“I kind of expect it. When I was younger if I hadn’t seen them, you’d think there was something wrong. I’ve seen them on a good few occasions after that.”
Galway farmer Pat Noone is used to encounters with the Good Neighbors, and he says they sent him a message.
“I was coming down after looking at the cows in that 16-acre field. I heard the music and saw the fairies dancing and I went over and got talking to them. They talked English to me, I had no problem talking to them. They told me they just wanted me to keep the land the way it was, and told me not to take any of the bushes out. I listened to the music and I went home.
“I have great luck with the stock, with farming, you’ll have your ups and downs with sick animals and nature takes its course, but overall I’ve had very good luck with the farm. And I don’t use any chemicals or sprays. That’s what the fairies told me. I use no weed killers at all whatsoever. It’s not the modern farm that people expect, I let the ditches grow naturally and then trim them back with the saw. It’s left naturally here.”
Chemical-free farming. That is what They want, and you should know better than to cross them.
I love rolling the word Festschrift around, and if you are not used to it, this is what it means: “In academia, a Festschrift (plural Festschriften) is a book honoring a respected person, especially an academic and presented during their lifetime. It generally takes the form of an edited volume, containing contributions from the honoree’s colleagues, former pupils, and friends” (Wikipedia).
From the publisher:
This book marks twenty years since the publication of Professor Ronald Hutton’s The Triumph of the Moon, a major contribution to the historical study of Wicca. Building on and celebrating Hutton’s pioneering work, the chapters in this volume explore a range of modern magical, occult, and Pagan groups active in Western nations. Each contributor is a specialist in the study of modern Paganism and occultism, although differ in their embrace of historical, anthropological, and psychological perspectives. Chapters examine not only the history of Wicca, the largest and best-known form of modern Paganism, but also modern Pagan environmentalist and anti-nuclear activism, the Pagan interpretation of fairy folklore, and the contemporary ‘Traditional Witchcraft’ phenomenon.
Here are the contents:
1. Twenty Years On: An Introduction — Ethan Doyle White and Shai Feraro, editors
2. The Goddess and the Great Rite: Hindu Tantra and the Complex Origins of Modern Wicca — Hugh B. Urban
3. Playing the Pipes of PAN: Pagans Against Nukes and the Linking of Wiccan-Derived Paganism with Ecofeminism in Britain, 1980–1990 — Shai Feraro
4. Other Sides of the Moon: Assembling Histories of Witchcraft —Helen Cornish
5. The Nearest Kin of the Moon: Irish Pagan Witchcraft, Magic(k), and the Celtic Twilight — Jenny Butler
6. The Taming of the Fae: Literary and Folkloric Fairies in Modern Paganisms — Sabina Magliocco
7. “Wild Nature” and the Lure of the Past: The Legacy of Romanticism among Young Pagan Environmentalists — Sarah M. Pike
8. The Blind Moondial Makers: Creativity and Renewal in Wicca — Léon A. van Gulik
9. “The Eyes of Goats and of Women”: Femininity and the Post-Thelemic Witchcraft of Jack Parsons and Kenneth Grant — Manon Hedenborg White
10. Navigating the Crooked Path: Andrew D. Chumbley and the Sabbatic Craft — Ethan Doyle White
11. Witches Still Fly: Or Do They? Traditional Witches, Wiccans, and Flying — Chas S. Clifton
Across northern Europe from the Ural Mountains to Ireland, the people erected wooden figures, of them quite large, as the ice age known as the Younger Dryas waned and the people could move into new, now-forested, lands. And they kept on during so until more recent times.
At Twilight Beasts, Rena Maguire writes,
There are stories from the deep past we won’t ever hear with our ears, but that’s not to say we cannot hear them. Archaeology tells those stories, the ones that I think matter. The past I’m talking of is the one wrapped in skins and furs against the spiteful cold of the Younger Dryas. It has wise eyes and a hopeful heart; it knows what sustenance may still grow in snow and biting cold, and knows where the animals go to drink deep in parched summers. That past is carried in each and all of us, we are here because our ancestors survived the ice and cold with wisdom, courage and plain stubbornness. There’s times, however, something is found in bog, field or lake which beckons us to gather round in a circle, sit down, put the phone on silent, and listen to the past intently.
The Shigir wooden idol is one such object. It is an enigmatic wooden figure which, I admit, I could spend days just looking at, and ‘listening’ to, for it must have such a story to tell of the people who made it. It was found in a peat bog (all the best things are, imo) 100km north of Yekaterinburg, Russia, at the end of the 19th century. It stands head and shoulders (literally) above other objects of the past as it would have measured around 5 m when complete, a tower of song, stories and memory set down some 11000 years ago. It is made of larch wood, and decorated with deep zig-zag lines on the torso, with 8 intriguing smaller faces carved as part of the design of the body. All the faces are unique and expressively stern.
Author and screenwriter Stewart Farrar and his wife Janet, both from London in England, met through witchcraft and founded their own coven. In 1976 the couple moved to Ireland, accompanied by Janet’s father Ronald Owen, and they now live in the townland of Rockspring in Ferns, County Wexford. On the whole they have been warmly welcomed to the area by Catholics and Protestants alike.
Witchcraft is growing in Ireland and Janet, the Witch Queen of Ireland, challenges usurpers to come out and fight her for her throne. Until then, Janet is a natural clairvoyant and both she and Stewart can help people who have had piseogs worked against them. She once wished ill on a man and when she told him to be quiet, he lost his voice for 48 hours.
I was at that house a year or two later (and borrowed that typewriter), and I don’t remember the theramin music everywhere outdoors, so the producers must have added because they, like the Brits, just love the TV trope of the scary countryside. With witches.
