Starring Ava Gardner as the Faery Queen

Ava Gardner, 1950s.

Ava Gardner (1922–1990) was one of the most famous American film stars of the late 1940s through the 1960s, probably best known for The Night of the Iguana (1964). She had moved to London 1968, which might be why she was cast in a movie that, given my interests, I am surprised to have never heard of: Tam Lin, also known as The Devil’s Widow.  (Link to YouTube.)

“Tam Lin,”  Child Ballad 39[1]Click here for information on where in Scotland the different versions were collected. is a traditional song about a young man who takes up with the Queen of Faery and his mortal girlfriend, “fair Janet,” who fights for his return, intercepting the fairies’ ride on Halloween and pitting her love against their magic:

They’ll turn me in your arms, lady, Into an esk and adder;

But hold me fast, and fear me not, I am your bairn’s father.

They’ll turn me to a bear sae grim, And then a lion bold;

But hold me fast, and fear me not, As ye shall love your child.

Again they’ll turn me in your arms To a red het gaud of airn;

But hold me fast, and fear me not, I’ll do to you nae harm.

A Musical Interlude

Here is a stripped-down version from Anaïs Mitchell and Jefferson Hamer, performing in Toronto in 2013:

Here is the great German neofolk band Faun’s version, in German with English subtitles, featuring an actual hurdy-gurdy for that 16th-century “big band” sound.

“Tam Lin,” the Movie

I like the poster for the Spanish-language version best.

At the northern Colorado covenstead in the late 1970s, Pentangle was one of the bands whose albums were on constant rotation.[2]The definitive book on the British electric-folk revival of the 1960s–1970s is Rob Young’s Electric Eden: Unearthing Britain’s Visionary Music.

You will hear their version of “Tam Lin” in the 1970 movie Tam Lin (also titled The Ballad of Tam Lin or in one version, The Devil’s Widow). It starred Ava Garder (47 or 48 at the time) as Michaela “Mickey” Cazaret”; Ian McShane, 27, as “Tom Lynn,” her current boy-toy — one of a very long series — and Stephanie Beacham, 22, as Janet.

Plus a large cast of long-haired bellbottoms-wearing young people as the equivalent of the Fairy Crew, both a pleasure-seeking “light” version and a more violent “dark” contingent. The director was Roddy McDowell, better-known for his roles in the Planet of the Apes series.

I will return the question of disparate ages later.

You can think of this lot as the “light” fairies.

The Gentry Doing Weird Things in the Big House

Isn’t that the favorite trope of British horror films? The action may start in the city, as does Tam Lin, but the real weirdness is at the country estate where the lord/lady of the manor is a secret Satanist, Pagan, sex magician, Reptilian, whatever. One of my favorites is The Lair of the White Worm (1988), but there are So Many Others.

Tam and Mickey in happier times.

In this movie, once Tam Lin is at the big house, events pretty well follow the ballad’s narrative, with new characters added. He meets Janet (the vicar’s daughter) at Carterhaugh. Sex ensues. She becomes pregnant. He wants to leave his older mistress — but she is not going to make it easy for him, not at all.

The “Carter” Confusion

As an American, I did not have a map of the Scottish Lowlands in my head. When I read the lyrics for the electric-folk band Steeleye Span’s version of “Tam Lin” (Steeleye Span was also in heavy rotation at the covenstead in those days.), they said,

Oh, I forbid you maidens all
That wear gold in your hair
To come or go by Carter Hall
For young Tam Lin is there[3]Tam Lin here presented as a sort of young robber knight, but working for the Faeries.

But “Carter Hall”? To me, that was a brand of pipe tobacco that I saw on store shelves, named for a plantation in northern Virginia.[4]For the record, my Clifton ancestors apparently got off the boat in Surry County Virginia, on the James River, and did not own anything that qualifies as a “hall.”  That is in America, not Scotland, but maybe there was another? (Not according to Google.)

