In the 2000s, the Rodnoverie movement grew rapidly due to the Internet. In Russia, the Rodnoverie was among the first religions to seize the opportunities of the online space. Small communities created sites and displayed photographs of their festivals online. The availability of footage of rituals also created some uniformity in the ideas of what Rodnoverie festivals should be like. Individuals in remote parts of the country could participate in online discussions and seek likeminded people in their areas. In these discussions, many revealed that they had thought that they were the only ones adhering to the pre-Christian faith and expressed their enthusiasm to find these online and offline communities.
The Harry Potter series made magic wands kind of popular and trendy, but wands have always been around. There are two kinds: ceremonial wands and working wands. Today, Teacher Annie is going to tell you how to make a working wand!
Before I address the complicated question of how magic wands work, I feel like I should offer my credentials as a Pagan, so you’ll know I’m not a phony or anything. I see faeries. I worship vultures. I am crackerjack at explaining weird dreams.
So now we find ourselves at perhaps the #1 reason that young people want to try wands and spell work: love! Of course! You need supernatural help to get that certain someone to look your way! Okay. Before you do, please read the following cautionary tale. I didn’t write it. My good friend Anansi the Trickster Spider God didn’t write it either (although He wouldn’t mind taking credit for it).
If you’re a regular tourist on this site, you too might want to consider making a working wand. I’ve been writing “The Gods Are Bored” since 2005, and I’ve been alive a lot longer than that, and I have never known a time when I was more in need of a magic wand.
Read the series and learn what to do with that wand on the shelf — or how to make a new one.
From Caroline Tully (University of Melbourne, Australia), guest editor of an upcoming issue of The Pomegranate: The International Journal of Pagan Studies devoted to Pagan art and fashion.
A beautiful young woman drapes her long auburn hair over a human skull, pressing it close to her face like a lover. Another, clad in black and holding a wooden staff, poses like a model in a photo shoot on location in an incongruous forest. Long, elaborately decorated fake fingernails like talons grasp shiny crystals, evoking the “just so” beauty of a staged magazine spread. In the world of the Witches of Instagram, the art of photography meets business witchery and feminist activism.
Is it (still) the season of the witch? Luxury fashion house, Dior, has a tarot-themed collection; witchcraft featured in recent issues of Vogue magazine; young witch-identifying women perform “fashion magic”; and an alchemist-fashion designer has invented colour-changing hair dye, inspired by a scene in the 1996 movie, The Craft. An angry yet luxurious sex-positive feminism is in the air; goddesses, witches and sluts are rising up again, a decade and a half after Rockbitch stopped touring and almost thirty years after Annie Sprinkle’s first workshops celebrating the sacred whore.
Exhibitions showcasing the work of living and dead occult artists have been on the increase for several years now, most recently Black Light: Secret Traditions in Art Since the 1950s at the Centre de Cultura Contemporània de Barcelona, and Barry William Hale + NOKO’s Enochian performance at Dark Mofo in Tasmania. Multidisciplinary artist Bill Crisafi and dancer Alkistis Dimech exemplify the Sabbatic witchcraft aesthetic; Russ Marshalek and Vanessa Irena mix fitness and music with witchcraft in the age of the apocalypse; DJ Juliana Huxtable and queer arts collective House of Ladosha are a coven; rappers Azealia Banks and Princess Nokia are out and proud brujas; and singer Lana del Rey admits hexing Donald Trump.
The Pomegranate: The International Journal of Pagan Studies invites submissions of articles (5000–8000 words) for a special issue on Pagan Art and Fashion, edited by Caroline Tully (firstname.lastname@example.org). How are Paganism, modern Goddess worship, witchcraft and magick utilised in the service of creative self-expression today? Potential topics might fall under the general headings of, but are not limited to, Aesthetics, Dance, Fashion, Film and Television, Internet Culture, Literature, Music, and Visual Art.
Zuist leader Águst Arnar Ágústsson told the paper that the group had always planned to have a place of worship for its followers, but given the movement’s rapid expansion in Iceland, this had grown all the more urgent.
