In the novel, a transport aircraft carrying some of the pathfinders goes astray (as some did) causing one Private Michael Horsett to land far off-target. Horsett is taken in by a group of French Thelemite magicians — all female.
Complications ensue. The Thelemites have their own agenda. Local Resistance fighters have another agenda. Private Horsett, new to war, wants to prove himself as a soldier. And there is a Tarot puzzle built into the text. It is not easy to combine occultism with a thriller plot, but Richardson pulls it off.1)Military historians may note some oddities. For example, Wehrmacht helmets (as with other armies) came in only one size, with the adjustment in the harness.
What the obituary does not say is that in between founding his DOME (Dei Omnes Munda Edunt) astrology and meditation center in Santa Fe in 1973 and moving to Los Angeles in 1984, he and co-founder/partner David Benge lived in Colorado Springs for a time.
Imagine a typical 1970s split-level house, with what would be the living room and dining room filled with bookcases — and all the books organized by zodiacal sign, so that gardening, for instance, would be in the Virgo section. So much more mystical than my habit of putting, say, all the books on Colorado and New Mexico history together! (What Sun sign would encompass them?)
M. and I attended various talks and workshops at the DOME house. Ed was passionate about astrology, and this was the time in my life when I was deepest into it. Later, under pressure of graduate school, etc., I decided that something had to give, and that something was astrology, so I stopped doing people’s charts — these days, I might manage to check my transits once in a while. The last astrology lecture I heard was by Liz Greene (who is one of the best Jungian astrologers) in 2004.
But his Inner Guide Meditation system has a Tarot connection, and that is drawing me back to it. It will be intriguing to re-read the book.
In association with the Study of Religions Department, University College Cork
To be held on Friday, 31st March 2017
We are pleased to invite scholars to take part in the launch and first workshop of the Irish Network for the Study of Esotericism and Paganism (INSEP), a multidisciplinary research network for scholars working on any aspect of Esotericism (historical or contemporary) or Contemporary Paganism that relates to the Irish context. Its mission is to provide a forum for networking and collaboration among scholars who are based in Ireland and those based abroad who have research interests in the subject areas of esotericism and contemporary Paganism as they relate to Ireland. A general goal of the network is to establish a forum for academics — whether established researchers, postgraduate students, early career researchers or independent scholars — to communicate with each other, share information on relevant conferences and other events, and to promote interdisciplinary collaboration among those researching in the areas of Irish esotericism and Pagan Studies. The Irish Network for the Study of Esotericism and Paganism is a Regional Network of the European Society for the Study of Western Esotericism: http://www.esswe.org/Regional
The INSEP invites papers and contributions on the subject of esotericism and Contemporary Paganism that relate to the Irish context, as well as the study of Contemporary Paganism and Western Esotericism in general, including areas such as:
• Esotericism, political change and social movements
• Ethnography and Western Esotericism
• Contemporary Pagan Studies in Ireland and/or international connections
• Media representations
• The notion of Celtic Spirituality
• Theoretical frameworks/changing paradigms in the academic study of religions
Call for papers: Please submit your proposal in the form of a title and an abstract (max. 250 words), stating institutional affiliation (or independent scholar) to Dr Jenny Butler: j.butler[at]ucc.ie by Friday 13th January 2017. Please put ‘INSEP Proposal’ in the subject line.
In my twenties, the Tarot was about the most “occult” thing around that I could bring out in public settings. I learned to read the cards semi-competently and had some adventures thereby. When I made it through an evening of reading for casual strangers in a nightclub, I figured that I was probably at my pinnacle.1)I told a woman that she was pregnant althought it did not show. I was right—she already knew.
Some months back, I was reading something that Thorn Mooney had written on Tarot, maybe herTarot Skeptic blog. We see each other at long intervals; otherwise, it’s email, so I wrote and asked her what historical books on Tarot she would recommend. One was out of my price range.4)It might as well have been published by Brill. The other was The History of the Occult Tarot by Roanld Decker and Michael Dummett.
I bought the book. I read through 200-plus pages of Rosicrucians, Freemasons, ceremonial magicians, astrologers, Western Qabbalists, etc.5)Overlapping categories, yes. trying to force the Tarot to mesh with these other systems, such as the Hebrew alphabet. If it did not mesh, they hammered on it until some sort of fit was achieved, as in A. E. Waite’s switching of the Strength and Judgement cards to fit his scheme.
It all seemed part of Western esotericism’s ongoing demand for a system Where Everything Fits Together and Corresponds with Everything Else — a demand that seems informed by a quasi-monotheistic or Platonic outlook.
But what if it will not all fit together? The Tarot deck itself is a mashup. You have the four symbolic elements, which are also social groups, as favored in the Indo-European tradition:6)Other cultures get along with three, five, or whatever. Air/spades/swords/aristocracy; Fire/wands/clubs/farmers; Earth/pentacles/diamonds/merchants & craftsmen; Water/cups/hearts/priesthood.7)If you follow George Dumézil’s “trifunctional hypothesis”, you might think of this as 3 + 1, with merchants being the 1 split of from class 3, the commoners.
Built on top of that is an upper story derived from “the Pagan dream of the Renaissance,” to borrow the title of Joscelyn Godwin’s excellent book on “the almost untold story of how the rediscovery of the pagan [sic], mythological imagination during the Renaissance brought a profound transformation to European culture.”
