{"id":11623,"date":"2020-08-04T09:45:46","date_gmt":"2020-08-04T15:45:46","guid":{"rendered":"http:\/\/blog.chasclifton.com\/?p=11623"},"modified":"2020-08-16T15:52:59","modified_gmt":"2020-08-16T21:52:59","slug":"the-paganism-art-and-fashion-issue-of-the-pomegranate","status":"publish","type":"post","link":"https:\/\/blog.chasclifton.com\/?p=11623","title":{"rendered":"The &#8220;Paganism, Art, and Fashion&#8221; Issue of The Pomegranate"},"content":{"rendered":"<div id=\"attachment_11624\" style=\"width: 315px\" class=\"wp-caption alignleft\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-11624\" class=\" wp-image-11624\" src=\"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/Figure-1-Gareth-Pugh-.jpg?resize=305%2C452&#038;ssl=1\" alt=\"\" width=\"305\" height=\"452\" \/><p id=\"caption-attachment-11624\" class=\"wp-caption-text\">Design by Gareth Pugh inspired<br \/>by the Padstow Oss.<\/p><\/div>\n<p>A new issue of <em>The Pomegranate: The International Journal of Pagan Studies <\/em>devoted to <a href=\"https:\/\/journals.equinoxpub.com\/POM\/issue\/current\">Paganism, art, and fashion<\/a> has been published online (print to follow) and is currently available as &#8220;open acess,&#8221; in other words, free downloads.<\/p>\n<p>It is guest-edited by Caroline Tully (University of Melbourne), who <a href=\"https:\/\/journals.equinoxpub.com\/POM\/article\/view\/40545\">writes in her introduction,<\/a><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<blockquote><p><a href=\"https:\/\/journals.equinoxpub.com\/POM\/article\/view\/40545\">This special issue of The Pomegranate on Paganism, Art, and Fashion was inspired by the increase in the last few years of both extremely beautifully styled and curated witchcraft and Pagan accounts on social media, often owned by young women who are also selling related products, and apparent interest in witchcraft and associated magical topics by fashion designers and magazines. Glamorous \u201cwitch\u201d accounts on Instagram feature carefully composed and choreographed, beautiful images that rival the professional photography of fashion publications. In these romanticized visual vignettes young women adopting a witchy aesthetic are the stylists, models, and photographers, as well as business owners, mixing aesthetics, popularity and entrepreneurship together as part of an empowering fourth-wave-feminist-meets-New-Age package. Such accounts are made by and cater to the new, young, intersectional iGen witches, but fashion mega-brands are also realizing the appeal of Pagan archetypes and subsequently plumbing the now decidedly vintag second-wave feminist penchant for female empowerment through the idea of the \u201cGreat Goddess.&#8221;<\/a><\/p><\/blockquote>\n<p>I will be uploading more links as the week goes on.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A new issue of The Pomegranate: The International Journal of Pagan Studies devoted to Paganism, art, and fashion has been published online (print to follow) and is currently available as &#8220;open acess,&#8221; in other words, free downloads. It is guest-edited by Caroline Tully (University of Melbourne), who writes in her introduction, This special issue of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[45,271,299,296,5,229,4],"class_list":["post-11623","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-art","tag-fashion","tag-pagan-studies","tag-pagan-ish","tag-paganism","tag-pomegranate","tag-scholarship"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6xQTg-31t","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11657,"url":"https:\/\/blog.chasclifton.com\/?p=11657","url_meta":{"origin":11623,"position":0},"title":"Northern Wolves: Garb and Shiny Boots in a Polish Pagan Order","author":"Chas S. Clifton","date":"August 8, 2020","format":false,"excerpt":"In his article \"Wolves among the Sheep: Looking Beyond the Aesthetics of Polish National Socialism,\" Polish cultural anthropologist Mariusz Filip examines the symbolic meanings of tattoos, re-created medieval garb, and modern paramilitary uniforms in the Polish Pagan group Zakon Zadrugi \u201cPolnocny Wilk,\" (the Order of Zadruga \"Northern Wolf\"). The artiicle\u2026","rel":"","context":"In \"fashion\"","block_context":{"text":"fashion","link":"https:\/\/blog.chasclifton.com\/?tag=fashion"},"img":{"alt_text":"Tattooed man holding medieval sword","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=350%2C200 1x, https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/FIg-4-tattoos-Igor.png?resize=700%2C400 2x"},"classes":[]},{"id":11644,"url":"https:\/\/blog.chasclifton.com\/?p=11644","url_meta":{"origin":11623,"position":1},"title":"Fashion Designers Borrowing from Paganism","author":"Chas S. Clifton","date":"August 5, 2020","format":false,"excerpt":"In her Pomegranate article \"High Glamour: Magical Clothing and Talismanic Fashion,\" designer Charlotte Rodgers asks, \"Why now?