Iceland Monitor says that a surge of attraction in Zuism may be because members do not have to pay parish fees. Registered Zuists – also known as Zuistar – are being asked, instead of paying old-school parish fees, to contribute to a Ziggurat Fund to help build and maintain the planned temple.
The Wicker Man, made in 1973 and starring Christopher Lee as Lord Summerisle, Edward Woodward as Sergeant Howie of the West Highland Police, and Britt Ekland as Willow, the Aphrodite Pandemos of Summerisle, is remembered simultaneously as “the best British horror film ever” and one of the favorite movies of the Pagan revival during the 1970s, 1980s, and beyond.
Pagans for the most part emphatically do not view it as horror film, although some avert their eyes or explain away the last few minutes. Instead, they see Summerisle, the fictional Scottish island setting, not as a “a completely alien society” but as a place where they would very much like to live — or at least go on holiday.
In 1998, to mark its twenty-fifth anniversary, BBC Scotland produced The Wicker Man Enigma, this half-hour documentary about The Wicker Man’s making and, equally important, its mysterious post-editing existence. Some of the cast were re-interviewed: Lee reads dialogue that was cut from the final version, while Edward Woodward revisits the Scottish hotel where key scenes were filmed, socializing with some of the locals who were extras there in the “Green Man” pub.
Various trivia are examined, such as whether Britt Ekland actually had two nude body doubles rather than one, or whether a complete negative still exists, and how The Wicker Man inverts a common trope of horror films, in which sex leads to death — think of Dracula or any number of “dead teenager” movies.
A great four-day event, with the participation of delegations from fifteen European countries and a representation from the US, culminated in an intense and luminous common ritual on the sacred hill of the Palatine on the 2771st anniversary of Rome foundation, the “Dies Natali”. So it was the sixteenth Congress of the ECER – European Congress of Ethnic Religions, organized by the Movimento Tradizionale Romano on the theme “The pagan rituals and their sources” (19 – 22 April 2018), concluded in Rome with great success, thanks to the synergy of prestigious doctrinal and scientific contributions and an impeccable organization.
In fact, the ECER, that brings together the main representative associations of European ethnic religions, had asked MTR to hold the prestigious event in the Italian capital: the MTR accepted and decided to celebrate the Congress on the occasion of the Natal [Birthday] of Rome.
The Pagan-focused archeological tours sound fascinating too.
In the early morning, in fact, most of the participants met in Via di S. Gregorio for a visit to the Palatine Hill and the Imperial Forums. It was not, however, a mere archaeological walk, but a true spiritual itinerary on the Sacred Hill of our Tradition. . . .
Accompanied by the archaeologists Marina Simeone and Sandra Mazza, the participants were able to immerse themselves completely in the environment and at the same time feed themselves from the most sacred sources of our Roman Tradition. The in-depth illustrations and the direct vision of the still impressive architectural evidences, such as the huts of Romulus, the temple of Apollo, the house of Augustus, the palaces of Domitian, were the setting for the presentation. In particular, the amazement has caught everyone in learning that the Christian birth was born under their feet, in the fourth century, in the church of St. Anastasia, on the expropriated trunk of the feast of the Invincible Sun (Sol Invictus) and on the forgotten roots of the Lupercal – our only , true, Cave of the Nativity.
When I wrote it in the early 1990s, I was maybe more sure of how to talk about the universe than I am now. At least, that is what I ended telling the interviewer, giving him the old story about how the American anthropologist Irving Hallowell, after learning that in the Ojibwe language stones are grammatically animated (treated as alive), asked a tribal elder, “Are all stones alive.” The man thought a moment and replied, “Some are.”
(Or maybe they are experienced as alive some of the time, depending on many things—that is me talking, not Hallowell.)
This interviewer was all right—not capital-P Pagan, but someone who had thought about nature, hunting, and spirituality quite a bit. To be honest, “spirituality” is not a term that I fully comprehend, but I have to use it here.
The more I live, the more complexity I sense in the seen and unseen universe. This makes it harder and harder to talk to monotheists, who think that we merely replace the True God with a set of inferior replacements but otherwise think and worship much as they do.
