If a phrase like “famous early twentieth century California photographer” makes you think of Edward Weston or Ansel Adams, then you probably have not heard of William Mortensen, known “as ‘the Antichrist’ by Ansel Adams, a tag that stuck after Anton LaVey dedicated The Satanic Bible to him. Primarily known as a Hollywood portrait artist, he developed a myriad of pre-Photoshop special effects to craft grotesque, erotic, and mystical images.”
Publicizing a new book of his photos, Vice offers “The Grotesque Eroticism of William Mortensen’s Lost Photography.”
His life remained a mystery. I had absorbed A. D. Coleman’s essay about Mortensen’s relegation to the backwater of photo history by the Newhalls, Adams and the rest, and, thus understood why there was little mention of him in photo history books. I’d even tracked down the booklet printed by Deborah Irmas and The Los Angeles Center for Creative Photography, who had put together the show that I’d seen. However, when I found any biographical information, the sources repeated the same story line, which came from the brief autobiographical section in Mortensen’s book The Command To Look. Beyond those slim facts there seemed to be nothing more. William Mortensen appeared to be more myth than man.
Would we say that Chicago photographer and occult historian Rik Garrett is somewhat in his lineage?