As Decker and Dummett write in their section on Tarot-writer Eden Gray, her interpretation of Tarot symbolism was “based not on occult fantasy, but on themes well known to art historians.”8)Still she could not stop trying to glue on some “Cabalism, astrology, and numerology.” Art historians have more to offer here than do correspondence-obsessed magicians, I suggest.
The Tarot is not a mnemonic device for a set doctrime, it would seem, but a philosophical slide-rule on which the individual can work his own metaphysical and religious equations.
So forget the Hebrew alphabetic correspondences. Think instead of the Tarot as the product of some (probably aristocratic and/or clerical) creative dreamers living in (most likely) northern Italy in the 15th century. They were not Pagan as such, but they might have been what we could call “Pagan re-enactors,” trying intellectually and artistically to reinhabit the world of Greco-Roman Paganism.
They took artistic and philosophical themes of their time and grafted them onto a pre-existing card game. Among the pages of this “book” the old gods and archetypes snuggled in for a journey of five or six centuries.
I love snarky local blogs. Unfortunately, the one for my little mountain county seems mostly devoted these days to attacking one county commissioner candidate, so I will spare you that.
But thanks to a Facebook friend, I was introduced toNormal for Glastonbury, which contains such nuggets as these about the most esoteric town in England, contributed by its readers:
Lisa: ‘Get off my fucking leyline!’ a hedge monkey once shouted at the custodian of the White Spring.
Sophie: “Yesterday, whilst on the top floor of the bus returning to Glastonbury from Bristol I overheard two young men, talking excitedly about visiting Glastonbury for the first time. One French guy explained that he had a calling to go to Glastonbury because people there believe in dragons, as he did himself and in fact he always travels with his dragon. When the other man asked where his dragon was the French man explained that his dragon was riding on the roof of the bus.”
Vijay ” I have a boyfriend in the seventh dimension”
Sam: “I was stood outside St Dunstan’s house on the pavement. Woman walks up and, looking concerned asks “Can you tell me where something normal is?”. I paused and asked whatever did she mean ‘normal’? She said “Something like .. well – an Italian restaurant”. I pointed across the street to point out we had (at that time) two – there and there. She looked relieved, thanked me and walk away. It left me wondering .. why is an Italian restaurant in Glastonbury ‘normal’ and what had led to her concern?”
That comment about getting off the ley line1)Is ley line one word or two? reminded me of another blog, one devoted to conversations overheard in the too-hip university city of Boulder, Colorado, once famous for its population of Buddhist converts.2)Sedona, Arizona might be a better parallel for Glastonbury, however. (They’re still there, but Chögyam Trungpa Rinpoche is long gone.) Mirroring a more hipster/New Agey-vibe, it’s calledStay Out of My Namaste Space.
“I do yoga at the Y. They do a poor people’s scholarship which is great ‘cause I look poor on paper.”
“I was thinking about it today and I haven’t been in Europe in 2 whole years.”
“The Universe has blessed me with the opportunity to be unconnected from my smartphone.”
“I swear to God, I was the only person on this earth who thought Iceland was cool before everyone else did. I’ve literally been obsessing over Iceland for twenty years.”
“We ended up naming him Jeffrey. I wanted to name him Stannis but my psychic didn’t think that was a good idea.”
Then, of course, the voice of doubt: “He didn’t mean you.” But I will take the reflected glory of some of the big names and rising stars in the field, people like Antoine Favre, Joscelyn Godwin, Olav Hammer, Wouter Hanegraaff, Egil Asprem, Hereward Tilton, Hugh Urban, Kocku von Stuckrad, Cathy Gutierrez, Lee Irwin, and many others.
Some of its entries on are online at that link (not mine as yet). It is a religion nerd’s paradise. Right now the featured online article is “Festivals in Ancient Greece and Rome” by Fritz Graf. (In the entries I have looked at, no one else fought for the capital P.)
So it hit me that although I have yet to set foot at either of the ancient universities of Oxford and Cambridge, I have — in a small way — been published by both of their university presses. Sitting here in my little house in the pines, that is an odd and interesting thought.
We seek proposals for an essay collection entitled The Occult Imagination in Britain, 1875-1947, to be proposed to Ashgate’s new Among the Victorians and the Modernists series. Focusing on the development, popular diffusion, and international networks of British occulture between 1875-1947, the interdisciplinary volume will capitalize on the recent surge of scholarly interest in the late Victorian occult revival by tracing the development of its central and residual manifestations through the fin de siècle and two world wars. We aim to challenge the polarization of Victorian and modernist occult art and practice into discrete expressions of either a nostalgic reaction to the crisis of faith or a radical desire for the new. The collection will also map the affinities between popular and elite varieties of occultism in this period, recognizing the degree to which esoteric activities and texts relied on and borrowed from the exoteric sphere.
Israeli scholar Shai Feraro talks about Canannite (i.e., Pagan) reconstructionism in present-day Israel. This is an excerpt from his presentation at the recent conference of the European Society for the Study of Western Esotericism in Riga, Latvia. (Wish I could have been there.)
He makes a reference to the “Canaanites” who were not reconstructionists. That would be these “Canaanites.” Note that some members were fighters in the Irgun — and there is apparently a story there from the days of the Israeli struggle for independence. Basically, this movement wanted to form an Israeli/Hebrew identity that was separate from both Jewish religion and Zionism — a re-enchantment of the land.