Little Bulgarian Girls Can Chase Demons Too

A photographer goes to a village in Bulgaria to photograph the Kukeri ritual, a “druidic-oriented ritual,” which “many consider being one of the only remaining practiced pagan rituals in Europe today.”

OK

, so he creates images, not history of religion — and the images are great. And he juices it up with a “girlpower” narrative too.

How Makers and Creators Might Price Their Work

King of Cups Tarot Card
Aquarian Tarot, David Palladini, 1979.

When I graduated from college, I owned three Tarot decks: the Rider-Waite/Pamela Coleman Smith deck (of course), the Marseilles deck (for history), and David Palladini’s Aquarian Tarot (well, it fit my personal aesthetic at the time).

This is fun, I thought, I should collect more Tarot decks.

And then the Tarot market exploded with publishers like Llewellyn, Lo Scarabeo, US Games, and a bunch of others coming out with Tarot or Tarot-inspired divination decks. I would have needed another bedroom — and a lot of money — to create the collection.

But it’s all good. In the last year I’ve contributed to crowd-funding for two: the American Renaissance deck, which is still in the works, and the Mushroom Tarot.

A Tarot cloth promoting the Mushroom Tarot.

One of the premiums from the Mushroom Tarot was a bandana — or Tarot cloth —  with the slogan, “In the Name of the Hyphae, the Spore, and the Holy Host.” That may go instead nto my mushrooom-hunting gear. Watch for it on the other blog next August.

So people are making their own decks, and that is wonderful, but how do you decide the production numbers and how to do you price them?

For that you should read “Show Me the Numbers: Self-Publishing vs. Traditional Publishing of a Tarot/Oracle Deck,” by Benebell Wen. There is a video and additional text, and I think this difficult topic needs text! It’s not the fun, creative part, but it is essential to think about. (And I guess you need merch like T-shirts and Tarot cloths too.)

Kind of related: Kristen Blizzard, a Colorado foraging-and-cooking blogger, and her husband recently finished a book, Wild Mushrooms: A Cookbook and Foraging Guide.

They were working with a publisher — they weren’t book authors, yet.

Ultimately we decided to jump in blind and figure it out because… mushrooms! Writing a book was never something either of us longed to put on our resumes, yet in the long run I’m glad we did.

So there was research and cooking and writing and photography. You may have taken hundreds of photos for your blog, but food photography is a speciality — she has advice on that too. Pricing and press runs will be someone else’s decision though.

Season of the Witch(crap), Part 2

Candace Aguilera trained in Guatemala’s jungle (Colorado Springs Independent).

“Season of the Witch(crap), Part 1” here.

Continuing . . .

• One more “high” priestess joke, and you’re out of here. From the Colorado Springs Independent, the weekly that gets all the cannabis advertising because the chain-owned daily paper won’t touch it: “Meet Colorado’s High Priestess of Cannabis.” Yes, it’s that favorite form of American creativity: Let’s start a church!

• The Catholic News Agency views the number of self-proclaimed witches with alarm: “Number of Americans who say they are witches is on the rise.” With video.

• If you dare . . . “Go inside a Wiccan ceremony.” Also with video. Fairly mild sauce, actually.

• It’s the Guardian again: “The season of the witch: how Sabrina and co [sic] are casting their spell over TV.”  “Diverse, digitally savvy and definitely feminist” — yes, that’s all it takes to be a media witch.

• And on public [sic] radio, “When you hear the word ‘witch,’ what does your mind conjure?” Damn, that’s clever writing. This time it’s the 1A show: “Hex in Effect: Why Witches are Back.” (Were we gone? Did I miss that memo?) A teaser for the radio show, which you can listen to if you have unlimited earbuds time.

• On Halloween, Vox.com covered the Sephora witch-kit kerfuffle, which is already old news. “The occult is having a moment. Companies want in, but not if witches can help it.” So much is wrong with this. Is there something measurable called “the occult”?  Sigh. I wanted to list everything Vox gets wrong, I would need a bigger blog. At least The Onion tells you that it is non-serious. Anyway, this one is over.

Maja, photographed by Frances Denny of Brooklyn. Denny is descended from a Salem witch-trial judge of 1692. That qualified her to “explore what it means to be a witch today.”(Daily Mail).

• Ah, those millennials. Now they are “ditching religion for witchcraft and astrology.” I could be snarky and say, “Hey, the Seventies called and they want their headlines back.” Or I could say that this is something that is always going on. Decades. Centuries.

The Daily Mail just goes for the photo shoot. If you don’t look like these “actresses, authors, and a technician,”  are you a real witch?

At least the photographer was inspired by a a worthwhile book, Stacy Schiff’s The Witches: Suspicion, Betrayal, and Hysteria in 1692. (What does it say that the Daily Mail cannot even get a book title right?)

Link fixed — sorry.

Don’t go away. There will be more. And guess what is missing from almost all of these articles.

A Haitian Take on the Rider-Waite Tarot Deck

The Nine of Cups—photo by Alice Smeets.

Members of a Haitian artists’ group are re-creating the Tarot designs of Pamela Coleman Smith, otherwise known as the Rider-Waite Deck.

Photographed by Alice Smeets, they are calling it the Ghetto Tarot.

They have lots of machetes to substitute for swords. Information on crowd-funding and purchase here.

Pentagram Pizza at the Mongolian Grill

pentagrampizzaSome links worth exploring:

• In post-Soviet Mongolia, shamanism is a “growth industry,” says an MIT anthropologist. In Manuduhai Buyandelger’s Tragic Spirits: Shamanism, Memory, and Gender in Contemporary Mongolia, she writes how, “shamanism is a historical memory for people who lost parts of their ancestral homeland, and who had been marginalized and politically oppressed.”