Originally,  the encounter between Tam Lin and Janet occurrs at Carterhaugh, which is a real place on the Scottish border — the name designates a farm and a woodland

Some Scots speakers have a way of dropping final “L” sounds, so “ball” becomes “ba,”  for example, and thus “Carter Hall” and “Carterhaugh” would sound about the same. So some English folksinger could hear “Carterhaugh” and think that “Carter Hall” was the “correct” wording.  The so-called correction introduced a new scribal error. This happens more than you realize.

As the Tam Lin ballad website says on its “Carterhaugh” page, “The town [Selkirk] itself doesn’t have much in the way of tourist industry aimed at Tam Lin fans.”

Older Woman, Younger Man, Younger Woman

The older woman-younger man-younger woman dramatic triangle pops up all the time. In a pre-pubescent version, it is the core of Hans Christian Anderson’s story “The Snow Queen,” published in 1844.

I read that as a kid and totally got it “wrong.” I wanted little Kai to live with the Snow Queen. She was magnetic and amazing, and who was pious little Greta coming to drag him away?

And Ava Gardner? In 1966, three years before she made Tam Lin, she tried for the part of Mrs. Robinson in The Graduate, in which “a disillusioned college graduate [Dustin Hoffman] finds himself torn between his older lover and her daughter.”

But Anne Bancroft, 35 at the time, got the part. Katharine Ross, 26, played the daughter. Yeah, do the math. Anne Bancroft was only six years older than Dustin Hoffman. Weirdly, The Graduate is described as a “romantic comedy” but also as “the 17th greatest American film of all time.”

Nevertheless, the message from pop culture, whether ballad or film, is the same: “Youth must triumph.” But older lovers have some power too, particularly if they are supernatural figures.

The Wisdom of Traditional Ballads

When I lived in Boulder, Colorado, I had a friend named Michael. A decade earlier, Michael had run a small speciality store downtown (before Pearl Street became a pedestrian mall) with another guy whom I will call W.

It seems that W. was in a relationship with an older woman. This woman had an 18-year-old daughter. W., being young and horny, went to bed with the daughter too.

When the mother found out, this did not turn into a porn-movie scenario. Oh no, this was real life.

In Michael’s words, the term “went ballistic” failed to describe the mother’s reaction.

It sounds like the closing verses of one version of the ballad “Tam Lin,” in fact:

Out then spak the Queen o Fairies,
And an angry woman was she:
“Shame betide her ill-far’d face,
And an ill death may she die,
For she’s taen awa the bonniest knight
In a’ my companie.”
“But had I kend, Tam Lin,” she says,
‘What now this night I see,
I wad hae taen out thy twa grey een,
And put in twa een o tree.”

Notes

Notes
1 Click here for information on where in Scotland the different versions were collected.
2 The definitive book on the British electric-folk revival of the 1960s–1970s is Rob Young’s Electric Eden: Unearthing Britain’s Visionary Music.
3 Tam Lin here presented as a sort of young robber knight, but working for the Faeries.
4 For the record, my Clifton ancestors apparently got off the boat in Surry County Virginia, on the James River, and did not own anything that qualifies as a “hall.”

A Quick Video Introduction to Fairy Studies

Early in the twentieth century, the famous physicist Ernest Rutherford (1871–1937), “the father of nuclear physics,”  is supposed to have remarked snarkily that all science was either physics or “stamp-collecting.” [1]Variations on the saying include “That which is not measurable is not science. That which is not physics is stamp collecting” and “Physics is the only real science. The rest are … Continue reading

By “stamp-collecting,” I have always assumed he meant collecting and classifying, in that a geologist of his time might have been mainly occupied with classifying rocks and minerals or an entymologist concerned with classifying insects. (These disciplines — and others — now include much more.)

“Stamp-collecting” likewise describes a lot of paranormal studies. The famed Charles Fort (1874–1932 was the master of it.[2]His life almost parallels Rutherford’s. Interesting. “As a young adult, Fort wanted to be a naturalist, collecting sea shells, minerals, and birds” (Wikipedia). The sheer size of his collections had an effect, however.