\" The iconography and visuals associated with magic are highly evocative and responsible for a major part of its appeal. The strong, often iconoclastic imagery exerts a particularly powerful draw for the artist or\u2026","rel":"","context":"In \"art\"","block_context":{"text":"art","link":"https:\/\/blog.chasclifton.com\/?tag=art"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2020\/08\/Figure-9-Breen-Down.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9676,"url":"https:\/\/blog.chasclifton.com\/?p=9676","url_meta":{"origin":11623,"position":2},"title":"Call for Papers: A Special Issue of The Pomegranate on Pagan Art and Fashion","author":"Chas S. Clifton","date":"July 22, 2018","format":false,"excerpt":"From Caroline Tully (University of Melbourne, Australia), guest editor of an upcoming issue of The Pomegranate: The International Journal of Pagan Studies devoted to Pagan art and fashion. A beautiful young woman drapes her long auburn hair over a human skull, pressing it close to her face like a lover.\u2026","rel":"","context":"In \"academia\"","block_context":{"text":"academia","link":"https:\/\/blog.chasclifton.com\/?tag=academia"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2018\/07\/pomegranate-cover.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11594,"url":"https:\/\/blog.chasclifton.com\/?p=11594","url_meta":{"origin":11623,"position":3},"title":"Dior Dresses the Fair Folk","author":"Chas S. Clifton","date":"July 12, 2020","format":false,"excerpt":"This promotional film has me thinking of the special \"Paganism, Art, and Fashion\" issue of The Pomegranate, guest-edited by Caroline Tully, University of Melbourne, and coming very soon Or at least it is the very object correlative of \"Pagan-ish,\" which is how I will label it.","rel":"","context":"In \"art\"","block_context":{"text":"art","link":"https:\/\/blog.chasclifton.com\/?tag=art"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11666,"url":"https:\/\/blog.chasclifton.com\/?p=11666","url_meta":{"origin":11623,"position":4},"title":"The Morrigan, Therapy, and Female Self-Narration on Social Media","author":"Chas S. Clifton","date":"August 9, 2020","format":false,"excerpt":"From The Pomegranate's special issue on Paganism, art, and fashion, here is a link to \u00c1ine Warren's article, \"The Morrigan as a 'Dark Goddess': A Goddess Re-Imagined Through Therapeutic Self-Narration of Women on Social Media.\" It and other Pomegranate articles are currently available as free downloads. Here \u00c1ine Warren talks\u2026","rel":"","context":"In \"Goddess\"","block_context":{"text":"Goddess","link":"https:\/\/blog.chasclifton.com\/?tag=goddess"},"img":{"alt_text":"Idealized interpreation of the Morrigan","src":"https:\/\/i0.wp.com\/ectweb.cs.depaul.edu\/wcotterm\/pics\/hekate.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13965,"url":"https:\/\/blog.chasclifton.com\/?p=13965","url_meta":{"origin":11623,"position":5},"title":"My Thoughts on Pagan Studies, in Podcast Form","author":"Chas S. Clifton","date":"March 22, 2025","format":false,"excerpt":"In February I was interviewed by Robin Douglas, an independent scholar in London who has published in various places, including The Pomegranate, and is the co-author of a new book, Paganism Persisting: A History of European Paganisms since Antiquity.1 So you can hear a sort of scratchy-voiced me (winter respiratory\u2026","rel":"","context":"In \"Paganism\"","block_context":{"text":"Paganism","link":"https:\/\/blog.chasclifton.com\/?tag=paganism"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2025\/03\/Religion-off-the-Beaten-Track.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2025\/03\/Religion-off-the-Beaten-Track.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.chasclifton.com\/wp-content\/uploads\/2025\/03\/Religion-off-the-Beaten-Track.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts\/11623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11623"}],"version-history":[{"count":7,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts\/11623\/revisions"}],"predecessor-version":[{"id":11721,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=\/wp\/v2\/posts\/11623\/revisions\/11721"}],"wp:attachment":[{"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.chasclifton.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}