Christian-derived views see the world as a collection of things initially created and ordered by God. Secularists accepting this distinction replace God with predictable laws. There is a deep distinction between human subjectivity, and the objective nature of everything else. Some secular scientists accept the dichotomy but reject consciousness as a fundamental property of reality, hoping to reduce all subjectivity to impersonal objective processes. The ‘illusion’ of mind is a side effect of determinism, and not an active part of reality.
A Pagan outlook implies what we call subjectivity and objectivity both exist ‘all the way down.’ People can be studied as if they were simply objects and there is an element of awareness in even the simplest phenomena, but reality includes both. This view is not unique to Pagans, some physicists share it, for example. But it is rarely treated seriously in many other sciences, particularly the social sciences. The social sciences usually incorporate the distinction between people and the rest of the world or, alternatively, seeks to understand us using the same ‘objective’ approaches used to understand all else.
I took the title of this post from Gus’s first post, and I am looking forward to reading them all. We need to realize how different we are.
3. Last weekend M.’s and my old home of Manitou Springsheld its annual coffin races. They started right after we moved away, but we met in Manitou, bought our first slightly-more-than-tiny house there, and have lots of memories.
The [Manitou Springs Heritage Center] will be the starting point of “ghost tours” featuring “spirit guides” who will show people around town for 45 minutes, stopping at sites where actors will play out tales of the colorful past.
“Manitou was full of witchcraft,” [Jenna[ Gallas says. “Not that it is anymore, but I think people still like to believe ooky-spooky happens here, and if we’re gonna celebrate Halloween, we’re gonna do it in Manitou, where the freaks come out every day.”
What is this “was,” Ms. Gallas? Yes, we did our part in the 1980s. Rituals upstairs in the Spa Building? You bet. Rituals outdoors downtown around the mineral springs? Those too. I have to think that someone else has carried on!
Images of witches being veiled in darkness, casting spells over cauldrons endure, but a new generation of Wiccans and witches have established growing communities in D.C. and across the country.
Yada, yada. But this good:
“[Hallowe’en is] a celebration of the witch. You can have sexy witches, you can have scary witches, but it’s still a celebration of the witch. Even if the witch isn’t shown in a positive light,” said Stephens, a 37-year-old Wiccan who also practices witchcraft.
A friend in Poland sent a link to this music video, adding that it looks a lot like the Midsummer celebration in his village but needs the volunteer firefighters, more kielbasa, and more vodka, except, “Our river’s a fair bit wider, too.” He describes the St. Nicholas Orchestra as “Pagan-friendly,” and into the “anti-clerical stratum” of Polish folk culture. Note the procession!
Relative to the other commenter’s statement that we ‘should emphasize worship over magic-working’…I believe ritual should be both worship and magick, as often as possible. Magick is the tool that is used to create a space in which the likelihood of spiritual experience is increased. Magick, religion and spirituality are equal parts of the process. Magick helps creates spaces (physical, mental , energetic…etc.) in which spiritual experiences are fostered (against all the anti-spiritual energies in our modern worlds) and religion is the negotiated language we use to try to communicate (albeit imperfectly) to one another the essence of those mystery/spirit experiences. The synergy of religion and magick is what humans use to try to foster those mystery, spiritual experience for one another. All three are needed for a community to advance together. And a huge part of large-scale ritual, IMHO, should be providing a community bonding component.
But there is a reason that I posted the music video above. It’s about community too. And in any community you have the 80/20 rule, meaning that eighty percent of the people are not magical specialists and don’t want to be. They just want a little “juice” in their lives now and then, as well as a blessing on their important life moments.1)When they are “hatched, matched, and dispatched,” as the Anglican vicar says.
In the 1980s when American Pagan festivals were newish and still somewhat small, almost everyone participated in group ritual. As the attendance grew, so did a tendency that I have noticed a big festivals for people to camp in groups, decorate their camps . . . and then just stay there. Do you want to get them out of their lawn chairs and into the (temporary autonomous) community?