Fort is acknowledged by religious scholars such as Jeffrey J. Kripal and Joseph P. Laycock as a pioneering theorist of the paranormal who helped define “paranormal” as a discursive category and provided insight into its importance in human experience. Although Fort is consistently critical of the scientific study of abnormal phenomena, he remains relevant today for those who engage in such studies

Back in the the early 1690s — contemporanous with the Salem witch trials — the Rev. Robert Kirk[3]A minister in the then-large Scottish Episcopal Church was not afraid to theorize, producing a handwritten book on fairies that latter became The Secret Commonwealth. Maybe his MA at Edinburgh University prepared him.

His attempt to fit the fairies into a Great Chain of Being might not appeal to everyone, but at least it gave him a theoretical lens through which to consider them.

Kirk proposed that the reason that the fairies appeared to humanity was to convince us that an invisible realm exists, and that it’s not entirely out of reach. Their occasional interactions with humans served as both a “caution and warning” that we are not alone in the world, and that unseen, intelligent forces occasionally meddled in our affairs. Maybe these forces are still at work. (video transcript)

Then it was mostly a lot of “stamp collecting” until astronomer Jacques Vallée wrote Passport to Magonia, in which he rejected the “extraterrestrial hypothesis” for UFOs and replaced it with something more multidimensional. Until the work of Jeffrey Kripal, I would rank Kirk’s and Vallée’s books as the most important when it comes to fairy studies, more even than Evans-Wentz’ The Fairy Faith in Celtic Countries.

We still have people who are solely Bigfoot-hunters or UFO researchers or ghost-hunters or whatever, but thanks to Vallée, it is more and more common to see all of these as part of something bigger: “the phenomenon.”[4]Some BIgfoot researchers still seek a flesh-and-blood “wood ape,” which might be less psychologically threatening than an interdimensional big hairy critter.

(Video from Think Anomalous. I saw it first at Hecate Demeter.)

Notes

Notes
1 Variations on the saying include “That which is not measurable is not science. That which is not physics is stamp collecting” and “Physics is the only real science. The rest are just stamp collecting.”
2 His life almost parallels Rutherford’s. Interesting.
3 A minister in the then-large Scottish Episcopal Church
4 Some BIgfoot researchers still seek a flesh-and-blood “wood ape,” which might be less psychologically threatening than an interdimensional big hairy critter.

Scottish Academic: Runes are Hate Symbols, also Anti-Celtic

A free download from the journal Temenos: “Pagans, Nazis, Gaels, and the Algiz Rune: Addressing Questions of Historical Inaccuracy, Cultural Appropriation, and the Arguable Use of Hate Symbols at the Festivals of Edinburgh’s Beltane Fire Society”

The abstract:

Although Beltaners – members of Edinburgh’s Beltane Fire Society (BFS) – can trace the immediate origins of their society’s festivals to the collaborative efforts of anarchist performance artists and folklorists reacting against the Thatcherite government policies of the late 1980s, the ritual celebrations they routinely re-enact in the present ultimately derive from much older traditions associated with Scotland’s highly minoritised Gaelic-speaking population, a cohort to which few modern Beltaners belong. Performers at today’s festivals often incorporate runes into their regalia – a practice which does not reflect Gaelic tradition, but which is not unknown among ideologues of the far right. This paper interrogates rune use at BFS festivals, asking whether the employment of Germanic cultural elements in Celtic festivals by non-Celtic-speakers represents a distortion of history and debasement of an embattled ethnic minority, and whether it is ethically acceptable for an explicitly anti-racist organisation to share a symbolic repertoire with representatives of known hate groups.

Based on data derived from fieldwork consisting chiefly of participant observation and on the consultation of relevant academic literature, this paper evaluates the potentially problematic nature of BFS ritual performers’ rune use and related behaviours by analysing the intentions that underlie their actions, the consequences that have resulted from them, and the historical interaction of runes, ethnonationalism, and the occult that has shaped perceptions of runic meaning among those who use runes in modern times.