• Photographer Rik Garrett (formerly of the Occult Chicago blog, now relocating back to the Pacific Northwest), is interviewed at beautiful.bizarre.

Rik harnesses old, analog photography techniques and a deep sensibility that is both educated and magical. I dare to believe he is opening doors to the past, recreating a cross-section of witchcraft and the earliest technologies in photography, and to the spirit realm—illuminating phenomenon and sparking the imagination beyond the typical scope of artistry.

• Is this the first baby step toward recording your dreams?Scientists Figure Out What You See While You’re Dreaming.” I am imaging YouTube full of Inception-style videos. Yikes!

• Should you be hung as a witch? Take the test and see if you are guilty of witchcraft. (Link fixed.)

Spirits, Photography, and the Burned-Over District

Why was the Eastman Kodak Company founded in Rochester, New York, not far from the town of Hydesville (now part of Arcadia Township), where the Fox sisters birthed the American Spiritualist movement? Is there a connection between photography and spirits?

Esoteric photographer Rik Garret tof Chicago says yes, and he has launched a YouTube video series, of which this is the first episode.

He briefly mentions the Burned-Over District, which is a religion-scholar’s term for the part of northern New York (and in adjacent Vermont), where numerous new religious movements and personages started or flourished in the late 18th and early 19th centuries.

Andrew Jackson Davis, the “Poughkeepsie Seer,” was just one — Shakers, Mormons, and other movements either started or began to grow there. “Burned over” refers to the “fires” of revival movements that swept the area in the Second Great Awakening, which “reflected Romanticism characterized by enthusiasm, emotion, and an appeal to the super-natural. It rejected the skeptical rationalism and deism of the Enlightenment.”

You could say that we are still feeling it.

 

Massive 2015 Year-End Link Dump! Something for Everyone!

This is a Druid knife. It says so.

Some of the links that I saved that never turned into blog posts . . .

• The Internet loves quizes, so “What Kind of Witch Would You Be?” (answer: hearth witch). I always suspect that the answer is based on just one question, while the others are there just for fluff and decoration.

• I saved this link from the Forest Door blog because I liked this thought:

This is, indeed, one of the roots of many problems in modern polytheism – people being unwilling to wait and let things naturally evolve. My biggest concern here isn’t the specific examples of mis-assignment (though they do exist, and are indicative of a serious lack of understanding in some cases). It is the fact that these folks are sitting around trying to artificially assign gods to places and things as if it’s just a game, or at best an intellectual exercise.

Local cultus is the new kale.

Is a knife named for Druids meant for Druids? (Echoes of allegations of human sacrifice?) Just what does “Druid” mean here?

• I did like John Halstead’s post on “the tyranny of structurelessness.” See also “Reclaiming.” See also “The Theology of Consensus.”

• Turn off the computer and play a 1,600-year-old Viking war game.

• From last July, a Washington Post story on Asatruar in the Army.

A photography book of modern British folklore. Not an oxymoron.

• More photography: “Earth Magic – Photographer Rik Garrett Talks About Witchcraft.”

What if witches hadn’t changed that much since medieval times and were still fairly close to the popular imagery conveyed by their early enemies during the classical witchhunts?

• So you’re a Pagan? Here are ten ways to show respect for your elders. It’s the Pagan way.

• Philosophy should teach you how to live. “Why I Teach Plato to Plumbers.” Also, it’s Pagan.

• Reviewing a book on Greek and Roman animal sacrifice, which was, after all, the chief ritual back in the days when Paganism was the religion of the community.

• Was it the bells? Morris dancers attacked by dogs.

• Camille Paglia’s definition of “Pagan” is not mine, but she still kicks ass. Also, “Everything’s Awesome, and Camille Paglia Is Unhappy!”

• Embiggen thy word-hoard! Visit the Historical Thesaurus of Engish.

• But if you really want to go down the 15th-century rabbit hole, follow The Great Vowel Shift.

The New Yorker covers psychedelic therapy. To learn more, follow and donate to the Multidisciplinary Association for Psychedelic Studies. Also: “How Psychedelics Are Helping Cancer Patients Fend Off Despair.”

Looking good for an academic interview.

A review from last year of Season of the Witch: How the Occult Saved Rock and Roll.

• From the Chronicle of Higher Education: “How to Be Intoxicated.” Not surprisingly, Dionyus figures in more than does binge-drinking.

• Apparently the Yakuza, the Nipponese Mob, planned to call off Halloween due to a gang war. So how did that work out?

The Occluded Life of an “Occult” Photographer

William Mortensen touching up a photo portrait of the actress Jean Harlow. Other photos NSFW.

If a phrase like “famous early twentieth century California photographer” makes you think of Edward Weston or Ansel Adams, then you probably have not heard of William Mortensen, known “as ‘the Antichrist’ by Ansel Adams, a tag that stuck after Anton LaVey dedicated The Satanic Bible to him. Primarily known as a Hollywood portrait artist, he developed a myriad of pre-Photoshop special effects to craft grotesque, erotic, and mystical images.”

Publicizing a new book of his photos, Vice offers “The Grotesque Eroticism of William Mortensen’s Lost Photography.”

His life remained a mystery. I had absorbed A. D. Coleman’s essay about Mortensen’s relegation to the backwater of photo history by the Newhalls, Adams and the rest, and, thus understood why there was little mention of him in photo history books. I’d even tracked down the booklet printed by Deborah Irmas and The Los Angeles Center for Creative Photography, who had put together the show that I’d seen. However, when I found any biographical information, the sources repeated the same story line, which came from the brief autobiographical section in Mortensen’s book The Command To Look. Beyond those slim facts there seemed to be nothing more. William Mortensen appeared to be more myth than man.

Would we say that Chicago photographer and occult historian Rik Garrett is somewhat in his lineage?