{"id":11644,"date":"2020-08-05T16:40:22","date_gmt":"2020-08-05T22:40:22","guid":{"rendered":"http:\/\/blog.chasclifton.com\/?p=11644"},"modified":"2020-08-16T15:50:32","modified_gmt":"2020-08-16T21:50:32","slug":"fashion-designers-borrowing-from-paganism","status":"publish","type":"post","link":"https:\/\/blog.chasclifton.com\/?p=11644","title":{"rendered":"Fashion Designers Borrowing from Paganism"},"content":{"rendered":"
\"\"

From a fashion shoot at Breen Down\u2014 site of Dion Fortune’s novel The Sea Priestess.<\/em><\/a> Headpiece by Charlotte Rodgers, photo by Marc Aitken (www.marcaitken.com)<\/a>.<\/p><\/div>\n

In her Pomegranate <\/em>article “High Glamour: Magical Clothing and Talismanic Fashion<\/a>,” designer Charlotte Rodgers<\/a> asks, “Why now?”<\/p>\n

The iconography and visuals associated with magic are highly evocative and responsible for a major part of its appeal. The strong, often iconoclastic imagery exerts a particularly powerful draw for the artist or craftsperson because of its ability to fire the imagination, and to inspire creative work in response. Until recent times, creative interpretations of magic within mainstream fashion have mainly been on a subtle and subversive level; generally within a counter cultural context.\u00a0 So why is magical symbolism being appropriated within high fashion at this particular point in time?<\/p><\/blockquote>\n

This article is part of Pomegranate’s <\/em>“Paganism, Art, and Fashion” special issue, guest-edited by Caroline Tully. All content may be downloaded for free at this time.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

In her Pomegranate article “High Glamour: Magical Clothing and Talismanic Fashion,” designer Charlotte Rodgers asks, “Why now?” The iconography and visuals associated with magic are highly evocative and responsible for a major part of its appeal. The strong, often iconoclastic imagery exerts a particularly powerful draw for the artist or craftsperson because of its ability […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[45,21,271,299,296,5,229,4],"class_list":["post-11644","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-art","tag-england","tag-fashion","tag-pagan-studies","tag-pagan-ish","tag-paganism","tag-pomegranate","tag-scholarship"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6xQTg-31O","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11623,"url":"https:\/\/blog.chasclifton.com\/?p=11623","url_meta":{"origin":11644,"position":0},"title":"The “Paganism, Art, and Fashion” Issue of The Pomegranate","author":"Chas S. Clifton","date":"August 4, 2020","format":false,"excerpt":"A new issue of The Pomegranate: The International Journal of Pagan Studies devoted to Paganism, art, and fashion has been published online (print to follow) and is currently available as \"open acess,\" in other words, free downloads. It is guest-edited by Caroline Tully (University of Melbourne), who writes in her\u2026","rel":"","context":"In \"art\"","block_context":{"text":"art","link":"https:\/\/blog.chasclifton.com\/?tag=art"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/Figure-1-Gareth-Pugh-.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11657,"url":"https:\/\/blog.chasclifton.com\/?p=11657","url_meta":{"origin":11644,"position":1},"title":"Northern Wolves: Garb and Shiny Boots in a Polish Pagan Order","author":"Chas S. Clifton","date":"August 8, 2020","format":false,"excerpt":"In his article \"Wolves among the Sheep: Looking Beyond the Aesthetics of Polish National Socialism,\" Polish cultural anthropologist Mariusz Filip examines the symbolic meanings of tattoos, re-created medieval garb, and modern paramilitary uniforms in the Polish Pagan group Zakon Zadrugi \u201cPolnocny Wilk,\" (the Order of Zadruga \"Northern Wolf\"). The artiicle\u2026","rel":"","context":"In \"fashion\"","block_context":{"text":"fashion","link":"https:\/\/blog.chasclifton.com\/?tag=fashion"},"img":{"alt_text":"Tattooed man holding medieval sword","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=700%2C400 2x"},"classes":[]},{"id":11594,"url":"https:\/\/blog.chasclifton.com\/?p=11594","url_meta":{"origin":11644,"position":2},"title":"Dior Dresses the Fair Folk","author":"Chas S. Clifton","date":"July 12, 2020","format":false,"excerpt":"This promotional film has me thinking of the special \"Paganism, Art, and Fashion\" issue of The Pomegranate, guest-edited by Caroline Tully, University of Melbourne, and coming very soon Or at least it is the very object correlative of \"Pagan-ish,\" which is how I will label it.","rel":"","context":"In \"art\"","block_context":{"text":"art","link":"https:\/\/blog.chasclifton.com\/?tag=art"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":13965,"url":"https:\/\/blog.chasclifton.com\/?p=13965","url_meta":{"origin":11644,"position":3},"title":"My Thoughts on Pagan Studies, in Podcast Form","author":"Chas S. Clifton","date":"March 22, 2025","format":false,"excerpt":"In February I was interviewed by Robin Douglas, an independent scholar in London who has published in various places, including The Pomegranate, and is the co-author of a new book, Paganism Persisting: A History of European Paganisms since Antiquity.1 So you can hear a sort of scratchy-voiced me (winter respiratory\u2026","rel":"","context":"In \"Paganism\"","block_context":{"text":"Paganism","link":"https:\/\/blog.chasclifton.com\/?tag=paganism"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2025\/03\/Religion-off-the-Beaten-Track.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2025\/03\/Religion-off-the-Beaten-Track.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2025\/03\/Religion-off-the-Beaten-Track.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":9676,"url":"https:\/\/blog.chasclifton.com\/?p=9676","url_meta":{"origin":11644,"position":4},"title":"Call for Papers: A Special Issue of The Pomegranate on Pagan Art and Fashion","author":"Chas S. Clifton","date":"July 22, 2018","format":false,"excerpt":"From Caroline Tully (University of Melbourne, Australia), guest editor of an upcoming issue of The Pomegranate: The International Journal of Pagan Studies devoted to Pagan art and fashion. A beautiful young woman drapes her long auburn hair over a human skull, pressing it close to her face like a lover.\u2026","rel":"","context":"In \"academia\"","block_context":{"text":"academia","link":"https:\/\/blog.chasclifton.com\/?tag=academia"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2018\/07\/pomegranate-cover.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11666,"url":"https:\/\/blog.chasclifton.com\/?p=11666","url_meta":{"origin":11644,"position":5},"title":"The Morrigan, Therapy, and Female Self-Narration on Social Media","author":"Chas S. Clifton","date":"August 9, 2020","format":false,"excerpt":"From The Pomegranate's special issue on Paganism, art, and fashion, here is a link to \u00c1ine Warren's article, \"The Morrigan as a 'Dark Goddess': A Goddess Re-Imagined Through Therapeutic Self-Narration of Women on Social Media.\" It and other Pomegranate articles are currently available as free downloads. Here \u00c1ine Warren talks\u2026","rel":"","context":"In \"Goddess\"","block_context":{"text":"Goddess","link":"https:\/\/blog.chasclifton.com\/?tag=goddess"},"img":{"alt_text":"Idealized interpreation of the Morrigan","src":"https:\/\/i0.wp.com\/ectweb.cs.depaul.edu\/wcotterm\/pics\/hekate.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts\/11644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11644"}],"version-history":[{"count":6,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts\/11644\/revisions"}],"predecessor-version":[{"id":11719,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts\/11644\/revisions\/11719"}],"wp:attachment":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}