The runes may be part of your spiritual practice, or maybe you enjoy their literary history, but watch out: Adam Dahmer thinks that they are “problematic.”

Teach the Kids to Build a Henge

Cartoon version of Neolithic farmers in Scotland
Meet the Neolithic Family.

The paleontological/archaeological team at Twilight Beasts reviews The First Foresters: Explore the Neolithic in Scotland’s native woodlands, by Kim Biddulph and Matt Ritchie.

This little book contains a potent emphasis on environmental awareness, incorporated with attention to structures and material culture, such as timber circles and cursus monuments of the Neolithic, as well as polished stone axe heads, before challenging the participant to enter into a Neolithic mind-set – and asks is that even possible in the modern world? That’s surprisingly deep question that most adult experimental archaeologists will sigh, shrug and smile wryly at. Not a bad idea to make kids realise that we cannot ever step in the same river twice! My personal favourite activity is the construction of a wooden circle in class. I remain slightly relieved that my own daughter is not an age where this would have caught the imagination too far, and I’d have woken up surrounded by a ritual mound of books and shoes… though you never do know! It’s an activity I could see being incredibly useful , with a few more analytical tweaks, to the average First Year undergraduate archaeology student.

Best of all, it is a free download (PDF 4.7 MB)

Add some experiential learning involving stone tools, and you are all set.

Not Everyone in Salem was a Puritan

Just a post-postscript to my earlier series of posts about witchcraft and Salem, Mass.

We tend to phrase the story of the 1690s as Puritans hunting “witches,” and it is true that members of the Puritan churches set the moral tone in most of New England.

Skull of a Scot killed in the battle of Dunbar. He was young, yet his teeth showed wear from smoking a clay pipe (the circled area). (Jeff Veitch, Archaeology magazine.)

But they were not the only colonists. Most came in the “great migration” of the 1620s–1640s, and most were middle-class people or skilled artisans.

And there were lots of indentured servants. Some of the “bewitched” girls fit that category.

Indentured servitude was sort of like slavery with a time limit — after a contracted period of time, say five or more years — the servants were to be given their freedom and a small bonus of money, a set of clothing, or something. In the meantime, they could be bought and sold.

Some came voluntarily. Others were prisoners of war, and some were vagrants, orphans, and street kids rounded up in English ports. One ancestor of mine shows on a ship’s passenger list as an unaccompanied 12-year-old boy, so he probably was already someone’s servant or else the ship’s captain planned to sell him on arrival.

During the Salem witch trials, therefore, there were a significant number of Scots ex-indentured servants in Massachusetts, former POWs (mostly teenagers) from Oliver Cromwell’s campaign against his former Scottish allies during the English Civil War, who were treated terribly after their side lost the battle of Dunbar.

I learned of them when reading about the discovery of a mass grave in English city of Durham, dating to 1650. Now there’s a plaque.

Oliver Cromwell, the Lord Protector, was a real piece of work. He probably had more blood on his hands than did any actual English king.

Scottish POWs were sold (there is no other word for it) in New England, where a Puritan minister commented, “The Scots, whom God delivered into [Cromwell’s] hands at Dunbarre, and whereof sundry were sent hither, we have been desirous (as we could) to make their yoke easy. Such as were sick of scurvy or other diseases have not wanted physick and chyrurgery. They have not been sold for slaves to perpetual servitude, but for 6 or 7 or 8 yeares, as we do our owne [indentured servants] .”

Some lived and prospered, however, becoming respectable citizens, which was the difference between indentured servitude and what Cotton calls “perpetual servitude.”

Church history: the Puritans of the 17th century became the Congregational Church in America, which later helped to form the socially liberal (quite a switch) United Church of Christ—which, is however, declining in membership year by year, as are the other liberal “mainline” Protestant denominations.