Sixth Annual Conference of the Irish Society for the Academic Study of Religions (ISASR)
Hosted by Waterford Institute of Technology
Religion, Myth and Migration
Friday 16th June 2017
We are pleased to invite scholars to take part in the sixth annual conference of the Irish Society for the Academic Study of Religions (ISASR), themed ‘Religion, Myth and Migration’. Religious traditions often draw on powerful myths which make sense of their cosmological, as well as their historical, social and geo-political position. These myths frequently involve migration, from the biblical Exodus to the Islamic Hegira, to various migratory foundation narratives in new religious movements. As religions travel, so do myths, with new forms being created over time. The physical migration of peoples means that their religions travel with them to new geographical and cultural milieus and now, in a globalised world, knowledge is transmitted and ‘migrates’ in ways that are tied in with rapid advancements in technology and information exchanges. With President Donald Trump’s recent ban on Muslim migration, the challenges of Brexit, and movement of refugees and economic migrants around the world, the religious landscapes are swiftly changing. Conceptualising ‘myth’ and ‘migration’ in the broadest sense, conference participants will discuss, reflect upon and explore these themes in relation to changing religious landscapes and the Society invites papers and contributions on areas such as:
• Migration of religions and associated myths
• Myths of religious migration and foundation myths
• Folk religion, folklore and migrant legends
• Migration of peoples, cultures and religious change
• Imaginaries/imaginaires of religious migration (cultural fears, racist agendas and religions)
• Myths within religions
• Migration of religious ideas
Scholars working in Ireland are free to submit a paper proposal on any aspect of religion in any context and, as always, we welcome presentations on research on religions in Ireland from scholars worldwide.
Call for papers: Please submit your proposal in the form of a title and an abstract (max. 250 words).
Call for slam contributions: We invite ‘slam’ contributions for a maximum duration of 6 minutes on in-progress research, new projects and publications, research networks and new programmes. Please submit a title and brief description of your slam (max. 150 words).
Both paper and slam proposals are to be submitted via email to email@example.com by the deadline of 10th March 2017. Notification of abstract/slam acceptance will be given by 27th March 2017.
Please bear in mind that papers should contribute to the aims of the ISASR as set out in the Society’s constitution, specifically that ‘The main object [is] to advance education through the academic study of religions by providing a forum for scholarly activity (…). The Society is a forum for the critical, analytical and cross-cultural study of religions, past and present. It is not a forum for confessional, apologetical, interfaith or other similar concerns’.
In association with the Study of Religions Department, University College Cork
To be held on Friday, 31st March 2017
We are pleased to invite scholars to take part in the launch and first workshop of the Irish Network for the Study of Esotericism and Paganism (INSEP), a multidisciplinary research network for scholars working on any aspect of Esotericism (historical or contemporary) or Contemporary Paganism that relates to the Irish context. Its mission is to provide a forum for networking and collaboration among scholars who are based in Ireland and those based abroad who have research interests in the subject areas of esotericism and contemporary Paganism as they relate to Ireland. A general goal of the network is to establish a forum for academics — whether established researchers, postgraduate students, early career researchers or independent scholars — to communicate with each other, share information on relevant conferences and other events, and to promote interdisciplinary collaboration among those researching in the areas of Irish esotericism and Pagan Studies. The Irish Network for the Study of Esotericism and Paganism is a Regional Network of the European Society for the Study of Western Esotericism: http://www.esswe.org/Regional
The INSEP invites papers and contributions on the subject of esotericism and Contemporary Paganism that relate to the Irish context, as well as the study of Contemporary Paganism and Western Esotericism in general, including areas such as:
• Esotericism, political change and social movements
• Ethnography and Western Esotericism
• Contemporary Pagan Studies in Ireland and/or international connections
• Media representations
• The notion of Celtic Spirituality
• Theoretical frameworks/changing paradigms in the academic study of religions
Call for papers: Please submit your proposal in the form of a title and an abstract (max. 250 words), stating institutional affiliation (or independent scholar) to Dr Jenny Butler: j.butler[at]ucc.ie by Friday 13th January 2017. Please put ‘INSEP Proposal’ in the subject line.
So began an unlikely partnership. For the past two-and-a-halfdecades and over several hundred consultations, I’ve helped clergy from multiple denominations and faiths to filter episodes of mental illness — which represent the overwhelming majority of cases — from, literally, the devil’s work.
And yet not so long ago it was a symbol of blessings and good fortune. Even its name is derived from Sanskrit roots meaning “it is good.” (Other names given to it include the cross patteé, the gammadion, the hakenkreuz or hooked cross, and the fylfot.) Today, in a somewhat truncated form, it still occupies a place in the official symbol of the Theosophical Society.
The peculiar fate of the swastika has a great deal to teach about the nature and meaning of symbols — and about the uses to which they can be put.
“Late 19th century: This atmospheric shot of the passage tomb entrance shows a man emerging from its dark interior. It was taken by R. J. Welch sometime in the late 19th century and it shows an overgrown and partially disturbed mound. Although the roofbox, through which the winter solstice sun rays should pass, is completely blocked, its decorated stone lintel can still be partially discerned c. 1 m above the entrance passageway” (Irish Archaeology).
Forthcoming from Princeton University Press, Ireland’s Immortals: A History of the Gods of Irish Myth (2016), by Mark Williams.
Think of the “Finding a God” and “Finding a Goddess” chapters of Ronald Hutton’s Triumph of the Moon — but book-length, dealing with Irish material, and the product of numerous quests through textual tunnels wherein dwell the ferocious beasts.
All of the Celtic Reconstructionist Pagans out there will probably rush not to buy it. Someone should — he is a fine writer.
From the scraps of his research that I have seen, readers (me included) should prepare to end up in places quite different than they expected.