of the (sometimes) Christian teaching about Satan being “the prince of this world,” but the topic never fit into any class I took and definitely not with my thesis topic, so the database printouts, etc., still rest in a file cabinet across the room.
After subsequent explorations last fall, the [finders] wrote a report detailing their discovery — including warm, moist air blowing from fissures leading to lower levels, potentially indicating a connection to geothermal systems that feed the city’s hot springs below — and submitted it to the [Bureau of Land Management] for review as the agency analyzes the expansion plan.
In other words, if mining geothermal system extends out into the area that the company wants to mine, the expanded mine would put the hot springs themselves in danger and, consequently, much of the town’s recreation-based economy.
I smiled at this part:
The pair named the cave — the first new cave found in the area since 1985 — Witches’ Pantry after the pile of animal bones they found below the steep entrance.
“Like bones stored for cooking a witch’s brew,” Rhinehart said.
Rooted in pre-Hispanic traditions and mixed with elements of Christianity, the ofrendas – which can consist of several levels, depending on space – are a place of gathering. Not only do they unite the living and the dead, they’re also a space to share stories. Each family member contributes by talking about their history.
You can build ofrendas, which include items that reveal a little into the person you’re celebrating, anywhere within your home. Centered around the photos of a loved one, ofrendas typically commemorate those you knew personally. But it’s not rare to see ofrendas honoring celebrities, especially those we feel we know firsthand.
The beauty of these altars is they can take any shape and are highly customizable. But they should represent the four elements: fire (candles), wind (papel picado), earth (food), and water. While no two ofrendas are alike, here is a eight-step guide to get you started.
And after that, La profesora became upset that students were doing it wrong — in other words, they were being too much multicultural with their altars to celebrities, etc., and so the campus-wide altar building in the Student Center was stopped, while only one “correct” altar was erected in a showcase in one classroom building.