“A Completely Alien Society”: The Making of “The Wicker Man”

The Wicker Man, made in 1973 and starring Christopher Lee as Lord Summerisle, Edward Woodward as Sergeant Howie of the West Highland Police, and Britt Ekland as Willow, the Aphrodite Pandemos of Summerisle, is remembered simultaneously as “the best British horror film ever” and one of the favorite movies of the Pagan revival during the 1970s, 1980s, and beyond.

Pagans for the most part emphatically do not view it as  horror film, although some avert their eyes or explain away the last few minutes. Instead, they see Summerisle, the fictional Scottish island setting, not as a “a completely alien society” but as a place where they would very much like to live — or at least go on holiday.

In 1998, to mark its twenty-fifth anniversary, BBC Scotland produced The Wicker Man Enigma,  this half-hour documentary about The Wicker Man’s making and, equally important, its mysterious post-editing existence. Some of the cast were re-interviewed: Lee reads dialogue that was cut from the final version, while Edward Woodward revisits the Scottish hotel where key scenes were filmed, socializing with some of the locals who were extras there in the “Green Man” pub.

Various trivia are examined, such as whether Britt Ekland actually had two nude body doubles rather than one, or whether a complete negative still exists, and how The Wicker Man inverts a common trope of horror films, in which sex leads to death — think of Dracula or any number of “dead teenager” movies.

Magic in Philadelphia, Worshiping Game Characters, and a Holy Mountain in Scotland

exhibitions_magic1
Photo: Penn Museum

• If you live in or near Philadelphia, visit the U. of Pennsylvania museum for “Magic in the Anciet World,” an exhibit that “explores some of the magical objects, words, and rituals used in ancient Egypt, Mesopotamia, Greece, and Rome.”

• When a Chinese grandmother left an offering at a statue of a video-game character, social media there lit up. But was she merely carrying on tradition?

• “Last temple of the Celts” might be overstating the matter just a little, but it’s an interesting article about a holy mountain in Scotland.

Odds and Ends: Runic Duct Tape, Ebola, Etsy

• Real Heathens fix stuff with runic duct tape. Or “sticky tape,” direct from Orkney to you.

To save you checking your Futhark, it says “Orkney Orkney Orkney.” I have the matching mug.

• Was the famous plague of 432 BCE in Athens an early outbreak of Ebola?

The Athenian disease began south of Egypt in a region Thucydides called “Aethiopia,” a term that ancient Greeks used to refer to regions in sub-Saharan Africa, where modern Ebola outbreaks have occurred.

Read the rest at Live Science.

• Etsy follows eBay in forbidding the sale of spell kits and the like. (What about rosaries?) I heard a brief slow-pitch interview with founder Etsy Rob Kalin this morning on NPR’s Morning Edition. (NPR loves Etsy — just do a site search.) Kalin walzed around the issue of Etsy allowing factory-made items — apparently OK if it is small factory — and the interviewer did not mention magic.

Burning Alex Salmond

The neighborhood celebration of Guy Fawkes/Bonfire Night happened last night, three nights past the canonical date, but we are southern Coloradans, not necessarily up to date.

scotland and colorado
Flags of Scotland and Colorado, united in a garage devoted to beer, auto restoration . . . and table tennis.

The hostess is emphatically Scottish. Although she has lived here more than twenty years, raised two kids, and stayed employed, she retains her British citizenship—and when the 18th of September rolled around—the Scottish referendum on independence — you could count her in the “No” camp.

alex salmond for burning
On his pocked, “45%,” the vote percentage gained by the pro-independence side.

I wasn’t too surprised then that this year’s “guy” was an effigy of Scottish National Party leader Alex Salmond. It’s not always a political thing, although one night a local landowner almost got his turn on the fire.

As usual, the daughter of the house carved a Guy Fawkes-themed jack o’ l2014 guy fawkes pumpkinantern.

I may live in a community (not a statutory town) of about six hundred, but even we have our moments of globalization.

On the other hand — and my hosts were well aware of this — had we burnt Salmond in the UK, it would have been a matter for “police concern.” In  the Sussex town of Lewes, an interesting substitution was made.